Monet in England
In Our Time25 Heinä 2024

Monet in England

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.

With

Karen Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'

Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of Scotland

And

Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision’

In Our Time is a BBC Studios Audio Production

Producer: Simon Tillotson Studio production: John Goudie

Reading list:

Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)

Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905’

Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)

Paul Hayes Tucker, Monet in the ’90s: The Series Paintings (Yale University Press, 1990)

Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)

Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)

Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet’s London (Lilburne Press, 1998)

Grace Seiberling, Monet in London (High Museum of Art, 1988)

Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)

Charles Stuckey, Monet: A Retrospective (Random House, 1985)

Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)

Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

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Fernando Pessoa

Fernando Pessoa

Melvyn Bragg and guests discuss the Portuguese poet Pessoa (1888-1935) who was largely unknown in his lifetime but who, in 1994, Harold Bloom included in his list of the 26 most significant western writers since the Middle Ages. Pessoa wrote in his own name but mainly in the names of characters he created, each with a distinctive voice and biography, which he called heteronyms rather than pseudonyms, notably Ricardo Reis, Alberto Caeiro, Álvaro de Campos and one who was closer to Pessoa's own identity, Bernardo Soares. Most of Pessoa's works were unpublished at his death, discovered in a trunk; as more and more was printed and translated, his fame and status grew.WithCláudia Pazos-Alonso Professor of Portuguese and Gender Studies and Senior Research Fellow at Wadham College, University of OxfordJuliet Perkins Visiting Senior Research Fellow in Portuguese Studies at King’s College LondonAndPaulo de Medeiros Professor of English and Comparative Literary Studies at the University of WarwickProducer: Simon Tillotson

3 Joulu 202050min

The Zong Massacre

The Zong Massacre

Melvyn Bragg and guests discuss the notorious events off Jamaica in 1781 and their background. The British slave ship Zong, having sailed across the Atlantic towards Jamaica, threw 132 enslaved Africans from its human cargo into the sea to drown. Even for a slave ship, the Zong was overcrowded; those murdered were worth more to the ship dead than alive. The crew said there was not enough drinking water to go round and they had no choice, which meant they could claim for the deaths on insurance. The main reason we know of this atrocity now is that the owners took their claim to court in London, and the insurers were at first told to pay up as if the dead slaves were any other lost goods, not people. Abolitionists in Britain were scandalised: if courts treated mass murder in the slave trade as just another business transaction and not a moral wrong, the souls of the nation would be damned. But nobody was ever prosecuted.The image above is of sailors throwing slaves overboard, from Torrey's 'American Slave Trade', 1822WithVincent Brown Charles Warren Professor of American History and Professor of African and African American Studies at Harvard UniversityBronwen Everill Class of 1973 Lecturer in History and Fellow at Gonville & Caius College, University of CambridgeAnd Jake Subryan Richards Assistant Professor of History at the London School of EconomicsStudio production: Hannah Sander Producer: Simon Tillotson

26 Marras 202052min

Albrecht Dürer

Albrecht Dürer

Melvyn Bragg and guests discuss the great German artist Albrecht Dürer (1471-1528) who achieved fame throughout Europe for the power of his images. These range from his woodcut of a rhinoceros, to his watercolour of a young hare, to his drawing of praying hands and his stunning self-portraits such as that above (albeit here in a later monochrome reproduction) with his distinctive A D monogram. He was expected to follow his father and become a goldsmith, but found his own way to be a great artist, taking public commissions that built his reputation but did not pay, while creating a market for his prints, and he captured the timeless and the new in a world of great change.With Susan Foister Deputy Director and Curator of German Paintings at the National GalleryGiulia Bartrum Freelance art historian and Former Curator of German Prints and Drawings at the British MuseumAndUlinka Rublack Professor of Early Modern European History and Fellow of St John’s College, University of CambridgeStudio production: John Goudie

12 Marras 202054min

Mary Astell

Mary Astell

The philosopher Mary Astell (1666 – 1731) has been described as “the first English feminist”. Born in Newcastle in relatively poor circumstances in the aftermath of the upheaval of the English Civil War and the restoration of the monarchy, she moved to London as a young woman and became part of an extraordinary circle of intellectual and aristocratic women. In her pioneering publications, she argued that women’s education should be expanded, that men and women’s minds were the same and that no woman should be forced to marry against her will. Perhaps her most famous quotation is: “If all Men are born Free, why are all Women born Slaves?” Today, she is one of just a handful of female philosophers to be featured in the multi-volume Cambridge History of Political Thought. The image above is from Astell's "Reflections upon Marriage", 3rd edition, 1706, held by the British Library (Shelfmark 8415.bb.27)With:Hannah Dawson Senior Lecturer in the History of Ideas at King’s College LondonMark Goldie Professor Emeritus of Intellectual History at the University of CambridgeTeresa Bejan Associate Professor of Political Theory at Oriel College, University of OxfordProducer: Simon Tillotson

5 Marras 202051min

Piers Plowman

Piers Plowman

Melvyn Bragg and guests discuss William Langland's poem, written around 1370, about a man called Will who fell asleep on the Malvern Hills and dreamed of Piers the Plowman. This was a time between the Black Death and The Peasants’ Revolt, when Christians wanted to save their souls but doubted how best to do it - and had to live with that uncertainty. Some call this the greatest medieval poem in English, one offering questions not answers, and it can be as unsettling now as it was then.WithLaura Ashe Professor of English Literature at Worcester College, University of OxfordLawrence Warner Professor of Medieval English at King’s College LondonAnd Alastair Bennett Lecturer in Medieval Literature at Royal Holloway, University of LondonProducer: Simon Tillotson

29 Loka 202051min

Maria Theresa

Maria Theresa

Melvyn Bragg and guests discuss Maria Theresa (1717-1780) who inherited the Austrian throne in 1740 at the age of 23. Her neighbours circled like wolves and, within two months, Frederick the Great had seized one of her most prized lands, Silesia, exploiting her vulnerability. Yet over the next forty years through political reforms, alliances and marriages, she built Austria up into a formidable power, and she would do whatever it took to save the souls of her Catholic subjects, with a rigidity and intolerance that Joseph II, her son and heir, could not wait to challenge. WithCatriona Seth Marshal Foch Professor of French Literature at the University of OxfordMartyn Rady Professor of Central European History at University College LondonAndThomas Biskup Lecturer in Early Modern History at the University of HullProducer: Simon Tillotson

22 Loka 202050min

Alan Turing

Alan Turing

Melvyn Bragg and guests discuss Alan Turing (1912-1954) whose 1936 paper On Computable Numbers effectively founded computer science. Immediately recognised by his peers, his wider reputation has grown as our reliance on computers has grown. He was a leading figure at Bletchley Park in the Second World War, using his ideas for cracking enemy codes, work said to have shortened the war by two years and saved millions of lives. That vital work was still secret when Turing was convicted in 1952 for having a sexual relationship with another man for which he was given oestrogen for a year, or chemically castrated. Turing was to kill himself two years later. The immensity of his contribution to computing was recognised in the 1960s by the creation of the Turing Award, known as the Nobel of computer science, and he is to be the new face on the £50 note.WithLeslie Ann Goldberg Professor of Computer Science and Fellow of St Edmund Hall, University of OxfordSimon Schaffer Professor of the History of Science at the University of Cambridge and Fellow of Darwin CollegeAnd Andrew Hodges Biographer of Turing and Emeritus Fellow of Wadham College, OxfordProducer: Simon Tillotson

15 Loka 202053min

Deism

Deism

Melvyn Bragg and guests discuss the idea that God created the universe and then left it for humans to understand by reason not revelation. Edward Herbert, 1583-1648 (pictured above) held that there were five religious truths: belief in a Supreme Being, the need to worship him, the pursuit of a virtuous life as the best form of worship, repentance, and reward or punishment after death. Others developed these ideas in different ways, yet their opponents in England's established Church collected them under the label of Deists, called Herbert the Father of Deism and attacked them as a movement, and Deist books were burned. Over time, reason and revelation found a new balance in the Church in England, while Voltaire and Thomas Paine explored the ideas further, leading to their re-emergence in the French and American Revolutions.With Richard Serjeantson Fellow and Lecturer in History at Trinity College, CambridgeKatie East Lecturer in History at Newcastle UniversityAnd Thomas Ahnert Professor of Intellectual History at the University of EdinburghProducer: Simon Tillotson

8 Loka 202048min

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