Episode 236: “Best of” Series – The Strange Case of Dr. Jekyll and Mr. Hyde by R. L. Stevenson, Part 1 (Ep. 105)

Episode 236: “Best of” Series – The Strange Case of Dr. Jekyll and Mr. Hyde by R. L. Stevenson, Part 1 (Ep. 105)

Welcome to today’s episode and another “Best of” remix on The Literary Life Podcast! Today our hosts Angelina Stanford, Cindy Rollins and Thomas Banks explore Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde. After their commonplace quote discussion, each cohost shares some personal thoughts on Robert Louis Stevenson. Be aware that this episode will contain some spoilers, though we will not spoil the full ending. Thomas shares some biographical information about R. L. Stevenson. Angelina points out the mythic quality of this story and the enduring cultural references inspired by Dr. Jekyll and Mr. Hyde. She and Thomas also discuss some of the differences between early and late Victorian writers. They also begin digging into the first section of the book.

Join us again next week for the second part of this discussion. Check out our Upcoming Events page for if want to know what we will be reading and talking about on the podcast next!

Don’t forget to check out our sister podcast, The Well Read Poem, as well as Cindy’s new podcast, The New Mason Jar!

Commonplace Quotes:

I would rather (said he) have the rod to be the general terrour to all, to make them learn, than tell a child, if you do thus, or thus, you will be more esteemed than your brothers or sisters. The rod produces an effect which terminates in itself. A child is afraid of being whipped, and gets his task, and there’s an end on’t; whereas, by exciting emulation and comparisons of superiority, you lay the foundation of lasting mischief; you make brothers and sisters hate each other.

Samuel Johnson, as quoted by James Boswell

Do not talk about Shakespeare’s mistakes: they are probably your own.

G. M. Young

The most influential books, and the truest in their influence, are works of fiction. They do not pin the reader to a dogma, which he must afterwards discover to be inexact; they do not teach him a lesson, which he must afterwards unlearn… They disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, not as we see it for ourselves, but with a singular change–that monstrous, consuming ego of ours being, for the nonce, struck out.

Robert Louis Stevenson R L S

by A. E. Houseman

Home is the sailor, home from sea:
Her far-borne canvas furled
The ship pours shining on the quay
The plunder of the world.

Home is the hunter from the hill:
Fast in the boundless snare
All flesh lies taken at his will
And every fowl of air.

‘Tis evening on the moorland free,
The starlit wave is still:
Home is the sailor from the sea,
The hunter from the hill.

Book List:

The Life of Samuel Johnson by James Boswell

Daylight and Champaign by G. M. Young

“Books Which Have Influenced Me” by Robert Louis Stevenson

David Balfour by Robert Louis Stevenson

Kidnapped by Robert Louis Stevenson

Treasure Island by Robert Louis Stevenson

A Child’s Garden of Verses by Robert Louis Stevenson

The White Company by Sir Arthur Conan Doyle

The Silverado Squatters by Robert Louis Stevenson

Travels with a Donkey in the Cévennes by Robert Louis Stevenson

King Solomon’s Mines by H. Ryder Haggard

The Picture of Dorian Gray by Oscar Wilde

Beowulf translated by Burton Raffel

Robert Louis Stevenson by G. K. Chesterton

God in the Dock by C. S. Lewis

Pride and Prejudice by Jane Austen

The Body-Snatcher and Other Stories by Robert Louis Stevenson

Support The Literary Life:

Become a patron of The Literary Life podcast as part of the “Friends and Fellows Community” on Patreon, and get some amazing bonus content! Thanks for your support!

Connect with Us:

You can find Angelina and Thomas at HouseofHumaneLetters.com, on Instagram @angelinastanford, and on Facebook at www.facebook.com/ANGStanford/

Find Cindy at morningtimeformoms.com, on Instagram @cindyordoamoris and on Facebook at www.facebook.com/CindyRollinsWriter. Check out Cindy’s own Patreon page also!

Follow The Literary Life on Instagram, and jump into our private Facebook group, The Literary Life Discussion Group, and let’s get the book talk going! http://bit.ly/literarylifeFB

Jaksot(293)

Episode 270: “Best of” Series – “How Much Land Does a Man Need” by Leo Tolstoy

Episode 270: “Best of” Series – “How Much Land Does a Man Need” by Leo Tolstoy

This week on The Literary Life, we bring you a gem from the archives. In this episode hosts Angelina Stanford, Thomas Banks, and Cindy Rollins discuss “How Much Land Does a Man Need?” by Leo Tolstoy. To start off the discussion of this short story, Thomas gives us some background to help answer Angelina’s question about why this story seems so very different from other Tolstoy works. Angelina shares how to approach this story like a parable. Cindy brings up the question of the difference between ambition and vocation in terms of contentment.  The Literary Life Online Conference “Living Language: Why Words Matter” is coming up this month, so now is the time to register for lifetime access. Head over the HouseofHumaneLetters.com to sign up today! Don't forget to visit our website at https://theliterary.life/270 for the full show notes for this episode.

1 Huhti 1h 26min

Episode 269: "An Experiment in Criticism" Revisited

Episode 269: "An Experiment in Criticism" Revisited

Welcome back to The Literary Life Podcast this week! Today we are bringing you a brand new episode on An Experiment in Criticism in which Angelina and Thomas revisit the ideas in this book and answer some listener questions from over the years! Angelina opens the discussion with a little background on the first series of episodes, then begins to unravel the two main areas of confusion about this book. First, she and Thomas talk about the idea that we are supposed to "receive" literature as opposed to "using" literature. Angelina seeks an answer the question, "What is a literary experience?" They also tackle the problem of the purpose of this book, since many people think it is Lewis' guide on how to read literature. Finally, they discuss how to have a literary experience and where Lewis addresses how to read well. The seventh annual Literary Life Online Conference is coming up April 23-26, 2025! Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of this year. To view the full show notes for this episode, please visit https://theliterary.life/269.

25 Maalis 1h 38min

Episode 268: “Best of” Series: An Experiment in Criticism, Ch. 10-Epilogue

Episode 268: “Best of” Series: An Experiment in Criticism, Ch. 10-Epilogue

On today’s “Best of” episode of The Literary Life, Angelina and Cindy are once again joined by Thomas Banks. They discuss the last two chapters and the epilogue of An Experiment in Criticism. The first topic of conversation is Lewis’ comments on poetry, including the un-literary reading of poetry and the importance of the sound of poetry. Angelina highlights Lewis’ take on reading “bad books,” and Cindy points out his warning against de-bunking. Thomas gives us some history on the reference to F. R. Leavis and his literary criticism.  Angelina dives into her favorite part of this section, all about what makes good literary criticism. She recaps Lewis’ own list of the types of literary commentators and historians who have helped him in his own reading. Angelina and Thomas both mention some of their favorite resources, including George Lyman Kittredge, Northrup Frye, J. W. MacKail and Dorothy Sayers. Another important point is to look for resources that point back to the text, not outside of the text.  Cindy and Angelina clear up some confusion about marginalia and what types of notes can help or hinder us in our reading. Finally, in discussing the epilogue, our hosts reiterate the purpose of reading as widening our souls and freeing ourselves to experience another person’s perspective. Cindy asks if we will read with hubris, or humility? That makes all the difference. Join us right here again next week for a brand new episode on An Experiment in Criticism in which Angelina and Thomas will revisit the book and answer some listener questions from over the years! The seventh annual Literary Life Online Conference is coming very soon! Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of 2025! To view the full show notes for this episode, please visit our website at https://theliterary.life/268.

18 Maalis 1h 32min

Episode 267: “Best of” Series – An Experiment in Criticism, Ch. 8-9

Episode 267: “Best of” Series – An Experiment in Criticism, Ch. 8-9

This week’s episode is a continuation of Cindy Rollins and Angelina Stanford’s discussion of An Experiment in Criticism by C. S. Lewis. They start with an exploration of the difference between loving a book and evaluating a book as a work of art, followed by an explanation of Lewis’ idea that works of art do not teach us. Angelina goes in depth about why it is not our job as readers to find the “nugget of truth” in a book. Cindy brings up Lewis’ point about “using” literature as an academic tool, versus “receiving” literature as a work of art. In covering chapter 9, Angelina and Cindy dig into the dangers of rushing to express an opinion about what we read, rather than getting ourselves out of the way when approaching a book. Cindy points to the many similarities between what Lewis says in these chapters and what Charlotte Mason says about true education.  The seventh annual Literary Life Online Conference is coming very soon! Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of 2025! To view the full show notes for this episode, please visit https://theliterary.life/267/.

11 Maalis 1h 21min

Episode 266: “Best of” Series – An Experiment in Criticism, Ch. 5-7

Episode 266: “Best of” Series – An Experiment in Criticism, Ch. 5-7

Angelina and Cindy open today’s discussion of C. S. Lewis’ An Experiment in Criticism with a recap of the terms that Lewis defines in chapters 5-7, starting with myth. They talk about what it means to have an “extra-literary” experience and how to cultivate the proper attitude of a good reader. Next Cindy and Angelina dig into the definition and benefits of literary fantasy versus the dangers of morbid fantasy. They talk about our deep need for stories of “the other” and have experiences with people and places that are not the same as our own. Another big topic of conversation is the idea of literature being escapist, particularly fantasy and fairy stories. Angelina and Cindy talk about several things related to this idea: belief and disbelief, fiction versus nonfiction, and the wonder of childhood. Cindy brings up Lewis’ comments on the comic and what relation that has to the current popularity of the graphic novel. Angelina also explains why we shouldn’t be looking to directly relate to a character in a novel in order to get something out of the book. To view the full show notes for this episode, including quotes, poetry, and book links, please visit https://theliterary.life/266/.

4 Maalis 1h 37min

Episode 265: “Best of” Series – An Experiment in Criticism, Ch. 1-4

Episode 265: “Best of” Series – An Experiment in Criticism, Ch. 1-4

This week on The Literary Life Podcast, we bring you the first installment of our series reprising C. S. Lewis’ An Experiment in Criticism. Join us over the next few weeks as we replay the original discussions of this book hosted by Angelina Stanford and Cindy Rollins. Then come back for a new episode at the end of the series in which Angelina and Thomas Banks will add some further thoughts and clarity in reply to questions listeners have had over the years. The seventh annual Literary Life Online Conference is now open for registration. Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of 2025! Angelina and Cindy discuss Lewis’ approach to literature and the point of this book being a critique more of readers than of books. Some main ideas they bring out of the first chapter are the importance of rereading, the fact that real readers will carve out time for books, how books have the power to change us, and the way readers can’t help but talk about books. Cindy highlights the connection between Lewis critique of the literati and Mr. Bons in “The Celestial Omnibus.” Angelina talks about the challenge of keeping the love of literature for those whose profession it is to teach it, especially in the modern American university culture.  Our hosts discuss the idea of reading to improve oneself as opposed to submitting to the experience of reading a challenging book. Angelina makes the point that it is about motive and whether or not you are trying to control the outcome. The benefits are the byproducts. From chapter 3, Angelina and Cindy contemplate how we approach art and the need to get ourselves out of the way so that we can enter the work of art. Finally, they cover the five characteristics of the unliterary reader according to Lewis. For the full show notes of this episode, including links to books mentioned, please visit our website at https://theliterary.life/265.

25 Helmi 1h 32min

Episode 264: "Much Ado About Nothing" On-Screen Adaptations

Episode 264: "Much Ado About Nothing" On-Screen Adaptations

This week on The Literary Life podcast we are back with a fun episode all about film adaptations of Much Ado About Nothing by William Shakespeare! Angelina and Thomas are joined by Atlee Northmore for today's discussion, and you are in for quite a ride! Atlee begins the conversation with a general history of Shakespeare works on film, and the second half of the episode covers the two main film adaptations of Much Ado About Nothing. Whether talking about this play or the many others which have been made into movies, our hosts share thoughts on what makes a great adaptation work well and what interpretational choices make for a complete flop. To view the complete show notes for this episode, please visit https://theliterary.life/264.

18 Helmi 1h 59min

Episode 263: “Much Ado About Nothing” by William Shakespeare, Acts 4 & 5

Episode 263: “Much Ado About Nothing” by William Shakespeare, Acts 4 & 5

This week on The Literary Life podcast, Angelina and Thomas are back to wrap up their discussion of Shakespeare’s Much Ado About About Nothing. Today, after some introductory talk about literary criticism, our hosts cover the last two acts of this play, highlighting how Shakespeare deals with the five act structure. Once again, we see the problem of things being not as they appear in act 4, as well as the ways in which this play is highly allegorical. Other topics they touch on in this episode are: the move from order to disorder and back to order, ultra-romantic versus anti-romantic, pious deception versus malevolent deceptions, and the restoration of the community. Be sure to listen all the way to the end to hear more of Angelina’s thoughts on why interpreting Shakespeare well is so important! To view the full show notes for this episode, please visit https://theliterary.life/263.  The seventh annual Literary Life Online Conference is open for registration! Please visit HouseofHumaneLetters.com to sign up for that as well as all the other upcoming webinars of 2025!

11 Helmi 1h 40min

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