Ogilvy Worldwide CEO John Seifert

Last month, a subset of the media world snapped to attention when Jarrod Dicker left the Post, where he built out a lot of pioneering proprietary tech for the company, to become the CEO of something called Po.et, which bills itself as "an open, universal, and immutable ledger for managing the ownership and licensing of the world's creative works." It runs on blockchain, and today Dicker will explain what it is -- and how he hopes to upend the media business model as we know it.

1 Maalis 201841min

Chas Edwards is a co-founder and publisher of both Pop-Up magazine—a roving circus that brings magazine journalism to life in staged events—and the print publication it spawned, California Sunday Magazine. Taken together, the two represent a new kind of media company. Edwards breaks down of what it all is, how its evolved and how its unique business model is helping the publisher thrive.

22 Helmi 201825min

You may know Aardman Animation as the creative force behind Wallace and Gromit, “Shaun the Sheep” and “Chicken Run.” This weekend its seventh feature film, “Early Man” comes to our shores. But the recognizably Aardman characters the studio is well known–and beloved–for, only comprise 5 percent of its branded content output. Heather Wright fills us in on the other 95 percent. An executive producer and head of partner content at the studio, Wright works with brands on storytelling in a wide array of media, not just animation – but AR and VR for clients including Google and the BBC.

14 Helmi 201830min

There’s a lot of talk in the marketing and advertising industries about diversity — but not a ton of walking. Antonio Lucio is one of the walkers. Lucio talks about his diversity drive on today’s podcast and also breaks down his view of the state of marketing in 2018. Along the way, he shares a little of his own personal journey, how his childhood in Spain and Puerto Rico shaped who he is today, and why a diagnosis of depression changed him.

7 Helmi 201840min

Bryan Buckley has nearly 60 Super Bowl credits to his name, directing spots for a bevy of brands ranging from Monster.com and Cash4Gold to Coca-Cola and Bud Light. In this podcast, Buckley discusses what it’s like working with high-profile celebrities like Alec Baldwin and Martin Scorcese, the Super Bowl ad he wishes he made and his most recent Super Bowl efforts for Febreze.

1 Helmi 201853min

Kevin Hamilton has experienced first-hand the pressure to pull off a Super Bowl ad. As the senior director of marketing at Avocados From Mexico, Hamilton is charged with promoting the produce on TV’s biggest stage. In this podcast, we explore the continued importance of TV advertising, the gender gap in Super Bowl ads and how he decides what’s funny.

31 Tammi 201837min

Brian Nolan has a music fan’s dream job. As the senior vice president of Capitol Records’ in-house division focused on brand partnerships and licensing, Nolan is tasked with bringing new or under-exposed music to potentially huge audiences. In this podcast we touch on his work with artists ranging from Sam Smith to Migos to Halsey. We also explore how the music industry has adjusted to and evolved with the rise of streaming—and how he decides what to surface for advertisers, movies and TV shows.

26 Tammi 201835min

If you’ve spent any time in agency circles, you haven’t seen a lot of people who look or talk like Harry. Tall, bearded, often tie-died and bolo tied, Bernstein, who goes by Harry Bee, is as apt to talk about clean living and guided meditation as he is trap music and Adidas collabs. In September, Havas acquired The 88, the social media and digital shop he founded in 2010, and brought him on as chief creative officer of the New York office. We talk today about his non-traditional approach to advertising.

19 Tammi 201834min