Farewell, Virgil: PURGATORIO, Canto XXX, Lines 22 - 54
Walking With Dante7 Tammi

Farewell, Virgil: PURGATORIO, Canto XXX, Lines 22 - 54

The parade of revelation has stopped and everything holds its breath for what comes next.

She's veiled, behind scattered flowers. But Beatrice arrives, in the place of Jesus Christ, her second coming, her advent in the victory chariot.

And as she arrives, Virgil disappears from COMEDY. (Statius, too, even if he's still standing next to the pilgrim.)

This moment is perhaps the climax of the poem as we have understood it up until now. From here on, everything changes. We have moved out of time and into a world beyond human reason. It's a cause for rejoicing but also for great sadness.

Here are the segments for this episode of WALKING WITH DANTE:

[01:13] My English translation of PURGATORIO, Canto XXX, Lines 22 - 54. If you'd like to read along or drop a comment about this episode, please find its entry on my website, markscarbrough.com.

[04:14] Word choices in the passage that reflect its thematic and emotional space.

[07:04] The Vita Nuova as foundational to Beatrice's appearance.

[12:00] Beatrice's colors and the parade of revelation.

[13:39] Christological confusions with Beatrice.

[16:48] Gender confusions during her arrival.

[19:10] The pilgrim's imagined dialogue with a (mis)quote from The Aeneid.

[23:03] The sad, quiet disappearance of Virgil and the pilgrim's pronounced, loud interiority.

[29:02] The silent, almost unnoticed departure of Statius from the poem.

[31:06] The cleansing of the pilgrim as a bookend for the work of PURGATORIO.

[32:39] Rereading the passage: PURGATORIO, Canto XXX, lines 22 - 54

Tämä jakso on lisätty Podme-palveluun avoimen RSS-syötteen kautta eikä se ole Podmen omaa tuotantoa. Siksi jakso saattaa sisältää mainontaa.

Jaksot(498)

Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

16 Elo 25min

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Beatrice continues in her discourse about our natural instincts, making the bold claim that they can lead us to our natural ends . . . which are the good, not the catastrophic bad.Her Scholastic theol...

12 Elo 23min

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

Beatrice has answered Dante's first doubt, but he has another. He can't quite understand how he, maybe in his body, can make his way across the universe.She doesn't have a quick answer. Instead, she h...

9 Elo 25min

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

5 Elo 37min

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

The plot gets underway in PARADISO.Our pilgrim Dante turns to Beatrice . . . who is paying him no attention. She's staring at the sun.So he does the same! He hasn't even left earth, yet the miraculous...

2 Elo 36min

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

Our poet moves from his scholastic and even (medieval) scientific opening of PARADISO into his invocation . . . to Apollo?This passage has often embarrassed Dante scholars who feel the need to excuse ...

29 Heinä 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

26 Heinä 37min

Final Thoughts On PURGATORIO

Final Thoughts On PURGATORIO

We've reached the end of our time on the great mountain of Purgatory . . . and in the great second canticle of COMEDY.Here are some final thoughts, an attempt to bring our time with this part of the p...

26 Huhti 19min