Let's Walk Out To See The Stars: INFERNO, Canto XXXIV, Lines 127 - 139
Walking With Dante18 Joulu 2022

Let's Walk Out To See The Stars: INFERNO, Canto XXXIV, Lines 127 - 139

Can you believe we got here? The final lines of the first canticle of Dante's masterwork, COMEDY.

Join me, Mark Scarbrough, as we climb out of hell to see the most gorgeous things we know: the stars in the heavens above.

Here are the segments of this episode of WALKING WITH DANTE:

[00:58] My English translation of the passage: INFERNO, Canto XXXIV, lines 127 - 139. If you'd like to read long, drop a comment, or print it off, go to my website: markscarbrough.com.

[02:35] Dante the poet enters Virgil's space: explanatory material.

[05:06] Why does Dante the poet so understate the climb out?

[06:21] Virgil's explanation of this cavern and the mountain above us stated as supposition because Virgil has no experiential knowledge of this geography.

[07:31] INFERNO may end on a point of uncertainty: What is this little stream they follow?

[10:12] INFERNO ends with the stars.

[11:48] More importantly, INFERNO ends with Virgil's exit from hell.

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

Jaksot(512)

Plato and Beatrice, Together At Last: PARADISO, Canto IV, Lines 49 - 63

Plato and Beatrice, Together At Last: PARADISO, Canto IV, Lines 49 - 63

Beatrice continues her rectification of Dante's doubts by using a passage from Plato's TIMAEUS to turn her argument from accommodation to free will.This passage contains perhaps the heart of Beatrice'...

11 Loka 26min

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Beatrice begins to take apart the two questions (or doubts) that she has intuited the pilgrim Dante is holding in silence.She first takes on the one with more "poison" in this passage, in which she re...

4 Loka 28min

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Piccarda may have vanished but questions remain. The pilgrim Dante is caught between them, unable to voice them.Beatrice to the rescue! She voices what he cannot say . . . or perhaps what he is afraid...

30 Syys 28min

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Syys 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Syys 28min