Decolonised Structures (Queen Victoria), Yinka Shonibare CBE RA (2022-2023) (EMPIRE LINES x The Serpentine Galleries, Venice Biennale)
EMPIRE LINES18 Huhti 2024

Decolonised Structures (Queen Victoria), Yinka Shonibare CBE RA (2022-2023) (EMPIRE LINES x The Serpentine Galleries, Venice Biennale)

Artist Yinka Shonibare CBE RA, and Hans Ulrich Obrist and Tamsin Hong of the Serpentine Galleries, coat London’s historic statues and public monuments with fresh layers of history.

For over 30 years, Yinka Shonibare CBE RA has used Western European art history to explore contemporary culture and national identities. With his iconic use of Dutch wax print fabric - inspired by Indonesian batik designs, mass-produced in the Netherlands (and now China) and sold to British colonies in West Africa - he troubles ideas of ‘authentic’ ‘African prints’. Painting these colourful patterns on his smaller-scale replicas of sculptures of British figures like Winston Churchill, Robert Clive, and Robert Milligan, he engages with contemporary debates raised in Black Lives Matter (#BLM) and the toppling of slave trader Edward Colston’s statue in Bristol.

Suspended States, the artist’s first London solo exhibition in over 20 years, puts these questions of cultural identity and whiteness, within the modern contexts of globalisation, economics, and art markets. Wind Sculptures speak to movements across borders, other works how architectures of power affect refuge, migration, and the legacies of imperialism in wars, conflict, and peace today. With his Library series, we read into Wole Soyinka, Bisi Silva, and the Harlem Renaissance, alongside canonised artists like Diego Velázquez and Pablo Picasso, engaging with modernism and ‘primitivism’.

Hans Ulrich Obrist and Tamsin Hong highlight the connection between the Serpentine’s ecological work, and Yinka’s new woodcuts and drawings which consider the environmental impacts of colonialism. A self-described ‘post-colonial hybrid’, Yinka details his diasporic social practices, like the Guest Project space, G.A.S. Foundation in Nigeria, and collaborations with young artists and researchers like Leo Robinson, Péjú Oshin, and Alayo Akinkubye, rethinking this 'moment' or 'fashion' for Black art.

Yinka Shonibare CBE: Suspended States runs at the Serpentine Galleries in London until 1 September 2024. Yinka is also an Invited Artist, and participant in Nigeria Imaginary, the official Nigerian Pavilion, at the 60th Venice Biennale, which runs until 24 November 2024.

Part of EMPIRE LINES at Venice, a series of episodes leading to Foreigners Everywhere (Stranieri Ovunque), the 60th Venice Biennale or International Art Exhibition in Italy, in April 2024.


For more about Dutch wax fabric and ‘African’ textiles, listen to Lubaina Himid on Lost Threads (2021, 2023) at the Holburne Museum in Bath and British Textile Biennial 2021, and the British Museum’s Dr. Chris Spring on Thabo, Thabiso and Blackx by Araminta de Clermont (2010)⁠.

For more about Nelson's Ship in a Bottle (2010), listen to historicity London, a podcast series of audio walking tours, exploring how cities got to be the way they are.

On bronze as the ‘media of history’, hear artist Pio Abad on Giolo’s Lament (2023) at the Ashmolean Museum in Oxford.

On the globalisation of ‘African’ masks, hear Tate curator Osei Bonsu in the episode about Ndidi Dike’s A History of A City in a Box (2019).

For more about the Blk Art Group, hear curator Dorothy Price on Claudette Johnson’s And I Have My Own Business In This Skin (1982) at the Courtauld Gallery in London.

Hear curator Folakunle Oshun, and more about Yinka Shonibare’s Diary of a Victorian Dandy (1998), in the episode on Lagos Soundscapes by Emeka Ogboh (2023), at the South London Gallery.

Read about Nengi Omuku in this article about Soulscapes at the Dulwich Picture Gallery in London.

And for another artist practicing in port cities like Venice, hear John Akomfrah of the British Pavilion (2024) on ⁠Arcadia (2023)⁠ at The Box in Plymouth.


WITH: Yinka Shonibare CBE RA, British-Nigerian artist. Hans Ulrich Obrist, Artistic Director, and Tamsin Hong, Exhibitions Curator, at the Serpentine Galleries in London.

PRODUCER: Jelena Sofronijevic.

Follow EMPIRE LINES on Instagram: ⁠instagram.com/empirelinespodcast⁠

Jaksot(163)

Black Atlantic: Power, People, Resistance (2023) (EMPIRE LINES x Fitzwilliam Museum)

Black Atlantic: Power, People, Resistance (2023) (EMPIRE LINES x Fitzwilliam Museum)

Curators Jake Subryan Richards and Vicky Avery locate Cambridge within the transatlantic slave trade, connecting global commodities and local consumption, historic and contemporary art, to reveal how ...

21 Syys 202326min

UNRWA Dress from Ramallah, Palestine (1930s) (EMPIRE LINES x Kettle’s Yard)

UNRWA Dress from Ramallah, Palestine (1930s) (EMPIRE LINES x Kettle’s Yard)

Curator Rachel Dedman unpicks the personal and political histories woven into Palestinian textiles, the role of the ‘embroidered woman’ and tatreez in resistance movements, and how the British Mandate...

14 Syys 202317min

Home is Not a Place, Johny Pitts and Roger Robinson (2021-Now) (EMPIRE LINES x The Photographers’ Gallery)

Home is Not a Place, Johny Pitts and Roger Robinson (2021-Now) (EMPIRE LINES x The Photographers’ Gallery)

Writer and photographer Johny Pitts captures everyday experiences from Black communities around the British coast, bringing together the sights, sounds, and sofas shared from Liverpool to London, in h...

7 Syys 202314min

What Remains at the End of the Earth?, Imani Jacqueline Brown (2022) (EMPIRE LINES x Hayward Gallery)

What Remains at the End of the Earth?, Imani Jacqueline Brown (2022) (EMPIRE LINES x Hayward Gallery)

Multimedia artist and activist Imani Jacqueline Brown maps out the long history of extractivism in southern America, constellating 18th century settler colonialism, oil and gas extraction, and contemp...

31 Elo 202318min

Lagos Soundscapes, Emeka Ogboh (2023) (EMPIRE LINES x South London Gallery, Southbank Centre)

Lagos Soundscapes, Emeka Ogboh (2023) (EMPIRE LINES x South London Gallery, Southbank Centre)

Curator Folakunle Oshun links Peckham in the UK, and Lagos in Nigeria, with water and two centuries of shared colonial histories. Artist David Sanya captures European statues and lingering stereotypes...

24 Elo 202325min

WAVE: Currents in Japanese Graphic Arts at Japan House London (2023) (EMPIRE LINES x historicity Tokyo)

WAVE: Currents in Japanese Graphic Arts at Japan House London (2023) (EMPIRE LINES x historicity Tokyo)

In this bonus episode, brought to you with historicity Tokyo, Japan House London curator Hiro Sugiyama, and contemporary artists Tsuzuki Mayumi and Suga Mica, ride the great waves of Japanese graphic ...

18 Elo 202310min

Photographs of the Polar Silk Road, Gregor Sailer (2017-2021) (EMPIRE LINES x Natural History Museum)

Photographs of the Polar Silk Road, Gregor Sailer (2017-2021) (EMPIRE LINES x Natural History Museum)

Photographer Gregor Sailer exposes the neo-imperial scramble for resources in the Arctic Circle and the Polar Silk Road, with stills frozen in white cubes at the Natural History Museum in London. Clim...

17 Elo 202311min

Exile is a Hard Job, Nil Yalter (1974-Now) (EMPIRE LINES x Ab-Anbar Gallery)

Exile is a Hard Job, Nil Yalter (1974-Now) (EMPIRE LINES x Ab-Anbar Gallery)

Artist Nil Yalter, a pioneer in 20th century video and multimedia installations, explores the often challenging experience of being an immigrant in a foreign country, through her transnational wallpap...

10 Elo 202316min

Suosittua kategoriassa Yhteiskunta

olipa-kerran-otsikko
siita-on-vaikea-puhua
kaksi-aitia
gogin-ja-janin-maailmanhistoria
i-dont-like-mondays
uutiscast
poks
joku-tietaa-jotain-2
antin-palautepalvelu
kolme-kaannekohtaa
sita
mamma-mia
aikalisa
yopuolen-tarinoita-2
rss-murhan-anatomia
rss-palmujen-varjoissa
lahko
rss-nikotellen
meidan-pitais-puhua
rss-napy