The Zombie Apocalypse: INFERNO, Canto XXXIII, Lines 118 - 157
Walking With Dante16 Marras 2022

The Zombie Apocalypse: INFERNO, Canto XXXIII, Lines 118 - 157

We've come to the last sinner who speaks in INFERNO. And his story is as wild as it gets. He claims that once someone violates the guest/host relationship, their soul exits their body and falls into the ice sheet at the center of the earth. Their body is then made into a puppet for a demon.

Join me, Mark Scarbrough, as we walk through the third ring of Cocytus, Ptolomea, out on the ice sheet of the ninth circle of Dante's INFERNO. It's one last imaginative blast before the final revelation of INFERNO.

Here are the segments for this episode of the podcast WALKING WITH DANTE:

[01:50] My English translation of this passage: INFERNO, Canto XXXIII, lines 118 - 157. If you'd like to read along, print it off, make notes, or drop comments, please find it on my website: markscarbrough.com.

[05:37] Brother Alberigo clearly wants to be known.

[07:02] Who is Brother Alberigo as a historical figure?

[09:52] Why is Brother Alberigo here when he's still alive?

[11:09] What's the deal with the dates and figs?

[12:09] Who is Branca Doria?

[14:26] Branca Doria actually outlived the poet Dante!

[15:34] The artistic problem with so much emphasis on the historical identities of the characters in COMEDY.

[18:06] What does "Ptolomea" mean, this third ring of Cocytus, the ninth circle of hell?

[20:52] Theology in the passage: first (strangely) a reference to Atropos.

[21:50] Theology in the passage: the guest/host relationship.

[26:30] Theology in the passage: zombies!

[28:58] The condemnation of Genoa as the last of a list of condemnations of central Italian city-states.

[33:32] What is justice in this passage?

[36:11] I don't need Saint Dante. I need a great poet.

[38:27] Rereading the entire journey across Ptolomea: INFERNO, Canto XXXIII, lines 91 - 157.

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Of Moon Spots and Virgil: PARADISO, Canto II, Lines 46 - 63

Of Moon Spots and Virgil: PARADISO, Canto II, Lines 46 - 63

Now that our pilgrim Dante is standing in the moon, he has a fundamental question: Why are there spots on the moon?And he thinks he knows the answer, right out of natural philosophy. They're caused by...

23 Elo 21min

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

Incarnated in the Moon: PARADISO, Canto II, Lines 19 - 45

After Dante's warning to his readers (or perhaps some of his readers), we return to the plot, ascending through the heavens to arrive at the moon . . . or really, in the moon.Dante and Beatrice find t...

19 Elo 28min

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Elo 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Elo 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Elo 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Elo 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Elo 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Heinä 41min

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