Ethel Smyth Serenade in D

Ethel Smyth Serenade in D

I've mentioned Ethel Smyth a few times in the past on this show. This is partly because of her music, and partly because she remains one of the most interesting people who ever lived. She was a composer of course, but she was also a conductor and an author, as well as a political activist. Specifically, she was a suffragette, fiercely advocating for the rights of women to vote in her home country of the UK. As a composer Smyth wrote dozens of works, all of which are starting to become better known as performers and administrators look to bring more music by female composers onto concert stages around the world. Smyth did not have it easy, constantly fighting for her place, battling conductors, other composers, and even her own father, all for the right to be a composer. Today, after I introduce you to a bit more of Smyth's amazing biography, we're going to focus on her first orchestral work, her Serenade in D Major. This is a piece that certainly doesn't sound like a first orchestral piece, and it is full of all of the qualities that make Smyth's music so enjoyable to listen to - lush warmth, humor, raucous intensity, and the quiet passion that runs through the music of so many great British composers. Smyth's Serenade in D is starting to be performed more, and I'm really proud to be using my own recording of the piece for the show today, which I made with the Lausanne Chamber Orchestra in 2021. It is only the second professional recording of the piece, and the recording has just been released on Claves Records. So today, we're going to go through this wonderful piece and also spend some more time in the wild and unpredictable world of Dame Ethel Smyth. Join us!

Jaksot(272)

Bartok Violin Duos and Social Duoing

Bartok Violin Duos and Social Duoing

Bartok's 44 Violin Duos are a triumph of Bartok's devotion to the folk music of Eastern Europe. 42 of the 44 are based on field recordings Bartok collected in his travels, many of which you will hear today. The social duoing project, where I played all 44 duos with 44 violinists from around the world, was started as a result of the pandemic, but was also made possible by this forced pause in travel and work. Enjoy!

4 Kesä 202056min

How Musical Revolutions Were Created, Part 2 - w/ Jan Swafford

How Musical Revolutions Were Created, Part 2 - w/ Jan Swafford

Jan Swafford was such a fantastic guest last time that I thought we had to have him back on! During these past two weeks, we discussed how so much of the revolutionary music in the history of classical music was influenced by storytelling, whether it was Monteverdi, Beethoven, Berlioz, Wagner, Debussy, Ives, Stravinsky, or Schoenberg. This week, on Part 2, we discuss the final 4 composers, including one of the most beautiful descriptions of Ives I've ever heard. Don't miss this episode! You won't regret it.

1 Kesä 202048min

Sibelius Symphony No. 7

Sibelius Symphony No. 7

Sibelius' 7th Symphony is a piece that is barely a symphony at all, and yet it carries symphonic logic throughout. It's only 20 minutes long, in one movement that never stops evolving, with a form that has sparked many debates, and with an ending that is as shocking as any in the Western Repertoire. Simply put, it is Sibelius at his best, and so today we'll take apart this incredibly complex piece, talking about its form, its stunning metric modulations, its inspiration, and of course, its abiding emotion.

28 Touko 202044min

How Musical Revolutions Were Created, Part 1 - w/Jan Swafford

How Musical Revolutions Were Created, Part 1 - w/Jan Swafford

Jan Swafford was such a fantastic guest last time that I thought we had to have him back on. This week(and next week), we discussed how so much of the revolutionary music in the history of classical music was influenced by storytelling, whether it was Monteverdi, Beethoven, Berlioz, Wagner, Debussy, Ives, Stravinsky, or Schoenberg. This week, on Part 1, we discuss the first 4 composers on the list, trying to understand the chicken or the egg question of which came first? The story? Or the revolution?

25 Touko 202039min

Respighi, "The Pines of Rome"

Respighi, "The Pines of Rome"

Respighi occupies a strange place in musical history. He is almost never considered to be one of the "greats," though his mastery of orchestral color is never doubted by anyone. Today on this Patreon sponsored episode, we'll look at his Pines of Rome. We'll talk about Respighi's extremely detailed program notes, his Strauss like gifts at portraying real life in his music, and the fact that Respighi, for all his innate conservatism, was actually the first composer to use electronic music in one of his works.

21 Touko 202041min

Quarantine, Richter, Kleiber, Dvorak, Zander, Wearing Different Hats, and Schumann w/ Zsolt Bognar

Quarantine, Richter, Kleiber, Dvorak, Zander, Wearing Different Hats, and Schumann w/ Zsolt Bognar

Zsolt Bognar is a Renaissance Man. He is a pianist, a writer, a thinker, and the host of Living the Classical Life, an amazing show where Zsolt sits down with some of the leading lights of the classical music world. Today I turned the tables and interviewed him in a wide-ranging conversation that touched on some of our favorite musicians and composers, our experiences wearing many hats in the classical music world, and of course, how we're dealing with quarantine life. This was a really fun conversation and I hope you enjoy it as much as I did!

18 Touko 202047min

Mahler Symphony No. 2, Part 3

Mahler Symphony No. 2, Part 3

At the end of 1893, Mahler could not find a way to end his 2nd Symphony. But the funeral of Hans Von Bulow, a conductor who Mahler worshipped even though Von Bulow hated Mahler's music, gave Mahler what he called "the flash that all creative artists wait for." In one of the most sprawling, dramatic, and narratively based movements he would ever write, Mahler embraced a kind of universal humanism that is inspiring to this day. We'll talk about this movement and the radiant Urlicht movement that precedes it.

14 Touko 202055min

Classical Music During the Pandemic

Classical Music During the Pandemic

Today I was thrilled to have with me Matthew Szymanski of the Phoenix Orchestra and Aram Demirjian of the Knoxville Symphony on the show to talk about what classical music as a whole is going to need to do to respond to the current situation with COVID-19. This is a weedsy conversation that digs into streaming, the future, and the sobering realities of audience-free concerts. If you want to hear 3 musicians grappling in real time with this crisis and how we will come out of it, this is the show for you.

11 Touko 202044min

Suosittua kategoriassa Viihde

tuplakaak
anni-jaajo
dear-shirly
hei-baby-3
terveisia-perheesta
the-harlin-show
grekovit
tahtitehdas
antin-palautepalvelu
ootsa-kuullut-tasta-2
verhon-takaa
bella-table
antin-elokuvakerho
get-jassud
nonsensepodi
dear-shirly-ja-arttu
hollywood-love-stories-2
everypodi
terkuin-jenna
suomen-suosituin-podcast