Disembodied Voices In The Pastoral Landscape Of An Ice Sheet: Inferno, Canto XXXII, Lines 16 - 39

Disembodied Voices In The Pastoral Landscape Of An Ice Sheet: Inferno, Canto XXXII, Lines 16 - 39

We start our trek with the pilgrim Dante and his guide Virgil across the final, ninth circle of hell, an unforgiving ice sheet, where we encounter disembodied voices, questions about perspective, pastoral imagery, and some puzzling questions about how it all works.

Dante’s imagination is mechanical and full. But even he nods once in a while. Maybe a couple of times in this passage, in fact. But not in its overall effect: a nightmare of frozen bodies at the center of the universe.

Here are the segments of this episode of WALKING WITH DANTE:

[01:17] My English translation of the passage: INFERNO, Canto XXXII, lines 16 - 39. If you'd like to read along or drop a comment, please go to my website, markscarbrough.com.

[03:20] What does it mean that Dante and Virgil are "well below the feet of the giants"?

[06:00] Who says "watch out"? Why are these lines of dialogue unassigned?

[10:17] The final ring of hell is not a lake of fire, but a lake of ice, made from the rivers of hell. But there's an interesting problem here! Dante may have nodded off and forgotten some details.

[15:07] Dante bring "local" geography to the last circle of hell, furthering the complex irony in the passage.

[18:08] How does Dante know about Cocytus?

[21:15] We get pastoral glimpses inside the terror of the final ice sheet.

[24:10] The damned use a language denied to Dante the poet.

[25:31] Cocytus is a noisy place!

[26:22] The final revelation is that the endpoint of evil is immobility.

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Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

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4 Loka 28min

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Piccarda may have vanished but questions remain. The pilgrim Dante is caught between them, unable to voice them.Beatrice to the rescue! She voices what he cannot say . . . or perhaps what he is afraid...

30 Syys 28min

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

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13 Syys 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Syys 28min

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

The Souls of the Universe: PARADISO, Canto II, Lines 127 - 148

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6 Syys 27min