Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

Julian Stallabrass, "Killing for Show: Photography, War, and the Media in Vietnam and Iraq" (Rowman and Littlefield, 2020)

In the autumn of 2014, the Royal Air Force released blurry video of a missile blowing up a pick-up truck that may have had a weapon attached to its flatbed. This was a lethal form of gesture politics: to send a £9-million bomber from Cyprus to Iraq and back, burning £35,000 an hour in fuel, to launch a smart missile costing £100,000 to destroy a truck or, rather, to create a video that shows it being destroyed. Some lives are ended—it is impossible to tell whose—so that the government can pretend that it taking effective action by creating a high-budget snuff movie. This is killing for show. Since the Vietnam War the way we see conflict – through film, photographs, and pixels – has had a powerful impact on the political fortunes of the campaign, and the way that war has been conducted. In Killing for Show: Photography, War, and the Media in Vietnam and Iraq (Rowman and Littlefield, 2020), Julian Stallabrass tells the story of post-war conflict, how it was recorded and remembered through its iconic photography. Through accounts of events such as My Lai massacre, the violent suppression of insurgent Fallujah, or the atrocities in Abu Ghraib, Stallabrass maps a comprehensive theoretical re-evaluation of the relationship between war, politics and visual culture. Julian Stallabrass talks to Pierre d’Alancaisez about the inescapable complicity of photography and media in warfare, the technical and social evolution of images as lethal weapons, and their changing role as witnesses or propaganda documents. Julian Stallabrass is an art historian, photographer, curator, and professor at the Courtauld Institute of Art. Thomas Dworzak’s Taliban studio photographs Documentary on Eugenie Goldberg’s Open Shutters of Iraq Execution of Nguyễn Văn Lém, photographed by Eddie Adams Lisa Barnard James Bridle’s Dronestagram Omer Fast’s 5000 feet is the Best  Pierre d’Alancaisez is a contemporary art curator, cultural strategist, researcher. Sometime scientist, financial services professional. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

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Samuel Marquis, "Empire and Frontier: Colonel Peter Schuyler and the Valiant Iroquois in King William's War: 1689-1701" (Pegasus Books, 2026)

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Monalisa Adhikari, "A Post-Liberal Peace: How Emergent Powers Are Reshaping Global Conflict Management" (Cornell UP, 2026)

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Thomas Richardson, "Soldiers and Bushmen: The Australian Army in South Africa, 1899–1902" (Cambridge UP, 2025)

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Magdalena E. Stawkowski, "Atomic Collective: Radioactive Life in Kazakhstan" (U Toronto Press, 2025)

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In the aftermath of the Soviet Union's collapse, Kazakhstan inherited the remnants of one of the world's most contaminated landscapes: the Semipalatinsk Test Site, known locally as the Polygon. Resign...

1 Elo 56min

On Who Blew Up Nord Stream: A Conversation with Author Bojan Pancevski

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The September, 2022 attack on the Nord Stream pipelines transporting Russian gas to Germany was perhaps the greatest single act of sabotage in modern history. In The Nord Stream Conspiracy: The Inside...

28 Heinä 1h

Andrew N. Buchanan and Ruth Lawlor eds., "The Greater Second World War: Global Perspectives" (Cornell UP, 2025)

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Claire Hubbard-Hall, "Her Secret Service: The Forgotten Women of British Intelligence" (Weidenfeld & Nicolson, 2024)

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Since the inception of the Secret Service Bureau back in 1909, women have worked at the very heart of British secret intelligence - yet their contributions have been all but written out of history. No...

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Eamonn Gearon, "The Arab Bureau: The Story of Britain's Most Ingenious Intelligence Unit" (Hurst, 2026)

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Many of us have watched the classic 1962 movie Lawrence of Arabia, the somewhat fictionalized work based on the life of T. E. Lawrence during the Arab Revolt and the First World War. But Lawrence was...

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