Digging Up Ancient Aliens2 Maalis 2023

Ancient Apocalypse - Echoes of the Ancient with Dr. Kinkella

In this episode, we continue to look into Graham Hancock's new Netflix show, Ancient Apocalypse. Join Fredrik, who uses his background in archaeology and a bit of skepticism to look deeper into the claims presented in the show. Is Hancock on to something we missed, or are there better explanations?

In part one, we learned about Graham Hancock's origin and inspiration. We learned about Gunung Padang, Cholula Pyramid, and the Malta Mystery in part two.

This time we will continue looking into the sites he brings up as evidence. We will visit the large complex of Poverty Point and see what we know and how we know it—looking at some theories Hancock has left out. After that, we're back with the Serpent Mound, was Hancock banned from the site? We also look into the current discussion about the age of the mound.

Lastly, we will go down underground and visit Derinkuyu. Was this a location people used to seek shelter from armies or aliens? Or was it an ark protecting humankind from the serpents in the sky?

In this episode:

Intro

Poverty Point (1:56)

Layout and dating

What was it for?

Watson Break (8:40)

Older than Poverty Point

Serpent Mound (10:26)

Banned?

The true date?

The Horned Serpent and iconography

Derinkuyu (19:22)

Dating Stone?

Ancient sources

Defense or not?

Zoroastrianism

Interview with Dr. Kinkella (29:26)

Outro (1:00:29)

We are also visited by Dr. Andrew Kinkella, who hosts "Pseudo-Archaeology with Dr. Kinkella," CRM Archaeology Podcast, and Kinkella Teaches Archaeology. He's also a professor and a talking head at the Science Channel.

Social Media:

Facebook: facebook.com/Digging-up-Ancient-Aliens-108173641647111/
Twitter: twitter.com/DUAncientAliens
Instagram: instagram.com/digging_up_ancient_aliens/
TikTok: tiktok.com/@digging_up_ancient_alien

Contact:

https://diggingupancientaliens.com/contact

The intro music is Lily of the woods by Sandra Marteleur, and the outro is named “Folie hatt” by...

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