No, But What's Really Going On?

No, But What's Really Going On?

This week’s episode begins with an analysis of Aunjanue Ellis’ performance in the film King Richard and why it’s an example of great acting. Her interior life is so complete and rich that we, as an audience, are able to see (and more importantly, feel) the character’s struggle without any dialogue to reveal plot or exposition. How do we bring this level of depth to our work? One way is to talk out. Talk out your character’s past, talk out their unconscious struggle. This makes our work go beyond a kind of surface performance that is just clear or believable. “It turns the dial,” says Milton. “It gives us more to play and it brings the dialogue to life.” Have a question for Milton? Email him at questionsformilton@gmail.com

Jaksot(232)

The Dreaded Vocabulary of Acting

The Dreaded Vocabulary of Acting

The vocabulary of acting is strangling the talent of actors. The need to use the right words is cutting off the actor's talent.

24 Joulu 20254min

NYC Classes Begin January 12th

NYC Classes Begin January 12th

In person classes in New York City begin January 12th

21 Joulu 202556s

NYC Classes Beginning October 27th!

NYC Classes Beginning October 27th!

We can't wait to see you!https://www.theactorlab.nyc

10 Loka 202530s

Bonus Video Ep: Let It Happen

Bonus Video Ep: Let It Happen

This acting class session focuses on the fundamental tension between allowing authentic moments to emerge versus forcing them through overthinking. The instructor addresses how students lose their nat...

24 Elo 202514min

Why Your Acting Choices Must Feed the Material

Why Your Acting Choices Must Feed the Material

In this episode, Milton Justice explores the critical concept of matching your acting choices to the specific material you're working with. Using examples from his recent work with students, Milton de...

23 Elo 202514min

Filling The Choice

Filling The Choice

In this episode, Milton Justice explores why actors struggle to make choices substantial enough to serve their material. He contextualizes modern acting within theater history, explaining how realisti...

14 Elo 202517min

Playing Characters Beyond Your Experience

Playing Characters Beyond Your Experience

Milton and Kaleb explore how to authentically portray characters whose experiences are completely outside your own. They discuss the crucial role of script analysis in understanding what kind of perso...

5 Elo 202513min

What Worked and What Didn't

What Worked and What Didn't

Milton interviews student J.P. McCloskey about his off-Broadway experience in the Stephen Metcalfe play Strange Snow. J.P. identifies a major challenge: after months of rehearsals without set or props...

26 Heinä 202516min

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