Monet in England
In Our Time25 Heinä 2024

Monet in England

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.

With

Karen Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'

Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of Scotland

And

Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision’

In Our Time is a BBC Studios Audio Production

Producer: Simon Tillotson Studio production: John Goudie

Reading list:

Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)

Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905’

Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)

Paul Hayes Tucker, Monet in the ’90s: The Series Paintings (Yale University Press, 1990)

Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)

Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)

Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet’s London (Lilburne Press, 1998)

Grace Seiberling, Monet in London (High Museum of Art, 1988)

Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)

Charles Stuckey, Monet: A Retrospective (Random House, 1985)

Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)

Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

Jaksot(1081)

The May Fourth Movement

The May Fourth Movement

Melvyn Bragg and guests discuss the violent protests in China on 4th May 1919 over the nation's humiliation in the Versailles Treaty after World War One. China had supported the Allies, sending workers to dig trenches, and expected to regain the German colonies on its territory, but the Allies and China's leaders chose to give that land to Japan instead. To protestors, this was a travesty and reflected much that was wrong with China, with its corrupt leaders, division by warlords, weakness before Imperial Europe and outdated ideas and values. The movement around 4th May has since been seen as a watershed in China’s development in the 20th century, not least as some of those connected with the movement went on to found the Communist Party of China a few years later.The image above is of students from Peking University marching with banners during the May Fourth demonstrations in 1919.With Rana Mitter Professor of the History and Politics of Modern China and Fellow of St Cross College, University of OxfordElisabeth Forster Lecturer in Chinese History at the University of SouthamptonAnd Song-Chuan Chen Associate Professor in History at the University of WarwickProducer: Simon Tillotson

9 Joulu 202152min

The Battle of Trafalgar

The Battle of Trafalgar

Melvyn Bragg and guests discuss the events of 21st October 1805, in which the British fleet led by Nelson destroyed a combined Franco-Spanish fleet in the Atlantic off the coast of Spain. Nelson's death that day was deeply mourned in Britain, and his example proved influential, and the battle was to help sever ties between Spain and its American empire. In France meanwhile, even before Nelson's body was interred at St Paul's, the setback at Trafalgar was overshadowed by Napoleon's decisive victory over Russia and Austria at Austerlitz, though Napoleon's search for his lost naval strength was to shape his plans for further conquests.The image above is from 'The Battle of Trafalgar' by JMW Turner (1824).WithJames Davey Lecturer in Naval and Maritime History at the University of ExeterMarianne Czisnik Independent researcher on Nelson and editor of his letters to Lady HamiltonAndKenneth Johnson Research Professor of National Security at Air University, AlabamaProducer: Simon Tillotson

2 Joulu 202151min

Plato's Gorgias

Plato's Gorgias

Melvyn Bragg and guests discuss one of Plato's most striking dialogues, in which he addresses the real nature of power and freedom, and the relationship between pleasure and true self-interest. As he tests these ideas, Plato creates powerful speeches, notably from Callicles who claims that laws of nature trump man-made laws, that might is right, and that rules are made by weak people to constrain the strong in defiance of what is natural and proper. Gorgias is arguably the most personal of all of Plato's dialogues, with its hints of a simmering fury at the system in Athens that put his mentor Socrates to death, and where rhetoric held too much sway over people. WithAngie Hobbs Professor of the Public Understanding of Philosophy at the University of SheffieldFrisbee Sheffield University Lecturer in Classics and Fellow of Downing College, University of CambridgeAndFiona Leigh Associate Professor in the Department of Philosophy at University College LondonProducer: Simon Tillotson

25 Marras 202150min

The Decadent Movement

The Decadent Movement

Melvyn Bragg and guests discuss the British phase of a movement that spread across Europe in the mid-19th and early 20th centuries. Influenced by Charles Baudelaire and by Walter Pater, these Decadents rejected the mainstream Victorian view that art needed a moral purpose, and valued instead the intense sensations art provoked, celebrating art for art’s sake. Oscar Wilde was at its heart, Aubrey Beardsley adorned it with his illustrations and they, with others, provoked moral panic with their supposed degeneracy. After burning brightly, the movement soon lost its energy in Britain yet it has proved influential.The illustration above, by Beardsley, is from the cover of the first edition of The Yellow Book in April 1894.WithNeil Sammells Professor of English and Irish Literature and Deputy Vice Chancellor at Bath Spa UniversityKate Hext Senior Lecturer in English Literature at the University of ExeterAndAlex Murray Senior Lecturer in English at Queen’s University, BelfastProducer: Simon Tillotson

18 Marras 202151min

William and Caroline Herschel

William and Caroline Herschel

Melvyn Bragg and guests discuss William Herschel (1738 – 1822) and his sister Caroline Herschel (1750 – 1848) who were born in Hanover and made their reputation in Britain. William was one of the most eminent astronomers in British history. Although he started life as a musician, as a young man he became interested in studying the night sky. With an extraordinary talent, he constructed telescopes that were able to see further and more clearly than any others at the time. He is most celebrated today for discovering the planet Uranus and detecting what came to be known as infrared radiation. Caroline also became a distinguished astronomer, discovering several comets and collaborating with her brother.WithMonica Grady Professor of Planetary and Space Sciences at the Open UniversityCarolin Crawford Institute of Astronomy, Cambridge and an Emeritus Fellow of Emmanuel College, University of CambridgeAndJim Bennett Keeper Emeritus at the Science Museum in London.Studio producer: John Goudie

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The Song of Roland

The Song of Roland

Melvyn Bragg and guests discuss an early masterpiece of French epic poetry, from the 12th Century. It is a reimagining of Charlemagne’s wars in Spain in the 8th Century in which Roland, his most valiant knight, chooses death before dishonour, guarding the army’s rear from a pagan ambush as it heads back through the Roncesvalles Pass in the Pyrenees. If he wanted to, Roland could blow on his oliphant, his elephant tusk horn, to summon help by calling back Charlemagne's army, but according to his values that would bring shame both on him and on France, and he would rather keep killing pagans until he is the last man standing and the last to die.The image above is taken from an illustration of Charlemagne finding Roland after the Battle of Roncevaux/Roncesvalles, from 'Les Grandes Chroniques de France', c.1460 by Jean Fouquet, Bibliotheque Nationale, Paris, Ms Fr 6465 f.113 With Laura Ashe Professor of English Literature and Fellow in English at Worcester College, University of OxfordMiranda Griffin Assistant Professor of Medieval French at the University of Cambridge and Fellow of Murray Edwards CollegeAndLuke Sunderland Professor in the School of Modern Languages and Cultures at Durham UniversityStudio producer: John Goudie

4 Marras 202151min

Corals

Corals

Melvyn Bragg and guests discuss the simple animals which informed Charles Darwin's first book, The Structure and Distribution of Coral Reefs, published in 1842. From corals, Darwin concluded that the Earth changed very slowly and was not fashioned by God. Now coral reefs, which some liken to undersea rainforests, are threatened by human activity, including fishing, pollution and climate change. WithSteve Jones Senior Research Fellow in Genetics at University College LondonNicola Foster Lecturer in Marine Biology at the University of Plymouth AndGareth Williams Associate Professor in Marine Biology at Bangor University School of Ocean SciencesProducer Simon Tilllotson.

28 Loka 202151min

Iris Murdoch

Iris Murdoch

Melvyn Bragg and guests discuss the author and philosopher Iris Murdoch (1919 - 1999). In her lifetime she was most celebrated for her novels such as The Bell and The Black Prince, but these are now sharing the spotlight with her philosophy. Responding to the horrors of the Second World War, she argued that morality was not subjective or a matter of taste, as many of her contemporaries held, but was objective, and good was a fact we could recognize. To tell good from bad, though, we would need to see the world as it really is, not as we want to see it, and her novels are full of characters who are not yet enlightened enough to do that.WithAnil Gomes Fellow and Tutor in Philosophy at Trinity College, University of OxfordAnne Rowe Visiting Professor at the University of Chichester and Emeritus Research Fellow with the Iris Murdoch Archive Project at Kingston UniversityAndMiles Leeson Director of the Iris Murdoch Research Centre and Reader in English Literature at the University of ChichesterProducer: Simon Tillotson

21 Loka 202154min

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