Cultural Imperialism
In Our Time27 Kesä 2002

Cultural Imperialism

Melvyn Bragg and guests discuss how a dominant power can exert a cultural influence on its empire. An empire rests on many things: powerful armies, good administration and strong leadership, but perhaps its greatest weapon lies in the domain of culture. Culture governs every aspect of our lives: our dress sense and manners, our art and architecture, our education, law and philosophy. To govern culture, it seems, is to govern the world. But what is cultural imperialism? Can it be distinguished from cultural influence? Does it really change the way we think and should we try to prevent it even if it does?With Linda Colley, School Professor of History, London School of Economics; Phillip Dodd, Director, Institute of Contemporary Arts; Mary Beard, Reader in Classics, Cambridge University.

Jaksot(1082)

Justinian's Legal Code

Justinian's Legal Code

Melvyn Bragg and guests discuss the ideas brought together under Justinian I, Byzantine emperor in the 6th century AD, which were rediscovered in Western Europe in the Middle Ages and became very influential in the development of laws in many European nations and elsewhere.WithCaroline Humfress Professor of Medieval History at the University of St AndrewsSimon Corcoran Lecturer in Ancient History at Newcastle Universityand Paul du Plessis Senior Lecturer in Civil law and European legal history at the School of Law, University of EdinburghProducer: Simon Tillotson.

17 Marras 201647min

The Fighting Temeraire

The Fighting Temeraire

This image: Joseph Mallord William Turner, The Fighting Temeraire, 1839 (c) The National Gallery, LondonMelvyn Bragg and guests discuss "The Fighting Temeraire", one of Turner's greatest works and the one he called his 'darling'. It shows one of the most famous ships of the age, a hero of Trafalgar, being towed up the Thames to the breakers' yard, sail giving way to steam. Turner displayed this masterpiece to a public which, at the time, was deep in celebration of the Temeraire era, with work on Nelson's Column underway, and it was an immediate success, with Thackeray calling the painting 'a national ode'.With Susan Foister Curator of Early Netherlandish, German and British Painting at the National GalleryDavid Blayney Brown Manton Curator of British Art 1790-1850 at Tate Britainand James Davey Curator of Naval History at the National Maritime MuseumProducer: Simon Tillotson.

10 Marras 201645min

Epic of Gilgamesh

Epic of Gilgamesh

"He who saw the Deep" are the first words of the standard version of The Epic of Gilgamesh, the subject of this discussion between Melvyn Bragg and his guests. Gilgamesh is often said to be the oldest surviving great work of literature, with origins in the third millennium BC, and it passed through thousands of years on cuneiform tablets. Unlike epics of Greece and Rome, the intact story of Gilgamesh became lost to later generations until tablets were discovered by Hormuzd Rassam in 1853 near Mosul and later translated. Since then, many more tablets have been found and much of the text has been reassembled to convey the story of Gilgamesh, king of Uruk the sheepfold, and Enkidu who the gods created to stop Gilgamesh oppressing his people. Together they fight Humbaba, monstrous guardian of the Cedar Forest, and kill the Bull of Heaven, for which the gods make Enkidu mortally ill. Gilgamesh goes on a long journey as he tries unsuccessfully to learn how to live forever, learning about the Great Deluge on the way, but his remarkable building works guarantee that his fame will last long after his death.With Andrew George Professor of Babylonian at SOAS, University of LondonFrances Reynolds Shillito Fellow in Assyriology at the Oriental Institute, University of Oxford and Fellow of St Benet's HallandMartin Worthington Lecturer in Assyriology at the University of CambridgeProducer: Simon Tillotson.

3 Marras 201646min

John Dalton

John Dalton

The scientist John Dalton was born in North England in 1766. Although he came from a relatively poor Quaker family, he managed to become one of the most celebrated scientists of his age. Through his work, he helped to establish Manchester as a place where not only products were made but ideas were born. His reputation during his lifetime was so high that unusually a statue was erected to him before he died. Among his interests were meteorology, gasses and colour blindness. However, he is most remembered today for his pioneering thinking in the field of atomic theory. With: Jim Bennett Former Director of the Museum of the History of Science at the University of Oxford and Keeper Emeritus at the Science MuseumAileen Fyfe Reader in British History at the University of St AndrewsJames Sumner Lecturer in the History of Technology at the Centre for the History of Science, Technology and Medicine at the University of ManchesterProducer: Victoria Brignell.

27 Loka 201645min

The 12th Century Renaissance

The 12th Century Renaissance

Melvyn Bragg and guests discuss the changes in the intellectual world of Western Europe in the 12th Century, and their origins. This was a time of Crusades, the formation of states, the start of Gothic architecture, a reconnection with Roman and Greek learning and their Arabic development and the start of the European universities, and has become known as The 12th Century Renaissance.The image above is part of Notre-Dame de la Belle-Verrière, Chartres Cathedral, from 1180.WithLaura Ashe Associate Professor of English at Worcester College, University of Oxford Elisabeth van Houts Honorary Professor of European Medieval History at the University of Cambridge and Giles Gasper Reader in Medieval History at Durham UniversityProducer: Simon Tillotson.

20 Loka 201649min

Plasma

Plasma

Melvyn Bragg and guests discuss plasma, the fourth state of matter after solid, liquid and gas. As over ninety-nine percent of all observable matter in the Universe is plasma, planets like ours, with so little plasma and so much solid, liquid and gas, appear all the more remarkable. On the grand scale, plasma is what the Sun is made from and, when we look into the night sky, almost everything we can see with the naked eye is made of plasma. On the smallest scale, here on Earth, scientists make plasma to etch the microchips on which we rely for so much. Plasma is in the fluorescent light bulbs above our heads and, in laboratories around the world, it is the subject of tests to create, one day, an inexhaustible and clean source of energy from nuclear fusion.With Justin Wark Professor of Physics and Fellow of Trinity College at the University of OxfordKate Lancaster Research Fellow for Innovation and Impact at the York Plasma Institute at the University of Yorkand Bill Graham Professor of Physics at Queens University, BelfastProducer: Simon Tillotson.

13 Loka 201645min

Lakshmi

Lakshmi

Melvyn Bragg and guests discuss the origins of the Hindu goddess Lakshmi, and of the traditions that have built around her for over 3,000 years. According to the creation story of the Puranas, she came to existence in the churning of the ocean of milk. Her prominent status grew alongside other goddesses in the mainly male world of the Vedas, as female deities came to be seen as the Shakti, the energy of the gods, without which they would be powerless. Lakshmi came to represent the qualities of blessing, prosperity, fertility, beauty and good fortune and, more recently, political order, and she has a significant role in Diwali, one of the most important of the Hindu festivals. With Jessica Frazier Lecturer in Religious Studies at the University of Kent Research Fellow at the Oxford Centre for Hindu Studies at the University of OxfordJacqueline Suthren-Hirst Senior Lecturer in South Asian Studies at the University of Manchesterand Chakravarthi Ram-Prasad Professor of Comparative Religion and Philosophy at Lancaster UniversityProducer: Simon Tillotson.

6 Loka 201647min

Animal Farm

Animal Farm

Melvyn Bragg and guests discuss Animal Farm, which Eric Blair published under his pen name George Orwell in 1945. A biting critique of totalitarianism, particularly Stalinism, the essay sprung from Orwell's experiences fighting Fascists in Spain: he thought that all on the left were on the same side, until the dominant Communists violently suppressed the Anarchists and Trotskyists, and Orwell had to escape to France to avoid arrest. Setting his satire in an English farm, Orwell drew on the Russian Revolution of 1917, on Stalin's cult of personality and the purges. The leaders on Animal Farm are pigs, the secret police are attack dogs, the supporters who drown out debate with "four legs good, two legs bad" are sheep.At first, London publishers did not want to touch Orwell's work out of sympathy for the USSR, an ally of Britain in the Second World War, but the Cold War gave it a new audience and Animal Farm became a commercial as well as a critical success.Featuring: Steven Connor - Grace 2 Professor of English at the University of CambridgeMary Vincent - Professor of Modern European History at the University of SheffieldRobert Colls - Professor of Cultural History at De Montfort UniversityProducer: Simon TillotsonFirst broadcast on BBC Radio 4 in September 2016.

29 Syys 201651min

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