Mahler Symphony No. 4, Part 1

Mahler Symphony No. 4, Part 1

After the truly heavenly slow movement of Mahler's 4th symphony, a soprano emerges and sings a song literally called "The Heavenly Life." It is a symphonic ending like no other, one that leaves the listener peaceful and contented after taking a long(but not as long as usual) and winding journey with Gustav Mahler and his 4th symphony. The 4th symphony is a symphony of moments, like the famous sleigh bells that begin the piece, and a symphony of long, massive, and momentous arcs, like in the timeless 3rd movement, which might be my single favorite movement of any Mahler symphony. But this symphony, so renowned for its contentedness and beauty also features complicated emotions, drama that clouds the blue skies, and a dark side that we never truly escape, perhaps not until the very end of the symphony. Mahler said that his symphony was "divinely serene, yet profoundly sad, it can only have you laughing and crying at the same time." What a perfect way to define Mahler's music, always full of dualisms, contradictions, ironies, and complexities, but that's what makes Mahler's music so irresistible; its ability to plumb the depths of not only the human spirit but also its psyche. Mahler's music is truly musical therapy, and if there's one of his symphonies that really exemplifies that, it's this fourth symphony. With all that said, this is also his simplest and most easily grasped symphony in terms of its purely musical content. I've gotten a lot of emails in the past from folks who are skeptical or confused about Mahler and his appeal, so if you're one of those people, than this symphony MIGHT just be the one that changes your mind. As always with Mahler, his symphonies get multi-part episodes, so this week I'll go through the first two movements of the symphony, from the sleigh bells and brilliant sunshine of the first movement, to the devilish and ironic second movement. We'll talk all about Mahler's brilliant orchestration, his use(and deliberate misuse) of form, the pure beauty of this music, and the oddly negative reception that this symphony got when it was first performed. Join us!

Jaksot(273)

Elgar: Enigma Variations

Elgar: Enigma Variations

Elgar told us all about how the inspiration for his first great success: "I began to play, and suddenly my wife interrupted by saying: "Edward, that's a good tune!... 'What is that?' I answered, 'Nothing – but something might be made of it." This little improvisation turned into one of Elgar's greatest pieces, a piece that made him a legend. This week we'll explore this hymn to good humor, joy, and profound friendship. We'll also explore why this piece is called "Enigma." Join us to dive right in!

8 Loka 202157min

Fantasia 2021: 7 Pieces to Get You Started with Classical Music

Fantasia 2021: 7 Pieces to Get You Started with Classical Music

Almost everyone classical music fan has a memory of the first time they saw Fantasia. The brilliant combination of music and visuals made lifelong classical music fans out of millions of people. There's no audio only version of Fantasia, so this week I chose 7 brand new pieces that are a perfect entry point into classical music. These pieces represent composers from 6 countries and span 300 years of music. You'll hear from composers both familiar and brand new and I can't wait for you to dive right in!

30 Syys 202155min

Debussy La Mer

Debussy La Mer

It's 1905 and you've just come to the premiere of Debussy's La Mer. The orchestra begins playing, and a magical and completely unique journey begins. Gone are the peaceful and placid portrayals of water in music of the past. Instead, you hear strange harmonies and a diffuse language that seems to revel in ambiguity. In fact, it sounds more like an impression of the sea than anything. This is the story of Debussy's La Mer, one of the most beautiful, strange, and compelling pieces of music ever written.

23 Syys 202155min

Mozart Symphony No. 41, "Jupiter"

Mozart Symphony No. 41, "Jupiter"

Mozart's Jupiter Symphony is a piece that can practically define the classical era symphony. Mozart pulls out every trick in the compositional book and practically sums up everything written before him. It is a symphony full of musical cliches, self-references, and in some cases, flat out thefts from other composers. But as always with Mozart, the thrill of his originality shines through at every moment. Today we'll explore just how Mozart created this masterpiece of art and musical architecture. Join us!

16 Syys 202144min

Schumann Symphony No. 2

Schumann Symphony No. 2

Schumann's life was marked with severe mental health issues. In 1844, Schumann suffered one of his worst breakdowns yet. He was dizzy, weak, had vision problems, couldn't sleep, and couldn't listen to music. By 1845 Schumann slowly began to recover and the first wholly new work he produced was a symphony in C Major. As Schumann said, "I began to feel more myself when I wrote the last movement, and was assuredly better....still, it reminds me of dark days." Today, we'll talk all about this huge symphony!

9 Syys 202156min

Brahms Symphony No. 2

Brahms Symphony No. 2

Brahms spent much of his life battling with his ambition to write great symphonies and his terror at the spectre of Beethoven looming over him. His first symphony was a success, and with immense relief, Brahms quickly turned out a second symphony in just 4 months, a bit less than the 14 tortured years it took him to craft the first. At first glance this symphony sounds pastoral and idyllic, but there are plenty of clouds in this seminal masterpiece, something we'll discuss throughout the show. Join us!

3 Syys 20211h 4min

How to Understand(and Enjoy!) Atonal Music, Part 2: The Wars of the 1950s

How to Understand(and Enjoy!) Atonal Music, Part 2: The Wars of the 1950s

The 1950s featured a musical battle, pitting composers like Boulez, Carter, and Babbit against Bernstein, Copland, and Messaien. But how did the Post World War II movement towards total serialism and the avant-garde came about? And how did even the most forward thinking of artists become caught between the two camps of the tonalists and the serialists? We'll talk all about this today, as the battles between these two camps have ensnared almost every composer and continue to this day. Join us to learn more!

26 Elo 202146min

How to Listen to (and Enjoy!) Atonal Music, Part 1

How to Listen to (and Enjoy!) Atonal Music, Part 1

This week we're talking all about atonal music! I'm going to tell you all about the history of this controversial development in classical music, its development, and perhaps most importantly, I'll try to find a way to help you enjoy this music in all of its complexity, intensity, and yes, beauty. Part 1 is focused on 12 tone music and the beginnings of this powerful movement that transformed 20th century music, and according to some, ruined it. If you're ready to give atonal music a shot, join us!

19 Elo 202153min

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