Moby Dick

In 1897, Gustav Klimt led a group of radical artists to break free from the cultural establishment of Vienna and found a movement that became known as the Vienna Secession. In the vibrant atmosphere of coffee houses, Freudian psychoanalysis and the music of Wagner and Mahler, the Secession sought to bring together fine art and music with applied arts such as architecture and design. The movement was characterized by Klimt’s stylised paintings, richly decorated with gold leaf, and the art nouveau buildings that began to appear in the city, most notably the Secession Building, which housed influential exhibitions of avant-garde art and was a prototype of the modern art gallery. The Secessionists themselves were pioneers in their philosophy and way of life, aiming to immerse audiences in unified artistic experiences that brought together visual arts, design, and architecture. With:Mark Berry, Professor of Music and Intellectual History at Royal Holloway, University of LondonLeslie Topp, Professor Emerita in History of Architecture at Birkbeck, University of LondonAndDiane Silverthorne, art historian and 'Vienna 1900' scholarProducer: Eliane GlaserReading list:Mark Berry, Arnold Schoenberg: Critical Lives (Reaktion Books, 2018)Gemma Blackshaw, Facing the Modern: The Portrait in Vienna 1900 (National Gallery Company, 2013)Elizabeth Clegg, Art, Design and Architecture in Central Europe, 1890-1920 (Yale University Press, 2006)Richard Cockett, Vienna: How the City of Ideas Created the Modern World (Yale University Press, 2023)Stephen Downes, Gustav Mahler (Reaktion Books, 2025)Peter Gay, Freud, Jews, and Other Germans: Masters and Victims in Modernist Culture (Oxford University Press, 1979)Tag Gronberg, Vienna: City of Modernity, 1890-1914 (Peter Lang, 2007)Allan S. Janik and Hans Veigl, Wittgenstein in Vienna: A Biographical Excursion Through the City and its History (Springer/Wien, 1998)Jill Lloyd and Christian Witt-Dörring (eds.), Vienna 1900: Style and Identity (Hirmer Verlag, 2011)William J. McGrath, Dionysian Art and Populist Politics in Austria (Yale University Press, 1974)Tobias Natter and Christoph Grunenberg (eds.), Gustav Klimt: Painting, Design and Modern Life (Tate, 2008)Carl E. Schorske, Fin-de-siècle Vienna: Politics and Culture (Vintage, 1979)Elana Shapira, Style and Seduction: Jewish Patrons, Architecture and Design in Fin-de-Siècle Vienna (Brandeis University Press, 2016)Diane V Silverthorne, Dan Reynolds and Megan Brandow-Faller, Die Fläche: Design and Lettering of the Vienna Secession, 1902-1911 (Letterform Archive, 2023)Edward Timms, Karl Kraus: Apocalyptic Satirist: Culture & Catastrophe in Habsburg Vienna (Yale University Press, 1989)Leslie Topp, Architecture and Truth in Fin-de-Siècle Vienna (Cambridge University Press, 2004)Peter Vergo, Art in Vienna, 1898-1918: Klimt, Kokoschka, Schiele and Their Contemporaries (4th ed., Phaidon, 2015)Hans-Peter Wipplinger (ed.), Vienna 1900: Birth of Modernism (Walther & Franz König, 2019)Hans-Peter Wipplinger (ed.), Masterpieces from the Leopold Museum (Walther & Franz König)Stefan Zweig, The World of Yesterday: An Autobiography (University of Nebraska Press, 1964)In Our Time is a BBC Studios Audio ProductionSpanning history, religion, culture, science and philosophy, In Our Time from BBC Radio 4 is essential listening for the intellectually curious. In each episode, host Melvyn Bragg and expert guests explore the characters, events and discoveries that have shaped our world.

3 Heinä 54min

Ever since Franz Anton Mesmer induced trance-like states in his Parisian subjects in the late eighteenth century, dressed in long purple robes, hypnosis has been associated with performance, power and the occult.  It has exerted a powerful hold over the cultural imagination, featuring in novels and films including Bram Stoker’s Dracula and George du Maurier’s Trilby - and it was even practiced by Charles Dickens himself.But despite some debate within the medical establishment about the scientific validity of hypnosis, it continues to be used today as a successful treatment for physical and psychological conditions. Scientists are also using hypnosis to learn more about the power of suggestion and belief. With: Catherine Wynne, Reader in Victorian and Early Twentieth-Century Literature and Visual Cultures at the University of HullDevin Terhune, Reader in Experimental Psychology at King’s College LondonAndQuinton Deeley, Consultant Neuropsychiatrist at the South London and Maudsley NHS Foundation Trust, and Senior Lecturer at the Institute of Psychiatry, Psychology and Neuroscience at King’s College London, where he leads the Cultural and Social Neuroscience Research Group.Producer: Eliane GlaserReading list:Henri F. Ellenberger, The Discovery of the Unconscious: The History and Evolution of Dynamic Psychiatry (Vol. 1, Basic Books, 1970)William Hughes, That Devil’s Trick: Hypnotism and the Victorian Popular Imagination (Manchester University Press, 2015)Asti Hustvedt, Medical Muses: Hysteria in Nineteenth-Century Paris (Bloomsbury, 2011)Fred Kaplan, Dickens and Mesmerism: The Hidden Springs of Fiction (first published 1975; Princeton University Press, 2017)Wendy Moore, The Mesmerist: The Society Doctor Who Held Victorian London Spellbound (Weidenfeld and Nicolson, 2017)Michael R. Nash and Amanda J. Barnier (eds.), The Oxford Handbook of Hypnosis Theory, Research, and Practice (Oxford University Press, 2012)Judith Pintar and Steven Jay Lynn, Hypnosis: A Brief History (John Wiley & Sons, 2008)Amir Raz, The Suggestible Brain: The Science and Magic of How We Make Up Our Minds (Balance, 2024)Robin Waterfield, Hidden Depths: The Story of Hypnosis (Pan, 2004) Alison Winter, Mesmerized: Powers of Mind in Victorian Britain (Chicago University Press, 1998) Fiction: Thomas Mann, Mario and the Magician: & other stories (first published 1930; Vintage Classics, 1996)George du Maurier, Trilby (first published 1894; Penguin Classics, 1994)Bram Stoker, Dracula (first published 1897; Penguin Classics, 2003)In Our Time is a BBC Studios Audio production

26 Kesä 45min

Melvyn Bragg and guests discuss the life and role of one of the most significant figures in early 20th Century German history. Paul von Hindenburg (1847-1934) had been famous since 1914 as the victorious commander at the Battle of Tannenberg against Russian invaders, soon burnishing this fame on the Western Front and Hindenburg was to claim he would have won there too, if enemies at home had not 'stabbed Germany in the back'. He won Germany’s Presidential election twice during the Weimar Republic, as a candidate of national unity and, while he gained his second term as a ‘stop Hitler’ candidate, President Hindenburg was to appoint Hitler as Chancellor and transfer some of his charisma onto him – a move so disastrous that Germans were later to ask if the myth of Hindenburg had always been an illusion. WithAnna von der Goltz Professor of History at Georgetown University, Washington DCChris Clark Regius Professor of History at the University of CambridgeAndColin Storer Associate Professor in Modern European History at the University of WarwickProducer: Simon TillotsonReading list:William J. Astore and Dennis E. Showalter, Hindenburg: Icon of German Militarism (Potomac Books, 2005)Benjamin Carter Hett, The Death of Democracy: Hitler's Rise to Power (William Heinemann, 2018) Andreas Dorpalen, Hindenburg and the Weimar Republic (first published 1964; Princeton University Press, 2016)Jürgen W. Falter, 'The Two Hindenburg Elections of 1925 and 1932: A Total Reversal of Voter Coalitions' (Central European History, 32/2, 1990)Peter Fritzsche, 'Presidential Victory and Popular Festivity in Weimar Germany: Hindenburg's 1925 Election' (Central European History, 32/2, 1990) Larry Eugene Jones, Hitler Versus Hindenburg: The 1932 Presidential Elections and the End of the Weimar Republic (Cambridge University Press, 2016) Martin Kitchen, The Silent Dictatorship: The Politics of the German High Command under Hindenburg and Ludendorff, 1916-1918 (first published 1976; Routledge, 2021) John Lee, The Warlords: Hindenburg and Ludendorff (Weidenfeld & Nicolson, 2005) Frank McDonough, The Weimar Years: Rise and Fall, 1918-1933 (Apollo, 2023) Nadine Rossol and Benjamin Ziemann (eds.), The Oxford Handbook of the Weimar Republic (Oxford University Press, 2022)Richard Scully, 'Hindenburg: The Cartoon Titan of the Weimar Republic, 1918-1934' (German Studies Review, 35/3, 2012)Colin Storer, A Short History of the Weimar Republic (Revised Edition, Bloomsbury, 2024)Anna von der Goltz, Hindenburg: Power, Myth and the Rise of the Nazis (Oxford University Press, 2009) Alexander Watson, Ring of Steel: Germany and Austria-Hungary at War, 1914-1918 (Penguin, 2015)J. W. Wheeler-Bennett, Hindenburg: The Wooden Titan (first published 1936; Macmillan, 1967)In Our Time is a BBC Studios Audio Production

19 Kesä 52min

In 1710, the British Parliament passed a piece of legislation entitled An Act for the Encouragement of Learning. It became known as the Statute of Anne, and it was the world’s first copyright law. Copyright protects and regulates a piece of work - whether that's a book, a painting, a piece of music or a software programme. It emerged as a way of balancing the interests of authors, artists, publishers, and the public in the context of evolving technologies and the rise of mechanical reproduction. Writers and artists such as Alexander Pope, William Hogarth and Charles Dickens became involved in heated debates about ownership and originality that continue to this day - especially with the emergence of artificial intelligence. With:Lionel Bently, Herchel Smith Professor of Intellectual Property Law at the University of CambridgeWill Slauter, Professor of History at Sorbonne University, ParisKatie McGettigan, Senior Lecturer in American Literature at Royal Holloway, University of London. Producer: Eliane GlaserReading list:Isabella Alexander, Copyright Law and the Public Interest in the Nineteenth Century (Hart Publishing, 2010)Isabella Alexander and H. Tomás Gómez-Arostegui (eds), Research Handbook on the History of Copyright Law (Edward Elgar Publishing, 2016)David Bellos and Alexandre Montagu, Who Owns this Sentence? A History of Copyrights and Wrongs (Mountain Leopard Press, 2024)Oren Bracha, Owning Ideas: The Intellectual Origins of American Intellectual Property, 1790-1909 (Cambridge University Press, 2016)Elena Cooper, Art and Modern Copyright: The Contested Image (Cambridge University Press, 2018)Ronan Deazley, On the Origin of the Right to Copy: Charting the Movement of Copyright Law in Eighteenth Century Britain, 1695–1775 (Hart Publishing, 2004)Ronan Deazley, Rethinking Copyright: History, Theory, Language (Edward Elgar Publishing, 2006)Ronan Deazley, Martin Kretschmer and Lionel Bently (eds.), Privilege and Property: Essays on the History of Copyright (Open Book Publishers, 2010)Marie-Stéphanie Delamaire and Will Slauter (eds.), Circulation and Control: Artistic Culture and Intellectual Property in the Nineteenth Century (Open Book Publishers, 2021) Melissa Homestead, American Women Authors and Literary Property, 1822-1869 (Cambridge University Press, 2005)Adrian Johns, Piracy: The Intellectual Property Wars from Gutenberg to Gates (University of Chicago Press, 2009)Meredith L. McGill, American Literature and the Culture of Reprinting, 1834-1853 (University of Pennsylvania Press, 2002)Mark Rose, Authors and Owners: The Invention of Copyright (Harvard University Press, 1993)Mark Rose, Authors in Court: Scenes from the Theater of Copyright (Harvard University Press, 2018)Catherine Seville, Internationalisation of Copyright: Books, Buccaneers and the Black Flag in the Nineteenth Century (Cambridge University Press, 2006)Brad Sherman and Lionel Bently, The Making of Modern Intellectual Property Law (Cambridge University Press, 1999)Will Slauter, Who Owns the News? A History of Copyright (Stanford University Press, 2019)Robert Spoo, Without Copyrights: Piracy, Publishing and the Public Domain (Oxford University Press, 2013)In Our Time is a BBC Studios Audio production

12 Kesä 1h

Melvyn Bragg and guests discuss the decisive role of one of the great 20th Century physicists in solving the question of nuclear fission. It is said that Meitner (1878-1968) made this breakthrough over Christmas 1938 while she was sitting on a log in Sweden during a snowy walk with her nephew Otto Frisch (1904-79). Both were Jewish-Austrian refugees who had only recently escaped from Nazi Germany. Others had already broken uranium into the smaller atom barium, but could not explain what they found; was the larger atom bursting, or the smaller atom being chipped off or was something else happening? They turned to Meitner. She, with Frisch, deduced the nucleus really was splitting like a drop of water into a dumbbell shape, with the electrical charges at each end forcing the divide, something previously thought impossible, and they named this ‘fission’. This was a crucial breakthrough for which Meitner was eventually widely recognised if not at first.WithJess Wade A Royal Society University Research Fellow and Lecturer in Functional Materials at Imperial College, LondonFrank Close Professor Emeritus of Theoretical Physics and Fellow Emeritus at Exeter College, University of OxfordAnd Steven Bramwell Director of the London Centre for Nanotechnology and Professor of Physics at University College LondonProducer: Simon TillotsonReading list:Frank Close, Destroyer of Worlds: The Deep History of the Nuclear Age, 1895-1965 (Allen Lane, 2025)Ruth Lewin Sime, Lise Meitner: A Life in Physics (University of California Press, 1996)Marissa Moss, The Woman Who Split the Atom: The Life of Lise Meitner (Abrams Books, 2022)Patricia Rife, Lise Meitner and the Dawn of the Nuclear Age (Birkhauser Verlag, 1999) In Our Time is a BBC Studios Audio Production

5 Kesä 57min

Melvyn Bragg and guests discuss Korea's brief but significant period as an empire as it moved from the 500-year-old dynastic Joseon monarchy towards modernity. It was in October 1897 that King Gojong declared himself Emperor, seizing his chance when the once-dominant China lost to Japan in the First Sino-Japanese War. The king wanted to have the same status as the neighbouring Russian, Chinese and Japanese Emperors, to shore up a bid for Korean independence and sovereignty when the world’s major powers either wanted to open Korea up to trade or to colonise it. The Korean Empire lasted only thirteen years, yet it was a time of great transformation for this state and the whole region with lasting consequences in the next century…With Nuri Kim Associate Professor in Korean Studies at the faculty of Asian and Middle Eastern Studies at the University of Cambridge and Fellow of Wolfson CollegeHolly Stephens Lecturer in Japanese and Korean Studies at the University of EdinburghAnd Derek Kramer Lecturer in Korean Studies at the University of SheffieldProducer: Simon TillotsonReading list:Isabella Bird Bishop, Korea and her Neighbors: A Narrative of Travel, With an Account of the Recent Vicissitudes and Present Position of the Country (first published 1898; Forgotten Books, 2019)Vipan Chandra, Imperialism, Resistance and Reform in Late Nineteenth-Century Korea: Enlightenment and the Independence Club (University of California, Institute of East Asian Studies, 1988)Peter Duus, The Abacus and the Sword: The Japanese Penetration of Korea, 1859-1910 (University of California Press, 1995)Carter J. Eckert, Offspring of Empire: The Koch'ang Kims and the Colonial Origins of Korean Capitalism, 1876–1910 (University of Washington Press, 1991)George L. Kallander, Salvation through Dissent: Tonghak Heterodoxy and Early Modern Korea (University of Hawaii Press, 2013)Kim Dong-no, John B. Duncan and Kim Do-hyung (eds.), Reform and Modernity in the Taehan Empire (Jimoondang, 2006)Kirk W. Larsen, Tradition, Treaties, and Trade: Qing Imperialism and Chosŏn Korea, 1850-1910 (Harvard University Asia Center, 2008)Yumi Moon, Populist Collaborators: The Ilchinhoe and the Japanese Colonization of Korea, 1896-1910 (Cornell University Press, 2013)Sung-Deuk Oak, The Making of Korean Christianity: Protestant Encounters with Korean Religions, 1876-1915 (Baylor University Press, 2013)Eugene T. Park, A Family of No Prominence: The Descendants of Pak Tŏkhwa and the Birth of Modern Korea (Stanford University Press, 2020)Michael E. Robinson, Korea’s Twentieth-Century Odyssey: A Short History (University of Hawaii Press, 2007)Andre Schmid, Korea Between Empires, 1895-1919 (Columbia University Press, 2002)Vladimir Tikhonov, Social Darwinism and Nationalism in Korea: The Beginnings, 1880s-1910s (Brill, 2010)In Our Time is a BBC Studios Audio Production

29 Touko 47min

Melvyn Bragg and guests discuss one of the great figures in world literature. The French playwright Molière (1622-1673) began as an actor, aiming to be a tragedian, but he was stronger in comedy, touring with a troupe for 13 years until Louis XIV summoned him to audition at the Louvre and gave him his break. It was in Paris and at Versailles that Molière wrote and performed his best known plays, among them Tartuffe, Le Misanthrope and Le Malade Imaginaire, and in time he was so celebrated that French became known as The Language of Molière.With Noel Peacock Emeritus Marshall Professor in French Language and Literature at the University of GlasgowJan Clarke Professor of French at Durham UniversityAnd Joe Harris Professor of Early Modern French and Comparative Literature at Royal Holloway, University of LondonProducer: Simon TillotsonReading list:David Bradby and Andrew Calder (eds.), The Cambridge Companion to Molière (Cambridge University Press, 2006)Jan Clarke (ed.), Molière in Context (Cambridge University Press, 2022)Georges Forestier, Molière (Gallimard, 2018)Michael Hawcroft, Molière: Reasoning with Fools (Oxford University Press, 2007)John D. Lyons, Women and Irony in Molière’s Comedies of Mariage (Oxford University Press, 2023)Robert McBride and Noel Peacock (eds.), Le Nouveau Moliériste (11 vols., University of Glasgow Presw, 1994- )Larry F. Norman, The Public Mirror: Molière and the Social Commerce of Depiction (University of Chicago Press, 1999)Noel Peacock, Molière sous les feux de la rampe (Hermann, 2012)Julia Prest, Controversy in French Drama: Molière’s Tartuffe and the Struggle for Influence (Palgrave Macmillan, 2014)Virginia Scott, Molière: A Theatrical Life (Cambridge University Press, 2020)In Our Time is a BBC Studios Audio Production

22 Touko 51min

Melvyn Bragg and guests explore typology, a method of biblical interpretation that aims to meaningfully link people, places, and events in the Hebrew Bible, what Christians call the Old Testament, with the coming of Christ in the New Testament. Old Testament figures like Moses, Jonah, and King David were regarded by Christians as being ‘types’ or symbols of Jesus. This way of thinking became hugely popular in medieval Europe, Renaissance England and Victorian Britain, as Christians sought to make sense of their Jewish inheritance - sometimes rejecting that inheritance with antisemitic fervour. It was a way of seeing human history as part of a divine plan, with ancient events prefiguring more modern ones, and it influenced debates about the relationship between metaphor and reality in the bible, in literature, and in art. It also influenced attitudes towards reality, time and history. WithMiri Rubin, Professor of Medieval and Early Modern History at Queen Mary, University of LondonHarry Spillane, Munby Fellow in Bibliography at Cambridge and Research Fellow at Darwin CollegeAnd Sophie Lunn-Rockliffe, Associate Professor in Patristics at Cambridge. Producer: Eliane GlaserReading list:A. C. Charity, Events and their Afterlife: The Dialectics of Christian Typology in the Bible and Dante (first published 1966; Cambridge University Press, 2010)Margaret Christian, Spenserian Allegory and Elizabethan Biblical Exegesis: The Context for 'The Faerie Queene' (Manchester University Press, 2016)Dagmar Eichberger and Shelley Perlove (eds.), Visual Typology in Early Modern Europe: Continuity and Expansion (Brepols, 2018)Tibor Fabiny, The Lion and the Lamb: Figuralism and Fulfilment in the Bible, Art and Literature (Palgrave Macmillan, 1992)Tibor Fabiny, ‘Typology: Pros and Cons in Biblical Hermeneutics and Literary Criticism’ (Academia, 2018)Northrop Frye, The Great Code: The Bible and Literature (first published 1982; Mariner Books, 2002)Leonhard Goppelt (trans. Donald H. Madvig), Typos: The Typological Interpretation of the Old Testament in the New (William B Eerdmans Publishing Co, 1982)Paul J. Korshin, Typologies in England, 1650-1820 (first published in 1983; Princeton University Press, 2014)Judith Lieu, Image and Reality: The Jews in the World of the Christians in the Second Century (T & T Clark International, 1999)Sara Lipton, Images of Intolerance: The Representation of Jews and Judaism in the Bible Moralisee (University of California Press, 1999)Montague Rhodes James and Kenneth Harrison, A Guide to the Windows of King's College Chapel (first published in 1899; Cambridge University Press, 2010)J. W. Rogerson and Judith M. Lieu (eds.), The Oxford Handbook of Biblical Studies (Oxford University Press, 2008)In Our Time is a BBC Studios Audio production

15 Touko 50min