Episode 700: Caligula - The Ultimate Cut (2023)

Episode 700: Caligula - The Ultimate Cut (2023)

We're celebrating our 700th episode of The Projection Booth with what may be the first time we've discussed a movie for a third time as we continue to document the troubled history of the 1980 film Caligula.

We first spoke about the film almost 10 years ago where we were joined by Maitland McDonagh to discuss the movie while Ranjit Sandhu gave us the sordid history behind the production and talked about his book 200 Degrees of Failure and filmmaker Alexander Tuschinski discussed the career of Tinto Brass and the original intentions Brass had for the finished film.

We came back together in 2018 to discuss the re-discovery of the original footage of Caligula and the plans Penthouse and Alexander had to restore the film to Tinto Brass’s original vision.

Now Rob and Mike are joined by Heather Drain to talk about the version of Caligula that played at Cannes in 2023. Once referred to as Caligula MMXX, it’s now called Caligula: The Ultimate Cut and it was produced by a person named Thomas Negovan.

We’ll be discussing the film as well as what’s happened to this project over the last six years along with President of Penthouse Global Licensing, Caroline Kirkendoll, and director of Mission: Caligula, Alexander Tuschinski.

Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

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Special Report: Todd Rohal on F*** My Son! (2025)

Special Report: Todd Rohal on F*** My Son! (2025)

Mike talks with filmmaker Todd Rohal in a lively, no-holds-barred tour through one of the most delightfully unclassifiable careers in American indie cinema. From Knuckleface Jones to The Catechism Cataclysm, Rohal has carved out a lane where misfits, surreal detours, and emotional gut-punches live side-by-side.The conversation zeroes in on F*** My Son (2025), his bold and darkly comic new feature that pushes his sensibilities into feral, confrontational territory. Rohal talks process, chaos, collaboration, and why he wants to work in a hardware store.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

25 Marras 59min

Special Report: The Running Man (2025)

Special Report: The Running Man (2025)

The Projection Booth enters Edgar Wright territory with a deep dive into The Running Man (2025), his audacious adaptation of the dystopian classic. Mike teams up with Midnight Viewing’s own Father Malone to break down Wright’s maximalist world-building, razor-cut action choreography, and the film’s commentary on media spectacle and state-manufactured violence.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

24 Marras 49min

Episode 772: V.I. Warshawski (1991)

Episode 772: V.I. Warshawski (1991)

Noirvember 2025 keeps rolling as Mike teams up with author Dahlia Schweitzer and artist Rahne Alexander to crack open V.I. Warshawski (1991), Jeff Kanew’s glossy, big-city take on Sara Paretsky’s groundbreaking detective. Kathleen Turner commands the screen as V.I., whose night on the town swerves into murder, a dead former Blackhawks star, and a teenager who refuses to stay out of danger.This episode brings together an incredible lineup: Sara Paretsky, creator of the V.I. Warshawski novels; screenwriters David Aaron Cohen, Nick Thiel, and Warren Leight; and director Jeff Kanew. They share the inside story of adapting an iconic literary detective, shaping Turner’s formidable on-screen persona, and navigating the film’s winding path from page to screen.Along the way, we dig into Chicago’s cinematic grit, the film’s place in early-’90s studio genre filmmaking, and—yes—we spoil who killed Boom Boom and finally reveal what the initials V. I. actually stand for.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

19 Marras 4h 17min

Special Report: Angel's Egg (1985)

Special Report: Angel's Egg (1985)

Mike talks with cultural critic Dan Schindel and Lyle Zanca of GKIDS to discuss Mamoru Oshii’s 1985 anime film, Angel’s Egg (AKA Tenshi no Tamago), a gorgeous lyrical film about spiritualism and redemption. The film has been recently restored and given a 4K scan that will be screened across the U.S. starting November 19, 2025. Check local listings and be on the lookout for the upcoming Blu-Ray release.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

18 Marras 20min

Episode 773: Black Gravel (1961)

Episode 773: Black Gravel (1961)

Noirvember keeps rolling with Helmut Käutner’s Black Gravel (1961), a scalding portrait of postwar Germany buried under guilt, corruption, and American occupation. Mike is joined by Andrew Nette and Samm Deighan to dig into this bleak anti-Heimatfilm, where gravel trucker Robert Neidhardt (Helmut Wildt) scrapes by on the black market and rekindles an affair with Inge (Ingmar Zeisberg), now married to a U.S. officer. When an accident turns deadly, their secret unearths a moral wasteland of complicity and denial. Once condemned by the Oberhausen critics as “the worst achievement by an established director,” Käutner’s film now stands as a bold, unflinching noir that dared to confront the rot beneath Germany’s economic miracle.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

12 Marras 1h 27min

Special Report: Sell Out (2025)

Special Report: Sell Out (2025)

Mike sits down with the sibling filmmaking duo Josh Holden and Nick Holden (a.k.a. the Holden Brothers) to unpack their sharp new dramedy Sell Out, which premiered at the Austin Film Festival. Shot in and around Austin and Louisiana, the film follows novelist Benny Dink as his career stalls, his love life unravels and a too-good-to-pass ghostwriting job forces him into a reckoning with art, ambition and identity.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

11 Marras 22min

Special Report: Forelock (2025)

Special Report: Forelock (2025)

Mike talks with Caleb Alexander Smith and David Krumholtz about Forelock, a dark, biting satire set on the margins of Hollywood. The film follows Caiden, a drifting ex-athlete pulled into the bizarre world of boulevard impersonators and small-time hustlers by Randy, a disillusioned veteran of the trade. Together they chase a missing payout and sink deeper into the city’s surreal underbelly.Smith and Krumholtz discuss the film’s blend of desperation, performance, and self-mythology—how Forelock captures a Los Angeles where ambition and delusion often look the same.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

10 Marras 24min

Episode 770: The Driver (1978)

Episode 770: The Driver (1978)

Noirvember 2025 roars to life with Walter Hill’s sleek, existential chase film The Driver (1978). Ryan O’Neal plays the nameless getaway specialist who moves through Los Angeles like a ghost, pursued by Bruce Dern’s manic lawman hell-bent on taking him down. It’s a lean, hypnotic duel between predator and prey where style is substance and silence is power. Mike rides shotgun with Beth Accomando and Walter Chaw to unpack Hill’s minimalist approach, his homage to Melville’s Le Samouraï, and the cold precision that makes The Driver a high-octane hymn to professionalism and control.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.Become a supporter of The Projection Booth at http://www.patreon.com/projectionbooth

5 Marras 1h 12min

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