INFERNO: Final Thoughts Without Firm Conclusions
Walking With Dante29 Tammi 2023

INFERNO: Final Thoughts Without Firm Conclusions

We've come to the end of our slow-walk through INFERNO, the first third of Dante's masterpiece, COMEDY.

Join me, Mark Scarbrough, for some final thoughts on this overwhelming poem. No conclusions, really. Just some access points to help you think more about this incredible journey.

Here are the segments of this episode of WALKING WITH DANTE:

[01:28] One negative assessment: There are some awkward transition points in the poem.

[03:34] One possible explanation for those awkward points: Gothic juxtaposition.

[05:37] A second negative assessment: Some classical references appear to be a tad ornamental.

[07:52] But a possible answer to these rough patches: Dante sets up scenes before we encounter them.

[09:18] And INFERNO has begun to fold back in on itself by its end, making reference to its own poetic self.

[11:58] Dante is engaged in fantastic world-building.

[14:20] Dante offers a developmental hypothesis for both the pilgrim and the poet.

[17:20] Dante willingly breaks churchly orthodoxy in the service of a greater, more human orthodoxy.

[21:35] Dante democratizes the afterlife.

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Plato and Beatrice, Together At Last: PARADISO, Canto IV, Lines 49 - 63

Plato and Beatrice, Together At Last: PARADISO, Canto IV, Lines 49 - 63

Beatrice continues her rectification of Dante's doubts by using a passage from Plato's TIMAEUS to turn her argument from accommodation to free will.This passage contains perhaps the heart of Beatrice'...

11 Loka 26min

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Seeing Is (Almost) Believing: PARADISO, Canto IV, Lines 28 - 48

Beatrice begins to take apart the two questions (or doubts) that she has intuited the pilgrim Dante is holding in silence.She first takes on the one with more "poison" in this passage, in which she re...

4 Loka 28min

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Paralyzed by Free Will: PARADISO, Canto IV, Lines 1 - 27

Piccarda may have vanished but questions remain. The pilgrim Dante is caught between them, unable to voice them.Beatrice to the rescue! She voices what he cannot say . . . or perhaps what he is afraid...

30 Syys 28min

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

The Expanding Community of Women in the Moon: PARADISO, Canto III, Lines 109 - 130

Piccarda Donati doesn’t stop her monologue with the cryptic line about her life after the convent. She turns to another figure in the lunar landscape: Constance I of Sicily, the Holy Roman Empress and...

23 Syys 23min

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

The Violent yet Elliptical End to Piccarda Donati's Story: PARADISO, Canto III, Lines 88 - 108

Piccarda Donati finally answers the question about who she is. She's given her name but not much else about her. In twelve lines (or four tercets) she brings her personal story to its violent yet elli...

20 Syys 27min

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda Donati's Apotheosis of the Will: PARADISO, Canto III, Lines 58 - 87

Piccarda has confessed to her more humble place in the heavens. Our pilgrim Dante then wants to know if she wants more.Her answer leads her to an apotheosis of the will. Everything in the universe is ...

16 Syys 30min

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

The First Soul in Paradise, Piccarda Donati: PARADISO, Canto III, Lines 34 - 57

At long last, the first soul--or "shade"--steps forward in Paradise. She's Piccarda Donati, a figure we've already encountered once (maybe even twice) in COMEDY.Dante flatters her to speak and she beg...

13 Syys 29min

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Catching Feelings in the Sensual Sphere of the Moon: PARADISO, Canto III, Lines 1 - 33

Dante is about to meet the first souls in Paradise, emerging from the liquid light of the moon.The poetry is lush and sensuous. The metaphors are complex and compounded. And Beatrice is a bit chilly, ...

9 Syys 28min