Cultural Imperialism

Melvyn Bragg and guests discuss the life and works of William Hazlitt. Hazlitt is best known for his essays, which ranged in subject matter from Shakespeare, through his first meeting with Samuel Taylor Coleridge, to a boxing match. What is less well-known, however, is that he began his writing life as a philosopher, before deliberately abandoning the field for journalism. Nonetheless, his early reasoning about the power of the imagination to take human beings beyond narrow self-interest, as encapsulated in his 'Essay on the Principles of Human Action', shines through his more popular work.Hazlitt is a figure full of contradictions - a republican who revered Napoleon, and a radical who admired the conservative philosopher Edmund Burke. His reputation suffered terribly from his book 'Liber Amoris', a self-revealing memoir of his infatuation with his landlady's daughter. But in the Victorian and Edwardian eras, his importance was acknowledged by writers like Charles Dickens, Robert Louis Stevenson and Ford Madox Ford. In the 180 years since his death, his stature as perhaps the finest essayist in the language has grown and grown. With:Jonathan BateProfessor of English Literature at the University of Warwick Anthony GraylingProfessor of Philosophy at Birkbeck College, University of LondonUttara NatarajanSenior Lecturer in the Department of English and Comparative Literature at Goldsmiths College, University of LondonProducer: Phil Tinline.

8 Huhti 201041min

Melvyn Bragg presents the second of a two part discussion about the history of the city. George Stephenson invented rail transport in the north-east of England in the 1820s, but it was not until over twenty years later that rail networks began to spring up to ferry workers in and out of the centre of British cities. When they did, this had a vast, transforming effect on the whole nature of cities - taking the pressure off dense, overcrowded central areas, but helping cities like London explode outwards.Victorian London was widely held at the time to be rather chaotic - especially in comparison with the grandiose, highly-orchestrated developments in continental European cities like Paris and Barcelona.The process of transformation was given another fillip by the introduction of the motor car. In this, the final part of a two-part special edition of 'In Our Time' exploring the development of cities, we're going to examine how Stephenson's invention transformed cities almost beyond recognition, and follow the story up to the present day.Peter Hall is Professor of Planning and Regeneration at The Bartlett School of Planning, University College London; Tristram Hunt is lecturer in History at Queen Mary College at the University of London; and Ricky Burdett is Professor of Urban Studies at the London School of Economics.

1 Huhti 201042min

Melvyn Bragg presents the first of a two-part discussion about the history of the city. With Peter Hall, Julia Merritt and Greg Woolf.The story of cities is widely held to begin in the 8th millennium BC in Mesopotamia. By 4000 BC, there were cities in the Indus Valley, by 3000 BC in Egypt, and by 2000 BC in China. What happened in the west was the furthest ripple of that phenomenon. In 1000 BC Athens still only had a population of one thousand. At its height, Athens' position as a powerful Mediterranean trading city allowed it to become the birthplace of much that would later characterise western cities, from politics through architecture to culture. Then, early in the first millenium AD, the world saw its first million-strong city: Rome. Maintaining a population of this size required stupendous feats of organisation and ingenuity. But in following centuries, as Rome declined and fell, the city itself, in the west at least, declined too; power emanated from kings and their mobile courts, rather than particular settlements.In China, urban trading posts continued to flourish, but their innovative energy dwindled before the end of the first millennium. Between 1150 and the onset of the Black Death in 1350, the city underwent a resurgence in Europe. City-states developed in Italy and in Germany. At this stage, there was no omnipotent power-centre to match Ancient Rome. But with the growth of sea and then ocean trade, and the centralisation of power in capitals ruling nation-states, cities like London, Paris, Madrid, Amsterdam and St Petersburg became increasingly wealthy, dynamic and ostentatious. By 1801, one of these - London - finally matched Ancient Rome's peak population of a million. Along the way, the city had become an ideal to be revered and a spectre to be feared.Peter Hall is Professor of Planning and Regeneration at The Bartlett School of Planning, University College London; Julia Merritt is Associate Professor of History at the University of Nottingham; Greg Woolfis Professor of Ancient History at the University of St Andrews.

25 Maalis 201042min

Melvyn Bragg and guests David Jackson, Dorothy Rowe and Alastair Wright discuss the work of the Norwegian artist Edvard Munch, focusing on his most famous painting, The Scream.First exhibited in 1893 in Berlin, The Scream was the culmination of Munch's magnum opus, a series of paintings called The Frieze of Life. This depicted the course of human existence through burgeoning love and sexual passion to suffering, despair and death, in Munch's highly original, proto-expressionist style. His titles, from Death in the Sickroom, through Madonna to The Vampire, suggest just how directly and unironically he sought to depict the anxieties of late-19th century Europe.But against all Munch's images, it is The Scream which stands out as the work which has seared itself into the Western imagination. It remains widely celebrated for capturing the torment of existence in what appeared to many in Munch's time to be a frightening, godless world.Munch himself endured a childhood beset by illness, madness and bereavement. At 13, he was told by his father that his tuberculosis was fatal. But he survived and went on to become a major figure first in the Norwegian, then the European, avant-garde. He became involved with two of the great playwrights of the period. He collaborated with his fellow countryman Henrik Ibsen and became a close friend of the tempestuous Swede August Strindberg. He admired the work of Post-Impressionist painters such as Paul Gauguin and Vincent van Gogh and the philosophy of Friedrich Nietzsche, all of whom influenced his art. Munch's own influence resonated through the 20th century, from German Expressionism to Andy Warhol and beyond. His work, particularly The Scream, remains powerful today.David Jackson is Professor of Russian and Scandinavian Art Histories at the University of Leeds; Dorothy Rowe is Senior Lecturer in the History of Art at the University of Bristol; Alastair Wright is University Lecturer in the History of Art at St John's College, University of Oxford.

18 Maalis 201041min

Melvyn Bragg and guests discuss the life and mythologisation of Boudica.On the eve of battle with the Roman Empire, an East Anglian leader roused her forces by declaring: 'It is not as a woman descended from noble ancestry, but as one of the people that I am avenging lost freedom'. Her name was Boudica, warrior Queen of the Iceni.In 60AD, Boudica's husband Prasutagus died and Roman troops tried to incorporate his lands into their Empire. Soldiers publicly flogged Boudica and raped her daughters. In retaliation, she led an army of tribesmen and sacked Camulodunum, modern day Colchester, before marching on London. Such was the ferocity of Boudica's attack that she came close to driving the Roman Imperial power out of Britain before she was finally defeated.Boudica was largely forgotten in the Middle Ages, but her image reappeared during the rule of Elizabeth I as a striking symbol of female power and heroism, before being denigrated by Elizabeth's heir, James I. In Victorian Britain, Boudica once again emerged, this time as a symbol of British Imperial power. The challenger to the Roman Empire had been transformed into the icon of the British Empire and to this day her statue stands guard outside the Houses of Parliament.With Juliette Wood, Associate Lecturer in Folklore at Cardiff University; Richard Hingley, Professor of Roman Archaeology at Durham University; and Miranda Aldhouse-Green, Professor of Archaeology in the School of History and Archaeology at Cardiff University.

11 Maalis 201042min

Melvyn Bragg and guests Usha Goswami, Annette Karmiloff-Smith and Denis Mareschal discuss what new research reveals about the infant brain.For obvious reasons, what happens in the minds of very young, pre-verbal children is elusive. But over the last century, the psychology of early childhood has become a major subject of study. Some scientists and researchers have argued that children develop skills only gradually, others that many of our mental attributes are innate. Sigmund Freud concluded that infants didn't differentiate themselves from their environment. The pioneering Swiss child psychologist Jean Piaget thought babies' perception of the world began as a 'blooming, buzzing confusion' of colour, light and sound, before they developed a more sophisticated worldview, first through the senses and later through symbol. More recent scholars such as the leading American theoretical linguist Noam Chomsky have argued that the fundamentals of language are there from birth. Chomsky has famously argued that all humans have an innate, universally applicable grammar.Over the last ten to twenty years, new research has shed fresh light on important aspects of the infant brain which have long been shrouded in mystery or mired in dispute, from the way we start to learn to speak to the earliest understanding that other people have their own minds. With:Usha Goswami, Professor of Education at the University of Cambridge and Director of its Centre for Neuroscience in Education Annette Karmiloff-Smith, Professorial Research Fellow at the Centre for Brain and Cognitive Development at the Department of Psychological Sciences, Birkbeck College, University of LondonDenis Mareschal, Professor of Psychology at the Centre for Brain and Cognitive Development at Birkbeck College, University of London.

4 Maalis 201042min

Melvyn Bragg and guests Justin Champion, Susan Hardman Moore and Diarmaid MacCulloch discuss the ideas of the religious reformer John Calvin - the theology known as Calvinism, or Reformed Protestantism - and its impact. John Calvin, a Frenchman exiled to Geneva, became a towering figure of the 16th century Reformation of the Christian Church. He achieved this not through charismatic oratory, but through the relentless rigour of his analysis of the Bible. In Geneva, he oversaw an austere, theocratic and sometimes brutal regime. Nonetheless, the explosion of printing made his theology highly mobile. The zeal he instilled in his followers, and the persecution which dogged them, rapidly spread the faith across Europe, and on to the New World in America. One of Calvin's most striking tenets was 'predestination': the idea that, even before the world began, God had already decided which human beings would be damned, and which saved. The hope of being one of the saved gave Calvinists a driving energy which has made their faith a galvanic force in the world, from business to politics. Anxiety about salvation, meanwhile, led to a constant introspection which has left its mark on literature.Justin Champion is Professor of the History of Early Modern Ideas at Royal Holloway, University of London; Susan Hardman Moore is Senior Lecturer in Divinity at the University of Edinburgh; Diarmaid MacCulloch, Professor of the History of the Church at the University of Oxford.

25 Helmi 201042min

Melvyn Bragg and guests Faisal Devji, Shruti Kapila and Chandrika Kaul discuss the Indian Mutiny of 1857 and the rebellion which followed.On 10th May 1857 Indian soldiers from the Bengal section of the East India Company's army rose up and shot their British officers. By nightfall the troops had marched on Delhi and the aged Mughal emperor Bahadur Shah II had been nominally restored to power. Nearly 15 months later, after great violence on both sides, the revolt was suppressed, but it left British rule in India transformed and, arguably, doomed.The trigger for the Mutiny was a rumour that cartridges for the new British rifles were coated with pig and cow fat, thereby insulting both Hindu and Muslim troops. But the Indian Rebellion was also a more complex story of economic strains, religious insensitivity and well-intentioned but provocative liberal reforms.The events of 1857 have resonated through history and have been appropriated and mythologised by the British press and Indian nationalists alike. However, the shocking violence of the Rebellion on both sides has meant that it has defied attempts to fit it into a coherent narrative structure. It has overshadowed British foreign policy and Indian politics ever since.Chandrika Kaul is Lecturer in Imperial and Indian History at the University of St Andrews; Faisal Devji is University Reader in Indian History at St Antony's College, University of Oxford; Shruti Kapila is University Lecturer in History and Fellow and Director of Studies at Corpus Christi College, University of Cambridge.

18 Helmi 201042min