1: How the True World Finally Became a Fable

Nietzsche recapitulates and summarizes his positions, and provides us with a few relatively simple formulas for understanding the interaction of the two art-forces. He hopes for a rebirth of tragic art in Europe. We conclude with my distillation of the main philosophical concepts, the significance of which can be expanded beyond the work.

4 Loka 20222h 4min

Here we find the idea of cultures as admixtures of the Apollinian, Dionysian, or Socratic approaches to life. The Socratic is distinguished from the Apollinian, and modern art and culture is assessed as theoretic parasitism on art.

27 Syys 20221h 59min

Socrates, having been introduced in the last chapter we studied in the previous section, appears now to threaten all art, with a worldview described as "the theoretic", which is fundamentally opposed to the tragic. The theoretical worldview is, by nature, optimistic, moralistic, and against all illusion and ignorance. Nietzsche first raises the prospect of "an artistic Socrates", and rails against the New Attic Comedy as a degenerated artform in comparison to Attic Tragedy.

20 Syys 20222h 36min

Now we turn to the effect of Euripedes, and Nietzsche’s charge that this tragedian came under the influence of Socrates, and the new form of drama, New Attic Comedy, that followed.

13 Syys 20222h

Let’s talk about the evolution of the Attic Tragedy: from solo dithyrambic poet, to dithyrambic chorus, to chorus plus the ritualized portrayal of a masked Dionysus, to an entire tragedy performed on stage behind the “magic wall” of the chorus.

6 Syys 20222h 12min

We continue our analysis of Birth of Tragedy, and enter one of the most byzantine sections of the text. Don’t worry, I shall be your Ariadne.

30 Elo 20222h 4min

Today we cover the first three sections of Birth of Tragedy. Slow going, I know- but things will begin to move at a faster clip as we continue. In this episode the core concepts of the Apollinian and Dionysian art forces are explained, their relation to one another, and their origin in dreams and intoxication.

23 Elo 20221h 56min

In the name of Lord Dionysus, it with great joy and solemnity that we commence this, the first of our Nietzschean bookclubs. This series will see me undertake an in-depth analysis, moving section-by-section, through Nietzsche’s first book: The Birth of Tragedy. In the first episode, we’ll look at Nietzsche’s masterful second preface, written in 1886 and attached to the beginning of the work. This episode will therefore serve as a sort of introduction to the text, contextualizing it within Nietzsche’s own understanding of his early text and how it laid the foundations for many of his later ideas.

16 Elo 20222h 25min