Monet in England
In Our Time25 Heinä 2024

Monet in England

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.

With

Karen Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'

Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of Scotland

And

Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision’

In Our Time is a BBC Studios Audio Production

Producer: Simon Tillotson Studio production: John Goudie

Reading list:

Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)

Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905’

Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)

Paul Hayes Tucker, Monet in the ’90s: The Series Paintings (Yale University Press, 1990)

Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)

Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)

Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet’s London (Lilburne Press, 1998)

Grace Seiberling, Monet in London (High Museum of Art, 1988)

Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)

Charles Stuckey, Monet: A Retrospective (Random House, 1985)

Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)

Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

Jaksot(1081)

Biography

Biography

Melvyn Bragg and guests discuss biography which sells more books now than ever before; last year people in this country spent 115 million pounds on 12 and a half million copies of biographies. And it’s not just in Britain that life stories are popular; the United States Library of Congress found recently that in the previous six months more people had read a biography than any other kind of book. But what drives this fascination in the lives of others; lives which have often long since passed. Why do the literary studies of often long dead characters make such popular books? And what is the role of the biographer who provides that account? Truthful chronicler, or inevitably biased re-inventor?With Richard Holmes, writer, biographer and the author of Sidetracks:Explorations of a Romantic Biographer; Nigel Hamilton, biographer, Director of the British Institute of Biography and Professor of Biography, De Montfort University, Leicester; Amanda Foreman, biographer of Georgiana, Duchess of Devonshire.

22 Kesä 200028min

Inspiration and Genius

Inspiration and Genius

Melvyn Bragg explores genius and inspiration. “When a true genius appears in the world, you may know him by this sign, that the dunces are all in confederacy against him”. So said Jonathon Swift, many people’s choice for a genius himself. But what does that word really mean? Are geniuses born or made? And what are the circumstances necessary for the great leaps of consciousness that inspire the development of science and art? Did Einstein’s brain arrive like that - markedly different from the expected formation - or did it become like that through thought? If genius does not exist, why are we so keen to invent it? Was Mozart programmed or pre-programmed and was Newton or anyone else solely responsible for inventing anything?With Arthur I. Miller, Professor of History and Philosophy of Science, Department of Science & Technology, University College London; Michael Howe, Professor of Psychology, Exeter University; Dr Juliet Mitchell, psychoanalyst and lecturer at Cambridge University.

15 Kesä 200028min

The Renaissance

The Renaissance

Melvyn Bragg and guests discuss the Renaissance, which was first given its role as the birth place of modern man by the nineteenth century historian Jacob Burckhardt. At the start of his immensely influential Civilisation of the Renaissance in Italy, he wrote “In the Middle Ages both sides of human consciousness - that which was turned within as that which was turned without - lay dreaming or half awake beneath a common veil. The veil was woven of faith, illusion, childish prepossession, through which the world and history were seen clad in strange hues…In Italy this veil first melted into air” But is the Renaissance really a cultural miracle, and is it fair to think of medieval thought as being ‘obscured by a veil’? Should we even call the period around the fifteenth century the Renaissance when the very word implies that culture, for a thousand years, has been dead? What if our idea of the Renaissance is completely wrong? With Francis Ames-Lewis, Professor of History of Art, Birkbeck College; Peter Burke, Professor of Cultural History and Fellow of Emmanuel College, University of Cambridge; Dr Evelyn Welch, Reader in the History of Art, University of Sussex.

8 Kesä 200042min

The American Ideal

The American Ideal

Melvyn Bragg and guests discuss the American Ideal. The Twentieth Century has been called the American Century, and you don’t have to look very far to see the evidence of its enormous success. In 1919 President Woodrow Wilson said; “Sometimes people call me an idealist. Well that is the way I know I am an American. America is the only idealistic nation in the world”. America is the world’s popular culture and its centre of the expensive higher sciences and scholarship. Its riches would make Midas weep in disbelief. Its contradictions grind the molars of intellectuals, critics within without. But its imperial, seemingly unassailable fortress is swollen with many treasures and open to many weaknesses.What is the ideal that underwrites that idealism and how has it driven the phenomenal influence that the USA has gained culturally, economically and diplomatically across the globe? And was it ever ideal and is it ideal any longer?With Christopher Hitchens, writer, journalist and author of No One Left to Lie To: The Triangulations of William Jefferson Clinton; John Keane, Professor of Politics, University of Westminster and Director of the Centre for the Study of Democracy; Susan Sontag, cultural critics and essayists, and author of the novel In America.

1 Kesä 200042min

Chemical Elements

Chemical Elements

Melvyn Bragg and guests discuss the chemical elements. The aim and challenge in chemistry, according to the Encyclopaedia Britannica, is the understanding of the complex materials which constitute everything in existence since the Big Bang, when the whole universe emerged out of the two elements of hydrogen and helium. For Aristotle there were four elements: Earth, Air, Fire and Water. Now there are one hundred and eight, sixteen of which are produced artificially, and none of which figure in Aristotle's original four. But they are all still elements - defined as substances which cannot be broken down, the building blocks of all life.Today we have the key to understanding these elements, the Periodic Table, which is a pattern embedded in nature and was miraculously discovered in a dream. With Paul Strathern, former lecturer in philosophy and science, Kingston University and author of Mendeleyev's Dream: The Quest for the Elements; Dr Mary Archer, Visiting Professor of Chemistry at Imperial College, London; John Murrell, Emeritus Professor of Chemistry, University of Sussex.

25 Touko 200028min

The Wars of the Roses

The Wars of the Roses

Melvyn Bragg and guests discuss the Wars of the Roses which have been the scene for many a historical skirmish over the ages: The period in the fifteenth century when the House of Lancaster and the House of York were continually at odds is described by Shakespeare, in the three parts of Henry VI and Richard III as a time of enormous moral, military and political turmoil - the quintessential civil war; but twentieth century historians like K.B. Macfarlane argued the political instability is wildly overstated and there were no Wars of the Roses at all. Opposing this position are the many Tudor historians who like to claim that the Wars of the Roses represent the final breakdown of the feudal system and lead directly to the Tudor Era and the birth of the modern age.With Dr Helen Castor, Fellow and Director of Studies in History, Sidney Sussex College, Cambridge; Professor Colin Richmond, Emeritus Professor of History, Keele University; Dr Steven Gunn is a Tudor historian and Fellow and Tutor in Modern History, Merton College, Oxford.

18 Touko 200028min

Shakespeare's Work

Shakespeare's Work

Melvyn Bragg and guests discuss the work of William Shakespeare. He was nominated as the Man of the last Millennium and he steps into this one - on film, on stage, in academia, in schools, in private passions, probably in song and dance as well - every bit as briskly as he did in 1600. He's been called our greatest living playwright. We are told he taught us how to be modern. That he is the true Bible of our times. We are also told that his work is irrelevant to a massive percentage of the population, sandbanked by critics, neutered by establishments and, above all, embalmed in a cargo of language increasingly out of reach and ken of those who might heave him up the next century. William Shakespeare 'was not of an age, but for all time' according to Ben Johnson. That was in the seventeenth century and it's a claim that has often been repeated since, but is it really true? Is what we see in theatre and increasingly at the cinema the work of a playwright whose works live on, or are we merely watching historical reconstructions - museum pieces - with any contemporary meaning obscured by the reverence we pay to the author? And if Shakespeare is for all time, what is it about him that makes him so eternally special?With Professor Sir Frank Kermode, literary critic and author of Shakespeare's Language; Michael Bogdanov, theatre, television, opera and film director and a founder member of the English Shakespeare Company; Germaine Greer, Professor of English and Comparative Studies, Warwick University.

11 Touko 200028min

Death

Death

Melvyn Bragg and guests discuss Death, what the 16th century philosopher Frances Bacon called, ‘the least of all evils’. A subject which has provoked thousands of reflections which live on: How has the perception, dread or even desire for our own endings shaped the development of the culture of Europe and the West, from funeral rituals to Gothic novels, to the Aids fiction and fact of today. From the celebration of the passage of a soul to the grief of the loss of a body. And how have different eras addressed the essential existential problems that death presents us with?With Jonathan Dollimore, Professor of English, York University; Thomas Lynch, poet, essayist, funeral director and author of The Undertaking - Life Studies from the Dismal Trade; Marilyn Butler, Professor of English Literature and Rector of Exeter College, Oxford.

4 Touko 200028min

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