The KT Boundary
In Our Time23 Kesä 2005

The KT Boundary

Melvyn Bragg and guests discuss the KT Boundary. Across the entire planet, where it hasn't been eroded or destroyed in land movements, there is a thin grey line. In Italy it is 1 cm thick, in America it stretches to three centimetres, but it is all the same thin grey line laid into the rock some 65 million years ago and it bears witness to a cataclysmic event experienced only once in Earth's history. It is called the KT Boundary and geologists believe it is the clue to the death of the dinosaurs and the ultimate reason why mammals and humans inherited the Earth.But exactly what did happen 65 million years ago? How was this extraordinary line created across the Earth and does it really hold the key to the death of the dinosaurs?With Simon Kelley, Head of Department in the Department of Earth Sciences, Open University, Jane Francis, Professor of Palaeoclimatology, University of Leeds; Mike Benton, Professor of Vertebrate Palaeontology in the Department of Earth Sciences, University of Bristol.

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The Fable of the Bees

The Fable of the Bees

Melvyn Bragg and guests discuss Bernard Mandeville (1670-1733) and his critique of the economy as he found it in London, where private vices were condemned without acknowledging their public benefit. In his poem The Grumbling Hive (1705), he presented an allegory in which the economy collapsed once knavish bees turned honest. When republished with a commentary, The Fable of the Bees was seen as a scandalous attack on Christian values and Mandeville was recommended for prosecution for his tendency to corrupt all morals. He kept writing, and his ideas went on to influence David Hume and Adam Smith, as well as Keynes and Hayek.With David Wootton Anniversary Professor of History at the University of YorkHelen Paul Lecturer in Economics and Economic History at the University of SouthamptonAnd John Callanan Senior Lecturer in Philosophy at King’s College LondonProducer: Simon Tillotson

25 Loka 201850min

Is Shakespeare History? The Romans

Is Shakespeare History? The Romans

In the second of two programmes marking In Our Time's 20th anniversary on 15th October, Melvyn Bragg and guests discuss Shakespeare's versions of history, continuing with the Roman plays. Rome was the setting for Titus Andronicus, Julius Caesar, Coriolanus and parts of Antony and Cleopatra and these plays gave Shakespeare the chance to explore ideas too controversial for English histories. How was Shakespeare reimagining Roman history, and what impact has that had on how we see Rome today? The image above is of Marlon Brando playing Mark Antony in a scene from the film version of Shakespeare's Julius Caesar, 1953WithSir Jonathan Bate Provost of Worcester College, University of OxfordCatherine Steel Professor of Classics and Dean of Research in the College of Arts at the University of GlasgowAnd Patrick Gray Associate Professor of English Studies at Durham UniversityProducer: Simon Tillotson

18 Loka 201848min

Is Shakespeare History? The Plantagenets

Is Shakespeare History? The Plantagenets

In the first of two programmes marking In Our Time's 20th anniversary on 15th October, Melvyn Bragg and guests discuss Shakespeare's versions of history, starting with the English Plantagenets. His eight plays from Richard II to Richard III were written out of order, in the Elizabethan era, and have had a significant impact on the way we see those histories today. In the second programme, Melvyn discusses the Roman plays.The image above is of Richard Burton (1925 - 1984) as Henry V in the Shakespeare play of the same name, from 1951WithEmma Smith Professor of Shakespeare Studies at Hertford College, University of OxfordGordon McMullan Professor of English at King’s College London and Director of the London Shakespeare CentreAnd Katherine Lewis Senior Lecturer in Medieval History at the University of HuddersfieldProducer: Simon Tillotson

11 Loka 201851min

Edith Wharton

Edith Wharton

Melvyn Bragg and guests discuss the works of Wharton (1862-1937) such as The Age of Innocence for which she won the Pulitzer Prize and was the first woman to do so, The House of Mirth, and The Custom of the Country. Her novels explore the world of privileged New Yorkers in the Gilded Age of the late C19th, of which she was part, drawing on her own experiences and written from the perspective of the new century, either side of WW1 . Among her themes, she examined the choices available to women and the extent to which they could ever really be free, even if rich. With Dame Hermione Lee Biographer, former President of Wolfson College, OxfordBridget Bennett Professor of American Literature and Culture at the University of LeedsAndLaura Rattray Reader in North American Literature at the University of GlasgowProducer: Simon Tillotson

4 Loka 201849min

Dietrich Bonhoeffer

Dietrich Bonhoeffer

Melvyn Bragg and guests discuss the ideas and life of the German theologian, born in Breslau/Wroclaw in 1906 and killed in the Flossenbürg concentration camp on 9th April 1945. Bonhoeffer developed ideas about the role of the Church in the secular world, in particular Germany after the Nazis took power in 1933 and demanded the Churches' support. He strongly opposed anti-Semitism and, with a role in the Military Intelligence Department, took part in the resistance, plotting to kill Hitler and meeting with contacts in the Allies. Bonhoeffer's ideas on Christian ethics and the relationship between Christianity and humanism spread more widely from the 1960s with the discovery of unpublished works, including those written in prison as he awaited execution.With Stephen Plant Dean and Runcie Fellow at Trinity Hall at the University of CambridgeEleanor McLaughlin Lecturer in Theology and Ethics at the University of Winchester and Lecturer in Ethics at Regent’s Park College at the University of OxfordAnd Tom Greggs Marischal Chair of Divinity at the University of AberdeenProducer: Simon Tillotson

27 Syys 201849min

Automata

Automata

Melvyn Bragg and guests discuss the history of real and imagined machines that appear to be living, and the questions they raise about life and creation. Even in myth they are made by humans, not born. The classical Greeks built some and designed others, but the knowledge of how to make automata and the principles behind them was lost in the Latin Christian West, remaining in the Greek-speaking and Arabic-speaking world. Western travellers to those regions struggled to explain what they saw, attributing magical powers. The advance of clockwork raised further questions about what was distinctly human, prompting Hobbes to argue that humans were sophisticated machines, an argument explored in the Enlightenment and beyond.The image above is Jacques de Vaucanson's mechanical duck (1739), which picked up grain, digested and expelled it. If it looks like a duck...with Simon Schaffer Professor of History of Science at Cambridge UniversityElly Truitt Associate Professor of Medieval History at Bryn Mawr CollegeAnd Franziska Kohlt Doctoral Researcher in English Literature and the History of Science at the University of OxfordProducer: Simon Tillotson

20 Syys 201852min

The Iliad

The Iliad

Melvyn Bragg and guests discuss the great epic poem attributed to Homer, telling the story of an intense episode in the Trojan War. It is framed by the wrath of the Greek hero Achilles, insulted by his leader Agamemnon and withdrawing from the battle that continued to rage, only returning when his close friend Patroclus is killed by the Trojan hero Hector. Achilles turns his anger from Agamemnon to Hector and the fated destruction of Troy comes ever closer. With Edith Hall Professor of Classics at King's College LondonBarbara Graziosi Professor of Classics at Princeton UniversityAnd Paul Cartledge A.G. Leventis Senior Research Fellow and Emeritus Professor of Greek Culture at Clare College, CambridgeProducer: Simon Tillotson.

13 Syys 201848min

William Morris

William Morris

Melvyn Bragg and guests discuss the ideas of William Morris, known in his lifetime for his poetry and then his contribution to the Arts and Crafts movement, and increasingly for his political activism. He felt the world had given in to drudgery and ugliness and he found inspiration in the time before industrialisation, in the medieval life which was about fellowship and association and ways of working which resisted the division of labour and allowed the worker to exercise his or her imagination. Seeing a disconnection between art and society, his solution was revolution which in his view was the only way to reset their relationship.The image above is from the Strawberry Thief wallpaper design by William Morris.With Ingrid Hanson Lecturer in 18th and 19th Century Literature at the University of ManchesterMarcus Waithe University Senior Lecturer in English Literature at the University of Cambridge and Fellow of Magdalene CollegeAndJane Thomas Professor of Victorian and Early 20th Century Literature at the University of HullProducer: Simon Tillotson.

5 Heinä 201853min

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