Monet in England
In Our Time25 Heinä 2024

Monet in England

Melvyn Bragg and guests discuss the work of the great French Impressionist Claude Monet (1840-1926) in London, initially in 1870 and then from 1899. He spent his first visit in poverty, escaping from war in France, while by the second he had become so commercially successful that he stayed at the Savoy Hotel. There, from his balcony, he began a series of almost a hundred paintings that captured the essence of this dynamic city at that time, with fog and smoke almost obscuring the bridges, boats and Houses of Parliament. The pollution was terrible for health but the diffraction through the sooty droplets offered an ever-changing light that captivated Monet, and he was to paint the Thames more than he did his water lilies or haystacks or Rouen Cathedral. On his return to France, Monet appeared to have a new confidence to explore an art that was more abstract than impressionist.

With

Karen Serres Senior Curator of Paintings at the Courtauld Gallery, London Curator of the exhibition 'Monet and London. Views of the Thames'

Frances Fowle Professor of Nineteenth-Century Art at the University of Edinburgh and Senior Curator of French Art at the National Galleries of Scotland

And

Jackie Wullschläger Chief Art Critic for the Financial Times and author of ‘Monet, The Restless Vision’

In Our Time is a BBC Studios Audio Production

Producer: Simon Tillotson Studio production: John Goudie

Reading list:

Caroline Corbeau Parsons, Impressionists in London: French Artists in Exile 1870-1904 (Tate Publishing, 2017)

Frances Fowle, Monet and French Landscape: Vétheuil and Normandy (National Galleries of Scotland, 2007), especially the chapter ‘Making Money out of Monet: Marketing Monet in Britain 1870-1905’

Robert Gordon and Andrew Forge, Monet (Harry N. Abrams, 1983)

Paul Hayes Tucker, Monet in the ’90s: The Series Paintings (Yale University Press, 1990)

Paul Hayes Tucker, Monet in the 20th Century (Yale University Press, 1998)

Katharine A. Lochnan, Turner, Whistler, Monet (Tate Publishing, 2005)

Nicholas Reed, Monet and the Thames: Paintings and Modern Views of Monet’s London (Lilburne Press, 1998)

Grace Seiberling, Monet in London (High Museum of Art, 1988)

Karen Serres, Frances Fowle and Jennifer A. Thompson, Monet and London: Views of the Thames (Paul Holberton Publishing, 2024 – catalogue to accompany Courtauld Gallery exhibition)

Charles Stuckey, Monet: A Retrospective (Random House, 1985)

Daniel Wildenstein, Monet: The Triumph of Impressionism (first published 1996; Taschen, 2022)

Jackie Wullschläger, Monet: The Restless Vision (Allen Lane, 2023)

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The Glencoe Massacre

The Glencoe Massacre

Melvyn Bragg and guests Karin Bowie, Murray Pittock and Daniel Szechi discuss the Glencoe Massacre of 1692, why it happened, and its lasting repercussions.On a winter night in 1692, a company of soldiers quartered with the MacDonalds of Glencoe rose early and slaughtered their hosts. About 38 men, women and children were killed. Their homes were torched and many survivors died as they fled into the snow. This mass killing was branded by a Scottish Parliamentary Commission of Inquiry as 'murder under trust'.Why did this still infamous atrocity happen? The answer takes in the seismic impact of the Glorious Revolution of 1688 and the ongoing struggles for religious power that swept through the country in the 17th century. Crucially, Britain was at war in Europe, and the distracting nature of the conflict in Scotland, as far as the London government was concerned, helped to give the events at Glencoe their particular character. But this is also a story of a deadline and the fatal consequences of the Glencoe MacDonalds' attempts to meet it - and of how their technical failure to do so was exploited.The Glencoe Massacre had a severe impact on the reputation of the government of the Protestant King William III, who had ousted the Catholic James II with the support of the English and Scottish Parliaments only four years earlier. Some historians contend that it pushed the two states along the road to the Act of Union of 1707. Karin Bowie is Lecturer in Scottish History at the University of Glasgow; Murray Pittock is Bradley Professor of English Literature at the University of Glasgow; Daniel Szechi is Professor of Early Modern History at the University of Manchester.

21 Tammi 201042min

The Frankfurt School

The Frankfurt School

Melvyn Bragg and guests Raymond Geuss, Esther Leslie and Jonathan Rée discuss the Frankfurt School.This group of influential left-wing German thinkers set out, in the wake of Germany's defeat in the First World War, to investigate why their country had not had a revolution, despite the apparently revolutionary conditions that spread through Germany in the wake of the 1918 Armistice. To find out why the German workers had not flocked to the Red Flag, Theodor Adorno, Max Horkheimer, Walter Benjamin and others came together around an Institute set up at Frankfurt University and began to focus their critical attention not on the economy, but on culture, asking how it affected people's political outlook and activities. But then, with the rise of the Nazis, they found themselves fleeing to 1940s California. There, their disenchantment with American popular culture combined with their experiences of the turmoil of the interwar years to produce their distinctive, pessimistic worldview. With the defeat of Nazism, they returned to Germany to try to make sense of the route their native country had taken into darkness. In the 1960s, the Frankfurt School's argument - that most of culture helps to keep its audience compliant with capitalism - had an explosive impact. Arguably, it remains influential today.Raymond Geuss is a professor in the Faculty of Philosophy at the University of Cambridge; Esther Leslie is Professor in Political Aesthetics at Birkbeck College, University of London; Jonathan Rée is a freelance historian and philosopher, currently Visiting Professor at Roehampton University and at the Royal College of Art.

14 Tammi 201042min

The Royal Society and British Science: Episode 4

The Royal Society and British Science: Episode 4

As part of the BBC's year of science programming, Melvyn Bragg looks at the history of the oldest scientific learned society of them all: the Royal Society. The horrors of the First World War were a shocking indictment of the power of science. Picking up the thread at this hiatus in scientific optimism, this programme, recorded in the current home of the Royal Society in Carlton House Terrace in London, looks at the more subtle, discreet role the Society played in the 20th century, such as secretly arranging for refugee scientists to flee Germany, co-ordinating international scientific missions during the Cold War and quietly distributing government grant money to fund the brightest young researchers in the land. As ever more important scientific issues face the world and Britain today, the programme asks how well placed the Royal Society is to take an important lead in the future.

7 Tammi 201041min

The Royal Society and British Science: Episode 3

The Royal Society and British Science: Episode 3

As part of the BBC's year of science programming, Melvyn Bragg looks at the history of the oldest scientific learned society of them all: the Royal Society. The 19th century blooms scientifically with numerous alternative, specialist learned societies and associations, all threatening the Royal Society's pre-eminence. Attempts to reform the membership criteria - marking scientific leadership's painful transition from patronage to expertise - are troubled, and organisations such as the British Association for the Advancement of Science (now the BSA) excite and enliven scientific discourse outside of London. Science becomes a realistic career and a path of improvement, and by the time HG Wells writes science fiction at the end of the 19th century, there are sufficient numbers of interested, informed readers to suggest that Edwardian society contained the beginnings of a scientific society.

6 Tammi 201042min

The Royal Society and British Science: Episode 2

The Royal Society and British Science: Episode 2

As part of the BBC's year of science programming, Melvyn Bragg looks at the history of the oldest scientific learned society of them all: the Royal Society. Programme two begins in the coffee house Isaac Newton and the fellows of the early 18th century frequented. At the Royal Observatory, Greenwich, we learn how Newton's feud with the Astronomer Royal John Flamsteed tested the lines between government-funded research and public access. In the age of exploration, senior fellows accompany naval expeditions, such as Cook's expedition to Tahiti and subsequent discovery of Australia. International relations are fostered between scientists such as Benjamin Franklin, whose house in London serves as live-in lab and de facto American embassy. By the end of the century the President, Sir Joseph Banks, successfully embeds the Royal Society in the imperial bureaucratic hub of the new Somerset House. But while senior fellows concentrated on foreign fields, a more radical, dissident science and manufacturing base wrought the Industrial Revolution right under their noses.

5 Tammi 201041min

The Royal Society and British Science: Episode 1

The Royal Society and British Science: Episode 1

As part of the BBC's year of science programming, Melvyn Bragg looks at the history of the oldest scientific learned society of them all: the Royal Society. Melvyn travels to Wadham College, Oxford, where under the shadow of the English Civil War, the young Christopher Wren and friends experimented in the garden of their inspirational college warden, John Wilkins. Back in London, as Charles II is brought to the throne from exile, the new Society is formally founded one night in Gresham College. When London burns six years later, it is two of the key early Fellows of the Society who are charged with its rebuilding. And, as Melvyn finds out, in the secret observatory in The Monument to the fire, it is science which flavours their plans.

4 Tammi 201042min

Mary Wollstonecraft

Mary Wollstonecraft

Melvyn Bragg and guests John Mullan, Karen O'Brien and Barbara Taylor discuss the life and ideas of the pioneering British Enlightenment thinker Mary Wollstonecraft.Mary Wollstonecraft was born in 1759 into a middle-class family whose status steadily sank as her inept, brutal, drunken father frittered away the family fortune. She did what she could to protect her mother from his aggression; meanwhile, her brother was slated to inherit much of the remaining fortune, while she was to receive nothing.From this unpromising but radicalising start, Wollstonecraft's career took a dizzying trajectory through a bleak period as a governess to becoming a writer, launching a polemical broadside against the political star of the day, witnessing the bloodshed of the French Revolution up close, rescuing her lover's stolen ship in Scandanavia, then marrying one of the leading philosophers of the day, William Godwin, and with him having a daughter who - though she never lived to see her grow up - would go on to write Frankenstein.But most importantly, in 1792, she published her great work, A Vindication of the Rights of Woman, which marks her out as one of the great thinkers of the British Enlightenment, with a much stronger, more lasting influence than Godwin. The Vindication was an attempt to apply the Enlightenment logic of rights and reason to the lives of women. Yet it was not a manifesto for the extension of the vote or the reform of divorce law, but a work of political philosophy. And surprisingly, as recent scholarship has highlighted, it was infused with Rational Dissenting Christianity, which Wollstonecraft had absorbed during her time as a struggling teacher and writer in north London.John Mullan is Professor of English at University College, London; Karen O'Brien is Professor of English at the University of Warwick; Barbara Taylor is Professor of Modern History in the School of Humanities and Social Sciences at the University of East London.

31 Joulu 200941min

The Samurai

The Samurai

Melvyn Bragg and guests Gregory Irvine, Nicola Liscutin and Angus Lockyer discuss the history of the Samurai and the role of their myth in Japanese national identity.The Samurai have a fearsome historical reputation as a suicidally brave caste of Japanese warriors. During World War Two, kamikaze pilots were photographed climbing into their cockpits with Samurai swords, encapsulating the way the myth of the Samurai's martial ethos kept its power long after their heyday. But the Samurai's role in Japanese culture is much more complex than that. They were deeply engaged with Zen Buddhism and Noh Theatre, and sponsored haiku poetry. After their role in Japan's century of civil war, ending in the early 1600s, they became part of the country's civil service. A 250-year peace toppled them into identity crisis.In the 19th century, with the arrival of the West, they played an important role in the establishment of a Japanese nation-state, not least by restoring the Emperor to power. And in the 20th century the mythological version of the Samurai, designed in part for Western consumption, became integral to a newly forged national identity.Nicola Liscutin is Programme Director of Japanese Studies at Birkbeck College, University of London; Gregory Irvine is Senior Curator Japan at the Victoria and Albert Museum; Angus Lockyer is Lecturer in Japanese History and Chair of the Japan Research Centre at the School of Oriental and African Studies, University of London.

24 Joulu 200942min

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