Sean Miller: From Jehovah’s Witness to Apostate Artist (Part 2)

In Part 2 of our conversation with Sean Miller, we get into the messy business of figuring out what to keep—and what to leave behind—after spending 36 years as a Jehovah’s Witness. Sean talks about the anger, grief, and identity crisis that came with leaving, and how learning to incorporate the good parts of his past without excusing the harmful ones helped him move forward. We dig into the Jehovah’s Witnesses’ handling of sexual abuse allegations, shifting positions on medical care and mental health, and the mindfuck of discovering that the people and institution demanding impossible standards from you don’t always hold themselves to those same standards.

We also talk about how Sean found a way to rebuild through art. He shares the inspiration behind his book Novice Enthusiasm, his comic project Kinsugi, and his goal of creating a roadmap for anyone trying to reconnect with their creativity after religious trauma. Plus, we get into the surprisingly culty potential of AI and one very committed—and ridiculous—Jehovah’s Witness parking-lot grift involving the magic number 1914. Because apparently deconstruction can be healing and useful at the beach.

Be sure to pick up Sean’s book, Novice Enthusiasm: Belief, Rebuilt. Built One Line at a Time, visit his website, SeanGregoryMiller.com, and follow him on Instagram @seangregorymiller.

Trigger warning: This episode contains frank discussion of religious trauma, domestic and sexual abuse and institutional cover-ups, mental health, coercive control, grief, and estrangement from family.

Also…let it be known that:

The views and opinions expressed on A Little Bit Culty do not necessarily reflect the official policy or position of the podcast. Any content provided by our guests, bloggers, sponsors or authors are of their opinion and are not intended to malign any religion, group, club, organization, business, individual, anyone or anything. Nobody’s mad at you, just don’t be a culty fuckwad.

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Executive Producers: Sarah Edmondson & Anthony Ames

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