Farewell, Virgil: PURGATORIO, Canto XXX, Lines 22 - 54
Walking With Dante7 Tammi

Farewell, Virgil: PURGATORIO, Canto XXX, Lines 22 - 54

The parade of revelation has stopped and everything holds its breath for what comes next.

She's veiled, behind scattered flowers. But Beatrice arrives, in the place of Jesus Christ, her second coming, her advent in the victory chariot.

And as she arrives, Virgil disappears from COMEDY. (Statius, too, even if he's still standing next to the pilgrim.)

This moment is perhaps the climax of the poem as we have understood it up until now. From here on, everything changes. We have moved out of time and into a world beyond human reason. It's a cause for rejoicing but also for great sadness.

Here are the segments for this episode of WALKING WITH DANTE:

[01:13] My English translation of PURGATORIO, Canto XXX, Lines 22 - 54. If you'd like to read along or drop a comment about this episode, please find its entry on my website, markscarbrough.com.

[04:14] Word choices in the passage that reflect its thematic and emotional space.

[07:04] The Vita Nuova as foundational to Beatrice's appearance.

[12:00] Beatrice's colors and the parade of revelation.

[13:39] Christological confusions with Beatrice.

[16:48] Gender confusions during her arrival.

[19:10] The pilgrim's imagined dialogue with a (mis)quote from The Aeneid.

[23:03] The sad, quiet disappearance of Virgil and the pilgrim's pronounced, loud interiority.

[29:02] The silent, almost unnoticed departure of Statius from the poem.

[31:06] The cleansing of the pilgrim as a bookend for the work of PURGATORIO.

[32:39] Rereading the passage: PURGATORIO, Canto XXX, lines 22 - 54

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