Breaking Glass Ceilings, Documenting Atrocities
Insight Myanmar3 Joulu 2022

Breaking Glass Ceilings, Documenting Atrocities

Episode #136: “I usually do what I want,” Nyein admits openly. Somewhat unusual for a woman in traditional Burmese culture, it is an attitude Nyein cultivated during the democratic transition period of the 2010s. Since the coup, she has become quite possibly the country’s only female photojournalist, one who has captured some of the most violent examples of military oppression. However, she has never been able to quite escape from the confining limitations of gender discrimination still plaguing her culture.

When the coup was launched, Nyein was in the capital of Nay Pyi Daw, and came upon a tank parked on a street. She snapped a photograph of it which became an important image in visually confirming the military’s actions that day even as the generals were trying to downplay the military’s presence in the city.


Back in Yangon, Nyein documented the non-violent protests that were growing in size. And although the protests were dangerous for everyone, besides standing out as a female photojournalist, her dedication to her profession made it extra risky because when the police began to crack down, she often chose to stay behind doing her job until the last possible moment.


But her terrifying experience on March 14th, 2021, in Hlaing Thayar changed everything. She was trapped among the protesters when the military suddenly opened fire, and Nyein saw bodies falling all around her. Eventually she managed to find an apartment balcony where she hid while continuing to capture what was happening below.


That experience led to a complete mental breakdown. She turned to meditation, aromatherapy, consulting with a psychologist, and ultimately had to take serious medication. Eventually, because of an increase police presence and her growing reputation as a female photojournalist, she no longer felt safe staying at her home and began changing where she slept every night. Then one day, she sadly came to the realization that she needed to leave Myanmar. The day of her departure at the Yangon Airport was nerve-wracking, as she was convinced she was going to be apprehended and arrested before her flight took off. Fortunately, she managed to get out safely.


Now in Thailand, Nyein’s determination to seek her own path is as resolute as ever. “If you're really interested in photography,” she says, “whether something about your gender, whether you're gay, you just have to have to follow your dreams.”

Jaksot(507)

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