A Return to Rasbor

A Return to Rasbor

This week, we return to the Russian word Rasbor, which means “to dig down” beneath what you’re talking about to get to the big, cosmic idea. This is a new way of thinking in terms of acting, a muscle that we’re not accustomed to exercising. When we talk about our characters, it should never be about accuracy, or information or words. When we talk about our characters, it should be in a way that shows we understand, experientially, the meaning of the idea. How do we get there? Through “Rasbor.” We must scratch the surface of our impressions and discoveries to reach the true meaning, or big idea, of what we’re talking about. This connects us, vitally, to the character, bringing us to life and giving us something to hold onto.

Jaksot(232)

The Dreaded Vocabulary of Acting

The Dreaded Vocabulary of Acting

The vocabulary of acting is strangling the talent of actors. The need to use the right words is cutting off the actor's talent.

24 Joulu 20254min

NYC Classes Begin January 12th

NYC Classes Begin January 12th

In person classes in New York City begin January 12th

21 Joulu 202556s

NYC Classes Beginning October 27th!

NYC Classes Beginning October 27th!

We can't wait to see you!https://www.theactorlab.nyc

10 Loka 202530s

Bonus Video Ep: Let It Happen

Bonus Video Ep: Let It Happen

This acting class session focuses on the fundamental tension between allowing authentic moments to emerge versus forcing them through overthinking. The instructor addresses how students lose their nat...

24 Elo 202514min

Why Your Acting Choices Must Feed the Material

Why Your Acting Choices Must Feed the Material

In this episode, Milton Justice explores the critical concept of matching your acting choices to the specific material you're working with. Using examples from his recent work with students, Milton de...

23 Elo 202514min

Filling The Choice

Filling The Choice

In this episode, Milton Justice explores why actors struggle to make choices substantial enough to serve their material. He contextualizes modern acting within theater history, explaining how realisti...

14 Elo 202517min

Playing Characters Beyond Your Experience

Playing Characters Beyond Your Experience

Milton and Kaleb explore how to authentically portray characters whose experiences are completely outside your own. They discuss the crucial role of script analysis in understanding what kind of perso...

5 Elo 202513min

What Worked and What Didn't

What Worked and What Didn't

Milton interviews student J.P. McCloskey about his off-Broadway experience in the Stephen Metcalfe play Strange Snow. J.P. identifies a major challenge: after months of rehearsals without set or props...

26 Heinä 202516min

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