Projecting Your Mortality With BRUCE DICKINSON

Projecting Your Mortality With BRUCE DICKINSON

Interview by Kris Peters
It’s been almost 20 years since Bruce Dickinson released his last solo album Tyranny Of Souls back in 2005, but the wait is almost over with the release of The Mandrake Project on March 1. Much has happened with Dickinson both professionally and personally between albums, and he pours the bulk of it out on this, his seventh solo album, which is once again completed with the assistance of Dickinson’s long-time collaborator Roy Z. Dickinson is no stranger to releasing albums between his solo project and Iron Maiden, but we pose the question if he still gets nervous in the weeks before an album drop. "Nervous… I wasn't so much nervous about this one,” he measured. “I was just really excited and frustrated. The whole thing is we spent seven years making this record because of COVID and all that rubbish and various other things. I got sick for a year with throat cancer, but basically after seven years we got together and made the record, and it's been ready for release for about a year now. So people who have heard it are freaking out about it saying isn't it amazing, wow, this is the best thing you've ever done, and I'm like 'I JUST WANT IT TO BE RELEASED’." The Mandrake Project is an album seven years in the making, giving Dickinson time to pour more of his heart and soul into the musical aspect of the recording than usual. As a result, the album is more than just another hard rock release from the solo project of a famous frontman. It is more of a musical journey that transcends time, space and expectation that eventually comes back to the true essence of what got Dickinson interested in music in the first place. “Well, obviously, back in the day looking at stuff I dealt with Roy Z,” he recalled, “who’s my partner in the record and the producer. He co-wrote probably two-thirds of the songs with me, the rest of them are all mine. We did two really good records, Accident Of Birth and The Chemical Wedding, which in the back end of the 90s people thought was a very influential record. And then we did Tyranny Of Souls then back in Maiden, so this was like unfinished business. There's definitely another album here that we could do. Continue the line as it were, because we started to diversify a bit on the journey. Chemical was fantastically heavy, and we wanted to kind of go beyond both of those albums so have more diversity on this record but also make it… when it was heavy, it was really heavy (laughs). Things we couldn't do, for example, in the context of Iron Maiden. Because Maiden’s got its own style, and we've got gazillions of songwriters in Maiden, so this is very much stuff where you say… some of this you would never hear on a Maiden record. So that was the basic idea with the album. I do need to mention that it looks like a concept album, but it's not. There is a 12-episode comic that goes with… as a companion to the album, but it's an independent, free-standing entity also called The Mandrake Project and the first issue was released on January 15. The Mandrake Project is going to go on for the best part of three years, so every three months we'll do a new episode of a 34 page comic. End of this year will be four issues, or the first book if you like, and that will come out at the end of the year as a full, complete issue, and then we'll crack on.” “That and the album combined look like a concept,” he continued. “From a presentation perspective they are, but from an artistic perspective, they're separate. They're like two free-standing trees next door to each other. You can't see the connection, but it's there because the roots talk to each other. But that's in fact what they are. If you listen to the album, but you never bother to have a look at the comic, that's just fine. And vice versa. But if you dip in and out of both, it's a lot more fun." Looking through the album track listing, there’s no song actually called The Mandrake Project to be seen, so we ask Dickinson what greater significance the title has. "That's quite an interesting point,” he smiled. “There's no title track per se. The original title of the album was going to be If Eternity Should Fail, which is actually pulled from a Doctor Strange episode of the comic. That song got pulled off and put on the Maiden Book Of Souls album, so I was cool with that. I thought I will repossess the song when we get around to doing the album - which of course we didn't for years because of all the circumstances. But when I finally came around to record that song I actually changed the title to Eternity Has Failed because I tweaked some of the lyrics and some of the story in the comic - there's our little two trees connected by the roots again - and I thought I need a title that sums up both the record and the comic and ties it all together. And this is where the two things really start getting linked. I've had two pages of scribbling absolute garbage, silly names, I won't tell you some of them because they're embarrassing (laughs) and I just kept churning at it saying "no, no, almost, no, oh my God get down the pub and forget about it" and then finally - I don't know why - the word Mandrake popped in my head and I had a good search of who else used anything Mandrake. I like Mandrake. I like The Mandrake Project because it sounds like some secret government clandestine thing. It sounds mysterious and you think what is that? That's a great intro to a world. And that worked for the comic as well, because The Mandrake Project is the name of this scientific organisation that is clandestine, which has developed technology to effectively bottle the human soul at the point of death and store it and then re-introduce it into something else. I invented these two characters, Dr. Necropolis and Professor Lazarus and a very basic story. By the time seven years had gone by, and I'd been locked up for three years (laughs) in a little apartment with my girlfriend binge watching Netflix, the story had moved on and I'd actually done a bit of work on it and taken a bit of advice from friends of mine who are Hollywood screenwriters. I ran the story past Kurt Sutter, who wrote Sons Of Anarchy. We had a zoom call together, and I ran the development of the story, and he was the one who said that would make a great comic. I said what do I do, do I write a script and send it to Netflix, and he said no, it will go in the bin but do a comic. So it ended up at four episodes in one book, so I wrote a couple of episodes and thought no way is this four episodes. Eight episodes then, and in no time at all it was no, this is twelve episodes and that felt just right. I rang the comic company and they were great. I expected them to show me the door, but they loved the story. They loved the idea. It's not a superhero comic by any stretch. It's much darker." The Mandrake Project has become a deeply personal album for Dickinson, with the vocalist admitting tapping into his fears, problems and truths brought out the absolute best in him. "I mean, all albums should be personal experiences,” he shrugged. “In my opinion, the best albums are, usually. This album wasn’t like therapy for me, but it kind of is in there's a big sweep of emotion on the record. In particular, the last three songs really go to some very moving but in some ways tragic places. And I couldn't have done that 20 years ago. There's a lot of mumblings about life and death, quite a lot of death on the record, and that's because I got a little bit closer to it than I really wanted to when I had throat cancer. I imagined I did anyway. You confront the possibility you might not be here in a couple of years, and you think well… how does that make me feel (laughs). Years ago when people asked me if the experience changed the way I thought about life I went ‘no, no, no, nah. No. It was just a bad cold’. But looking back nine years ago when I got diagnosed… looking back I realised actually yeah, it has changed the way I look at life. My perspective is unbelievably precious. Everybody should hang onto it and squeeze the last bits of life out of life. Right until your croaking breath because this may well be the only one you've got, and The Mandrake Project kind of addresses that. It's like, is there a God? And if there is, what kind of God is he? Is he a poet? Maybe it's just the force, Luke? Or maybe he does nothing at all. There's a few things along with that. There's a lot of underworld references, there's a lot of… not too much sci-fi on the record.” Before finishing up, we feel obliged to ask Dickinson what we can expect from the Iron Maiden tour of Australia later this year. "Death, destruction and skull doggery mate,” he promised. “It's gonna be amazing. I do 40 shows solo starting in April until 21st July, then I go lie down in a darkened room for two or three weeks and I wake up in Australia, and we start rehearsals in Perth. I'm really looking forward to it, we all are. We love Australia as a place, as a country, as the people who live there. We’re gonna have a blast. The only thing that would be almost as good as touring there with Maiden would be bringing this project down to Oz at some point. Obviously we're not gonna be doing 10,000 seaters,

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Tapping Into The Fountain Of Youth With NICKY BOMBA From MELBOURNE SKA ORCHESTRA

Tapping Into The Fountain Of Youth With NICKY BOMBA From MELBOURNE SKA ORCHESTRA

Interview by Erin EddyThe acclaimed Melbourne Ska Orchestra is celebrating a milestone this year, and taking theirinfectious and energetic show on the road, as well as releasing a ‘Best Of’ to mark the occasion.20 Years Young may sound like a cliché choice for a title, however, captain of the helm Nicky Bomba says he felt it was the perfect choice.“Some of the team thought it was a bit cliché,” Nicky admits, “but this isn’t cliché, this is real. We are 20 years, and we are still chomping at the bit, you know, so I celebrated that and I flew the flag for that title.”A new single, Something Strong, has been released and is a reflection on the past 20 years.“We’ve looked back at what we’ve done and how the band started, and it was all out of the love and good, beautiful energy of the music,” Nicky reflects, “That’s why we had our first gig, we were celebrating the genre, and it’s great that after all this time it’s still as exciting.”“We were putting out the vinyl and we realised we should do a single for the tour,” continues Nicky, “and it’s a great feeling, being able to celebrate and write a song about your own band and your own adventures, and the fact that it’s not actually the end of something, it’s still very much a valid, creative energy; it was great to write it and great to have that feeling.”HEAVY spoke with Nicky about the past 20 years, the upcoming tour and vinyl release and you can listen the interview in full now!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

6 Huhti 202325min

JANE'S ADDICTION Prepare To Enter The Darkness For THE WORLD IS A VAMPIRE FESTIVAL

JANE'S ADDICTION Prepare To Enter The Darkness For THE WORLD IS A VAMPIRE FESTIVAL

By Kris PetersWith the sudden influx of international touring artists currently setting their sights on Australia, the concert going public are understandably selective when it comes to venturing out.But one travelling musical spectacle that is impossible to resist is The World Is A Vampire Festival - led by The Smashing Pumpkins and Jane's Addiction - which kicks off on April 15 in Brisbane before taking in Bribie Island, Sydney, Melbourne, Ballarat, Adelaide and Newcastle before finishing up on the Gold Coast on April 30.Not only will fans be treated to two of the biggest and most successful bands of the last four decades, they will also have the chance to witness world wrestling live and like never before as Billy Corgan's troupe lines up against their Australian counterparts in a display of controlled hostility unlike anything witnessed on these shores before.Throw in Australian bands like Amyl & The Sniffers, RedHook and Battlesnake as well as select local supports and you have the makings of one of the biggest and best festivals to hit Down Under since forever.On the eve of their long journey to Australia, HEAVY had the privilege of sitting down for a chat with Jane's Addiction members Perry Farrell (vocals), Eric Avery (bass) and Stephen Perkins (drums) for an entertaining insight into what to expect."I'm just starting to pull out the boots," Farrell laughed when asked if the band had started packing yet. ""It was great to hear the list of shows said by an Australian," Perkins added, "because we've been looking at that list for the last two weeks and now I know where we're playing (laughs). We just got back from South America, so I didn't really unpack but I did wash everything and changed some ideas, but we're ready!"It's a long run of shows for all of the bands involved, so we press the boys on how they prepare mentally for a tour like this."We know Eric does his homework last," Farrell smiled. "For me, I start to imagine the stage. I start to imagine the people in the place and then I start to imagine what I would wear and like I say, I start with my feet because you don't wanna get up there with bad shoes (laughs). It will just bum your night out.""I play barefoot on the drumset," Perkins chimed in. "No gloves, no shoes or socks, but luckily I've got a room with a drum set here at the house so I've been playing every day and taking care of the mental side and keeping stimulated creatively. That's real important. Because the physical thing, I always keep tuned up. My stamina and endurance is always number one importance and always trying to stay with that creative juice so I can get up there and just hit the stage running."In the full interview the boys tell us what to expect from the shows, the wrestling side of things and the possibility of the bands getting involved, their previous manager, Australian Ted Gardner and some fun stories of him, their knowledge of the Australian bands playing including Perry taking his daughter to see Amyl & The Sniffers, the bands longevity and why plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

6 Huhti 202315min

Bringing Light To The Darkness With STOYAN From ADRIATIC

Bringing Light To The Darkness With STOYAN From ADRIATIC

By Kris PetersAdriatic have long been considered by many - myself included - to be one of Brisbane's best kept musical secrets.Their blending of technical and intricate metal with Bulgarian influences has endeared them to all who have heard and witnessed their live performance and it now seems the band are ready to capitalise on that groundswell with the release of their new single A Lighthouse in the Desert and album Krile.HEAVY sat down with enigmatic frontman Ctorh Sharks (Stoyan) to dig deeper."There's been some good, positive comments so far," he smiled. "We've got a lot of support and I'm really excited. We've got a few personal messages from people saying how much they love the song. That's always a great thing to see ad hear. Knowing how I normally follow new music when it comes out, it takes a few days for people to actually properly listen to the song so I'm not holding my breath. I'm gonna wait a few more days for people to properly listen to it and give us some feedback."Playing it smart, Adriatic released the audio to the track earlier this week with the video to be premiered this Thursday at 4.30 pm via HEAVY."That specifically relates to what I said earlier about people not necessarily listening to the song right away," Stoyan explained. "We felt that giving them a few days to potentially check out the audio on the streams - because people forget about things with attention spans being two minutes long nowdays - maybe they get reminded to check it out once again when the video comes out. It's hopefully going to give people a second chance to go out and explore the song."In the full interview Stoyan discusses the new single in greater detail, delves into the cryptic title and what it means, the special guest female vocalist and what she brings to the track, the new album and what to expect, some interesting musical surprises on the album, exploring within their music while still retaining the Adriatic DNA, where Adriatic have been hiding the last 5 months, this weekends two shows with King Parrot, the limited edition vinyl and why you need to get your hands on one and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

4 Huhti 202326min

Flying North For Easter With MATT YOUNG From KING PARROT

Flying North For Easter With MATT YOUNG From KING PARROT

By Kyra Jade-CoombsKing Parrot are local legends in our Australian heavy music scene. Their live shows are guaranteed to be a good time with high-energy chaos that everyone in the room rises to match!Over Easter these Melbournites are coming up North to play two shows. Firstly poppin' their Mo's Desert Clubhouse cherry on April 6 and secondly ushering in a new era at Fortitude Valley's newest metal haunt Bad Luck on April 8 at their '0th Birthday Party'.HEAVY took the chance to catch up with Matt Young, King Parrot's frontman, to see what they've been doing leading up to these shows and pry into what's in the pipeline of Parrot land.We delve into opening a new music hotspot in the heart of Brissy, Slatt's subtitle PSA's (if you know, you know), what it was like releasing their most recent E.P Holed up in the Lair in the midst of Covid and what it was like working with Mike Foxall on their animated film clip for their title track Kick up a Stink (almost acted out in real life, which is absolutely terrifying - check out the link below).Matt and I got talking about King Parrot's past tour diary and where they are heading off to next and on that note there's lots of good news for fans in Australia and abroad! Currently, they are working away on a new album and have plans to hit the road in Australia for a local tour circuit before taking their show over to the USA later in the year.It's an exciting time for these Aussie legends and I can't wait to hear that energy translated into their new material. Have a listen to the full interview to enjoy all the other Easter Eggs sprinkled throughout our chat.If you haven't already there's still time to grab your tickets and catch King Parrot doing what they do best.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

3 Huhti 202317min

Unite To Help Save THE TOTE - Fight Back For Music

Unite To Help Save THE TOTE - Fight Back For Music

By Erin EddyEvery heavy music punter in Melbourne knows The Tote. It has incubated and hosted some of this country's biggest acts, such as King Parrot, Amyl & The Sniffers, Magic Dirt, The Beasts Of Bourbon, The Datsuns, The Hard Ons, Mudhoney, The White Stripes and the list goes on.The building itself is 152 years old, but has been operating as a live music venue since 1981. If you’ll allow me to do the maths for you, that’s 41 years of punk, rock and metal marinated into the walls of this iconic structure.In recent months, The Tote has been put on the market; not simply the business but the entire building. It has a hefty price tag of 6.6 million dollars, and unsurprisingly the Melbourne music community is extremely nervous that we’re about to witness the demise of one of the city’s most important hubs for rock and roll.The heroes of this story are power couple Shane and Leanne, who have been at the helm of another legendary Melbourne music venue, The Last Chance Rock & Roll Bar, for around eight years now.They have embarked on a quest which they have titled “The Last Chance To Save The Tote!”Shane and Leanne have dedicated their entire adult lives to working in and running venues and they eat, sleep and breathe the city’s live music scene.Shane says The Tote is a venue he has wanted to own and run for 20 years, and has been waiting for his chance to swoop in. But he was never expecting that when finally, his chance arose, that the sale would include the actual building itself, and therefore was not prepared for the price tag associated with that.“I’ve wanted to run The Tote forever,” Shane told HEAVY, “simply because I love going to The Tote!”“We knew that at some stage it would come up for sale, but we were kind of blindsided by the fact that the entire building was up for sale and the price that’s on it… it’s not doable.”Shane isn’t exactly the type of person to let pesky finances deter him from a crusade to save this venue, however.Together, he and Leanne and the patronage of The Last Chance Rock & Roll Bar have begun a crusade to raise funds for half of the asking price of the building, in a bid to save it from falling into the hands of developers, who Shane fears will convert this piece of history into “shitty apartments.”“With a six-million-dollar price tag, it’s unattainable for someone who is passionate about music,” Shane laments. He’s calling upon the Australian music community to rally and attempt to achieve the seemingly impossible and ensure magical music moments continue to take seed within the walls of The Tote.The deadline is this Thursday April 6 th .“The time is now,” Shane says. “Don’t protect the walls, protect what happens within those walls. If we’re going to let our most important venue die because some shitty investor has lots of money and they want to build apartments, then we can’t claim to be the live music capital of the world.”If Shane and Leanne are successful at obtaining The Tote, the first thing they’re going to do is put the building in trust, so that it remains untouchable and a live music mecca forever.Shane is one of the most enthusiastic, passionate, salt of the earth people we at HEAVY have had the pleasure of speaking with and his bid to save The Tote is nothing short of admirable.Please listen to our interview to get the scoop straight from the horse’s mouth, then make sure you hit up www.facebook.com/thelastchancerockandrollbar for updates on the campaign, and more importantly, to make a donation.No money pledged will be taken from your bank account until the start of May, and donations will only be extracted IF the guys are successful at meeting their target. So pledge today, you have nothing to lose, and can be a part of Melbourne music history if the target is met.The Last Chance Rock & Roll Bar is also hosting a pledge drive spectacular this Monday the 3 rd and Tuesday the 4 th of April, which will be live streamed via YouTube, with some of the industry's most well known musicians getting involved.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

1 Huhti 202335min

Creating History With UDO DIRKSCHNEIDER From ACCEPT

Creating History With UDO DIRKSCHNEIDER From ACCEPT

Interview by Kris PetersGerman metal outfit Accept have rightfully carved their horns into metal history.Arguably the most influential and definitive heavy band to ever emerge from the German music scene, Accept left in their wake a score of classic albums such as Breaker, Restless & Wild, Balls To The Wall and Metal Heart that have defined heavy music for decades.Frontman UDO Dirkschneider was a large part of the bands drawing power with his tenure with Accept the most successful and recognised chapters in the bands history.Despite since forging a massively successful solo career, Dirkschneider has yet to perform a full set of the songs that made him a global name in Australia - a blemish that is about to be rectified with two select shows in Sydney on April 6 and Melbourne on April 8 where he will play nothing but tracks made popular by Accept.Not only that, his current backing band also includes original Accept bass player Peter Baltes, adding further authenticity and excitement to the shows.On the eve of the first show Dirkschneider joined HEAVY to discuss the upcoming history making performances."We tried it many times and it was sometimes very close to coming off, but it never happened," he shrugged, "so now I'm really looking forward after over 40 years for me personally coming down to Australia and performing there. Hopefully a lot of people show up and maybe we can open up a new market and do some more shows in Australia."Other than a full night of Accept music, we press UDO on what fans can expect from the shows."We try to make a good mix up with all the classic accept songs," he smiled. "We play songs from I'm A Rebel, Restless & Wild, Balls To The Wall, Metal Heart, Russian Roulette so it will be a hit parade (laughs). A lot of people ask me why I'm not coming under UDO but maybe the next time. Promotors have been asking for me to come and play only Accept songs because people want to hear the original voice and for me it's not a problem to do. I did a three year tour with Dirkschneider through Europe and that was only playing Accept songs. It's a good thing. I can make UDO and I can make Dirkschneider with Accept songs. In the end it's always what the people want."In the full interview, UDO tells why it has taken so long for him to perform Accept music to Australian audiences, having Baltes in the band and how that helps with the Accept set, the early days of Accept and riding the wave of heavy metal, leaving the band and what changed to make him return, burying the hatchet, at what point he knew Accept were going to be a force in metal, what he considers Accept has contributed to music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

1 Huhti 202310min

A Force Of Nature With TELURIAN

A Force Of Nature With TELURIAN

Words by Kris PetersWhile the perils of COVID shone a murky light on many in the music industry there are some bands who possibly benefitted from the experience in various ways.When the onset of the pandemic halted the gathering momentum newly formed of Newcastle heavy outfit Telurian the band elected to use the extra time to strengthen their musical resolve and tighten their existing material with a view to coming out even stronger when things returned to normaility.Thankfully the young band survived where others sadly met their demise and used their time creatively, fine tuning an already promising landscape and harnessing those songs into what would become the two track EP Of Earth.Following the success of their debut single Arachnid, Telurian earlier this year dropped the title track, in the process giving a glimpse into the exciting musical future that awaits the Novacastrians.Vocalist Brenton, drummer Lochie and bass player Eric sat down with HEAVY to delve deeper into their brace of songs and flesh out the narrative some more, starting with the cracking new track Of Earth."It started with the initial iteration of the band, which actually was a little less technical," Lochie began. "When Liam (guitar) got his 8 string and I jumped on the drums and Brenton jumped on the vocals we decided to rewrite the song, particularly after the intro we just wanted to change the whole thing. We jammed it out... we just wanted a, long, seven minute pic. Me and Liam just jammed it out and it came out as it is now basically."In the full interview the boys discuss both singles in greater depth, what they were going for musically, releasing a lengthy track as a single in the modern age of music, why they chose these two songs to introduce their music to the world, forming through COVID, drawing influences as a young band and knowing your boundaries, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

1 Huhti 20239min

Driving It Home With LUCAS STONE From HAMMERS

Driving It Home With LUCAS STONE From HAMMERS

By Kris PetersEsteemed American rock outfit He Is Legend recently announced their return visit to Australia this May for their first run of shows here since Soundwave 2015.And if that isn't enough to get your live mojo firing, He Is Legend have hand selected Aussie rock monsters Hammers to support the whole tour.Hammers are well known for their dynamic live performances and typical Australian sense of adventure not to mention their love of a good time. As such they look set to launch into the second half of 2023 on the back of another triumphant tour.Axeman Lucas Stone joined HEAVY soon after the announcement to share his excitement."It's an honour and a privelege," he smiled. "They are one of those special bands. We love that band. We've been a fan since they were wee burns. I think the biggest thing about that band that I've been most impressed with is they were essentially a scene band in the early 2000s and obviously with the release of I Am Hollywood and Suck Out The Poison they slotted right into that part of their world. Their general trajectory and growth where they started out as one thing and became something totally different and so much more mature... they're a special cult status band that has probably been a bigger influence on bands around the world than we know."In the full interview, Lucas talks about what fans can expect from Hammers on the shows, constructing set lists to showcase the bands natural ability, what defines an "Aussie twist" with music, how Hammers' sound has changed over their career, new music and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

1 Huhti 20238min

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