The Ability to See

The Ability to See

One of Stella Adler’s fundamental exercises was a visualization exercise. This is something we can do anytime and anywhere— walking down the street, driving down the highway, standing in the shower. The more you train yourself how to see, the more specific your work will become, and the more the images will feed you emotionally. But this is not work you can do intellectually, deciding beforehand what the images are. It requires a leap of faith to be fully present and let the images come to you. Eventually, you will find specific things that make you come alive. Have an acting question for Milton? Email him at: questionsformilton@gmail.com

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What Makes a Good Choice

What Makes a Good Choice

WANT MORE? Become a subscriber for bonus content! ⁠⁠⁠https://podcasters.spotify.com/pod/show/actingclass/subscribe⁠⁠⁠ In this episode, Milton muses on the Stella Adler quote: "Your talent is in your c...

27 Heinä 202112min

Soul Problem Vs. Plot Problem

Soul Problem Vs. Plot Problem

There’s a difference between getting the job and getting the part. And if we want to elevate ourselves to doing great work and truly “get the part,” then we have to understand that the key lies in dis...

20 Heinä 202110min

Playing a Part You Know S*** About

Playing a Part You Know S*** About

One of our listeners recently began work as a series regular on a new show, and found herself a little lost because of the lack of information she’s been given about her character. When you don’t know...

13 Heinä 202117min

How to Talk Out

How to Talk Out

In this episode Milton shares how his “Talking Out” technique was born in order to clarify how it can best work for us as actors. We talk out in order to take ownership of what we are talking about, l...

6 Heinä 202113min

Where Our Research Should Lead Us

Where Our Research Should Lead Us

We all know the importance of doing research when creating a role, but even more important is what you do with that research. If you can’t turn it into something actable, it’s useless. This is a skill...

29 Kesä 202117min

The Accurate Conductor

The Accurate Conductor

As an actor, you want to be so much more than just “accurate.” You must have something going on inside of you that makes you alive on the outside. An exercise we can employ that helps us connect to th...

22 Kesä 202117min

The Shorthand of Emotions

The Shorthand of Emotions

There was a period where you took the time and energy to communicate, either writing a letter or speaking. We’re now living in a world where language has become truncated into a shorthand of images an...

15 Kesä 202110min

This is the Scene Where…

This is the Scene Where…

The ability to identify what’s going on in any given scene from an actor’s perspective is very important. Instead of getting bogged down in all the elements of the scene— specifically the plot and wha...

8 Kesä 202116min

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