No, But What's Really Going On?

No, But What's Really Going On?

This week’s episode begins with an analysis of Aunjanue Ellis’ performance in the film King Richard and why it’s an example of great acting. Her interior life is so complete and rich that we, as an audience, are able to see (and more importantly, feel) the character’s struggle without any dialogue to reveal plot or exposition. How do we bring this level of depth to our work? One way is to talk out. Talk out your character’s past, talk out their unconscious struggle. This makes our work go beyond a kind of surface performance that is just clear or believable. “It turns the dial,” says Milton. “It gives us more to play and it brings the dialogue to life.” Have a question for Milton? Email him at questionsformilton@gmail.com

Jaksot(232)

Working Slowly

Working Slowly

“Once you go to the script, all creative work stops” Milton says. It’s a provocative statement but it’s true if you consider how most actors jump straight to a performance or an intelligent rendering ...

16 Helmi 202110min

Falling Back on “Performing”

Falling Back on “Performing”

WANT MORE? Become a subscriber for bonus content! https://podcasters.spotify.com/pod/show/actingclass/subscribe It’s something every actor can relate to: you walk in the room, onstage on in front of t...

9 Helmi 202115min

Trial and Error

Trial and Error

Stanislavsky’s Method of Acting was born out of trial and error. He was not a natural talent. Had he been, we probably would not have been gifted with his discoveries of the craft. By analyzing his st...

2 Helmi 202114min

The Action Changes

The Action Changes

As you gain a deeper understanding of the role you’re playing through analysis and rehearsal, it’s important that we give ourselves permission for our actions, or impulses, to change. It’s not somethi...

25 Tammi 202111min

How Do I Know If It’s a Good Choice?

How Do I Know If It’s a Good Choice?

Today we revisit a question that actors never stop asking. The ability to know whether or not you’ve made a good choice is part your talent, and it’s a skill you can hone over time. A choice has to fe...

19 Tammi 202111min

The Impulse to Begin

The Impulse to Begin

Stanislavsky never wanted a set vocabulary of acting. The words he used were an outgrowth of the creative work he was doing with actors. They pointed to ideas that brought actors to life, gave them so...

12 Tammi 202113min

What Am I Trying to Say?

What Am I Trying to Say?

Our job, as actors is so much more profound than playing the part and getting applause. As Stella Adler’s father said to her: “We need to make it better for them.” When we understand what the play is ...

5 Tammi 202116min

How Time Period Influences Character

How Time Period Influences Character

When building a character we can use the facts that are available to us in any way that will help us. Just as this is true for our character’s past, physical life or way of seeing the world, it is als...

29 Joulu 202014min

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