Best Chinese Music of 2023
ChinaTalk27 Joulu 2023

Best Chinese Music of 2023

Jake Newby of the substack Concrete Avalanche with an end of year ChinaTalk takeover! Here's his accompanying year in review post https://jakenewby.substack.com/p/2023-in-review?utm_source=activity_item Tracklist: Intro: 'Lost in China' (excerpt) – Tation 天声 (self-released) This 'postmodernist rock band from Tibet' produced some of their best work to date on the remarkable Illusions of the New Era EP. ‘Wen’s Woozy Wrap’ – Pu Poo Platter (fRUITYSHOP) Key cut from Brooklyn-formed Chinese funk group’s debut LP. ‘Greedysleeper’ – A Wordless Orange 沉默橙 (Taihe) Young Wuhan group deliver soulful pop-rock on one of the year’s best albums. ‘Watch the Crown’ – BoomHan 包涵 (Seafood Market Records) A sample of the 17-year-old Changsha rap prodigy’s impressive flow, from his debut album Gravediggaz. ‘Umbrella’ (featuring J-Fever) – PO8 (Tildawn Music) Not a Rihanna cover. Chengdu rapper toys with Shanghai jazz sounds. ‘Rap’ – ZhiYu Xia 夏之禹 (Mintone Records) Sichuan-born rapper, dubbed ‘the Jia Zhangke of hip hop’, dissects how he fell in love with the genre. ‘Where’s Tommy?’ – Hualun 花伦 (bié Records) intriguing change of direction from the ambient soundtrack masters. ‘Specter’ – The Fallacy 疯医 (Modern Sky) Brilliant return to form from Henan post-punks enlivened by new recruit Li Zenghui, who also played sax with Black Midi earlier this year ‘Cliff’ – The river, Orchestration, Walkman! 河边走 (self-released) Short sharp burst of bewildering brassy brilliance from one of the best new bands to emerge in 2023. ‘Vanished Instant’ – A Fishy Tale 有话 (Qiii Snacks Records) Another young band with a psychedelic sound; recorded during a trip to a Zhejiang mountain village. ‘East Yunnan Hallucinations’ – Instinkto Industrio 本能事业 (Maybe Mars) Folksy rhythms mix with techno-dystopian lyrics on one of 2023’s most characterful records. ‘Standing in the Wind’ – Zhaoze 沼泽 (self-released) Guangdong guqin-driven post-rock outfit’s new album is one of their best. ‘Station 2020’ – Wu Zhuoling 吴卓玲 (self-released) The leading lady of alternative Chengdu music serves up an immersive ambient tune. ‘The Little Assassin Who Lives Beside the Sea Becomes and Environmentalist’ – Li Daiguo 李带菓 (Beihesan) The Dali-based artist had a productive year; this beautiful number was among the highlights. ‘Daididau’ (excerpt) – Mamer (Old Heaven Books) A too-short taste of a 7-minute long improvised piece on traditional Kazakh instrument the sherter from musical genius Mamer. ‘Four Seasons’ – Hugjiltu (self-released) An emotive folk number from an album featuring ‘collaborations’ with tapes of the Mongolian musician’s late father. ‘Harbour for Bias’ – Louzhang 楼长 (Jyugam) An alt-ambient highlight from a strong year for this offbeat Guangdong electronic label. ‘Snoring in the Valley’ – Howie Lee (self-released) Quirky electronic music from the renowned producer, quietly slipped out at the start of the year. ‘Solaris’ – Zhang Weiwei 张玮玮 (self-released) Chinese folk grandee swaps his accordion for a synth to interesting effect on his first album in over a decade. ‘I Want An Earth’ – Yu Su (pinchy&friends) Title track from the celebrated producer’s impressive EP of clever, beguiling electronic sounds. ‘Holes of Time’ – 33EMYBW (SVBKVLT) A typically idiosyncratic slice of avant club music from one of China’s leading producers. ‘The Forest That Hears’ – Laughing Ears (self-released) A welcome return from one of the country’s most interesting electronic music artists. ‘W.C.’ (Liars remix) – otay:onii (No Gold) Acclaimed artist Angus Andrew adds a new dimension to otay:onii’s weirdness after bié Records released her third LP in March. ‘Ἀντὶ θεῶν’ – Ὁπλίτης (self-released) Incredible one-man-band creating blistering metal tunes examining Chinese social issues. In Greek, obviously. Learn more about your ad choices. Visit megaphone.fm/adchoices

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