In Which Pilgrimage Becomes Crusade: PURGATORIO, Canto XXXIII, Lines 61 - 78

In Which Pilgrimage Becomes Crusade: PURGATORIO, Canto XXXIII, Lines 61 - 78

Beatrice concludes her monologue at the end of PURGATORIO with some dazzling metaphoric pyrotechnics, a slam on Dante's intellect, and a redefinition of this journey across the known universe. It's not just any old pilgrimage. It's a crusade.

Join me, Mark Scarbrough, as we look at the final images of her speech and discover its larger, structural details . . . which point us directly ahead to PARADISO.

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Here are the segments for this episode of WALKING WITH DANTE:

[01:11] My English translation of PURGATORIO, Canto XXXIII, Lines 61 - 78. If you'd like to read along or continue the conversation about this episode, please find its entry on my website, markscarbrough.com.

[03:03] Fun calculations to discover how long Adam (and Eve) stayed in Limbo.

[07:52] Beatrice's assertions about the writing and reading of texts.

[13:33] References to the river Elsa and to Pyramus.

[17:10] A badly mixed metaphor that leads into questions of interiority.

[21:14] Rereading all of Beatrice's final monologue in PURGATORIO: XXXIII: 31 - 78.

[23:49] Four structural notes on this monologue.

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Go Home: PARADISO, Canto II, Lines 1 - 18

Go Home: PARADISO, Canto II, Lines 1 - 18

Our poet steps out of the shadows with an important message: "Go home."Because PARADISO is hard. Because we might get lost. Because we're not prepared.The stark address to all readers--or perhaps to a...

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Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

Of Natural Instincts and Their Natural Ends: PARADISO, Canto I, Lines 115 - 142

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Sailing Across the Great Sea of "To Be": PARADISO, Canto I, Lines 94 - 114

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Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Returning Home Through the Music of the Spheres: PARADISO, Canto I, Lines 61 - 93

Our pilgrim finds everything doubled in brightness . . . because he's begun to fly up to the heavens, although he doesn't know it at first.He's too busy figuring out all that light . . . and listening...

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Staring at the Sun: PARADISO, Canto I, Lines 37 - 60

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A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

A Polyvocal Passage With All Its Dissonances: PARADISO, Canto I, Lines 13 - 36

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29 Heinä 41min

Welcome to a Renegotiated Poem: PARADISO, Canto I, Lines 1 - 12

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From its opening lines, it's clear that PARADISO is not like what has come before in COMEDY. Dante seems to be renegotiating the terms of his poem, establishing a new voice, a new model, and a new met...

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Final Thoughts On PURGATORIO

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