The Love That Dares To Speak Its Name: PURGATORIO, Canto XXVI, Lines 94 - 114

The Love That Dares To Speak Its Name: PURGATORIO, Canto XXVI, Lines 94 - 114

Guido Guinizzelli has named himself and our pilgrim, Dante, is aghast.

He gets lost in a classical simile that almost loses its sense, only to finally find his love for this poetic father and express himself in the straightfoward, new style from which his own poetry was born.

Join me, Mark Scarbrough, as we work through another complicated but ultimately satisfying passage on the seventh terrace of Mount Purgatory among the lustful penitents.

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Here are the segments for this episode of WALKING WITH DANTE:

[01:22] My English translation of PURGATORIO, Canto XXVI, lines 94 - 114. If you'd like to read along or drop a comment to continue the conversation, please find this episode's entry on my website, markscarbrough.com.

[03:21] Guido Guinizzelli substituted a philosophical ideal for feudal love.

[07:06] A ridiculously complex simile in the midst of a discussion of the sweet new style.

[11:18] Dante finds a father, perhaps one of the goals of COMEDY.

[13:06] The pilgrim backs off from homoeroticism with feudal pledges.

[15:50] Guinizzelli gets Dante's footprint that even Lethe won't wash away.

[17:24] Poetry may ironically offer a hint of its immortality in its materiality.

[21:47] Rereading PURGATORIO, Canto XXVI, lines 94 - 114.

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Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

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Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

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Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Elo 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Elo 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

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2 Elo 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

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29 Heinä 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

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From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Heinä 37min

Final Thoughts On PURGATORIO

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We've reached the end of our time on the great mountain of Purgatory . . . and in the great second canticle of COMEDY.Here are some final thoughts, an attempt to bring our time with this part of the p...

26 Huhti 19min