24: The Tragedy Begins

24: The Tragedy Begins

We can pinpoint the end of an era in Nietzsche’s philosophy precisely at Book IV of the Gay Science. This is where Nietzsche marks off a new chapter in his life. He begins the book with the aphorism, "For the New Year", and there is a celebration of the month of January, as the beginning of the year – a celebration of newness, of rejuvenation. In a letter to Franz Overbeck, on September 9th, of that year, still in 1882, he wrote: "If you have read 'Sanctus Januarius', you will have noticed that I have already come to a turning point. Everything lies new before me, and it will not be long before I am able to see the frightening face of my life’s future task." In this episode, the final show of season one, we examine this self-described turning point in Nietzsche's life & work, as a means of understanding Nietzsche's desire to eternally justify and elevate human life. While we have touched on this theme throughout the season, I think the best way to shift our focus from his moral project to his "life-problem" is to examine the period in his life where he felt he'd hit a breakthrough in confronting this task. It's been a crazy six months; thank you to all of our listeners! Disputing the Lou Salome marriage proposal story: https://paradoxoftheday.com/friedrich-nietzsche-and-lou-von-salome-the-myth-of-marriage-proposals/ My own essay, "Disputing the Three Periods of Nietzsche's Writing", where I criticize the whole idea of Zarathustra being a "turning point" (it's worth noting that the sense in which Nietzsche means it's a turning point, relevant to this episode, I think is perfectly valid, but I just thought I'd include it here): https://www.reddit.com/r/Nietzsche/comments/fefq8k/disputing_the_three_periods_of_nietzsches_writing/ INCIPIT TRAGOEDIA

Jaksot(229)

4: Love Never Faileth

4: Love Never Faileth

A mysterious illness. A headstone for Karl Ludwig. An enigmatic inscription. In today's episode, we pose the question of why Nietzsche would memorialize his dead father, a Lutheran pastor, with a verse from Corinthians. This unusual event in Nietzsche's life intersects with both his lifelong ailment and his most ambitious philosophical ideas. In order to answer this question, we'll go on the podcast's first deep dive into Nietzsche's personal life - particularly his early life, his romantic period, and his ill-fated friendships with Richard Wagner, Paul Ree, and Lou Salome. This episode was partially inspired by an essay by Charlie Huennemann, a professor who has published many books worth checking out, including one on Nietzsche. You can find his blog here: https://huenemanniac.com/ Other sources utilized in the episode: Leonard Sax, What was the cause of Nietzsche’s dementia? (pdf link: www.leonardsax.com/Nietzsche.pdf) Hemelsoet D1, Hemelsoet K, Devreese D., The neurological illness of Nietzsche (Abstract): https://www.ncbi.nlm.nih.gov/pubmed/18575181 Information on CADASIL: https://ghr.nlm.nih.gov/condition/cerebral-autosomal-dominant-arteriopathy-with-subcortical-infarcts-and-leukoencephalopathy

6 Heinä 202153min

3: “God is Dead!"

3: “God is Dead!"

Today we'll study the words of a saint, a pope, a madman, the ugliest man, and Zarathustra himself - in order to find out what they all have to tell us about one of the most momentous events in world history, but one which is not yet perceived or understood by the great many. This event is the Death of God, one of Nietzsche's most important ideas and one which lays the groundwork for understanding his thought, and where he saw himself in the context of Western Philosophy. While it is often the case that great attention is given to the infamous passage entitled, "The Madman" - and we'll spend a good amount of time on this passage in this very episode - this particular story is only the first step into the many implication's of God's death. And, of course, we will not be able to get through the episode without addressing ourselves to the elephant in the room, one Dr. Jordan B. Peterson, who has suggested that the Death of God was a sorrowful event for Nietzsche. On the contrary, Nietzsche celebrated the myriad possibilities laid open for humanity, for all the dangers that this entailed, such as the civilizational descent into nihilism.  This episode's art is Diogenes by Dutch painter Jan Victors (1619 – 1679)

29 Kesä 202158min

2: Wandering Through Ice & Mountain Peaks

2: Wandering Through Ice & Mountain Peaks

In this episode, we discuss the character of The Wanderer. The Wanderer appeared in multiple Nietzsche works, mainly during the period from Human, All Too Human, through The Gay Science. Evidently Nietzsche identified himself with this character. The wandering that Nietzsche did throughout Europe, and while hiking the Alps, paralleled the metaphor of 'philosophical wandering' in Nietzsche's work. We'll also discuss a potential inspiration for Nietzsche, in the motif of "wanderers" in German culture. The significance of philosophical wandering as Nietzsche's approach to philosophy is that Nietzsche's project ends up looking very different from that of most other philosophers. Episode art is Caspar David Friedrich's Der Wanderer über dem Nebelmeer.

23 Kesä 20211h

1: How the True World Finally Became a Fable

1: How the True World Finally Became a Fable

Welcome to The Nietzsche Podcast! In this first episode, we introduce Friedrich Nietzsche (1844-1900), through the passage, "How the True World Finally Became a Fable", from his book, The Twilight of Idols. In this passage, Nietzsche sketches the history of a particular error in Western philosophy: the error of metaphysics. Nietzsche establishes himself as an anti-metaphysical philosopher, who is against all doctrines of a "True World" that lies beyond our own. In this episode, we touch upon the ideas and historical context of Plato, Descartes, Kant, Schopenhauer, and others. INCIPT ZARATHUSTRA!

23 Kesä 202158min

The Nietzsche Podcast Trailer

The Nietzsche Podcast Trailer

22 Kesä 202154s

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