Emergency Edition: Burning the Midnight Oil

Pyae Phyo Kyaw, a gay doctor, is simultaneously helping his countrymen while taking a sledgehammer to the barriers that have long defined Burmese society.Pyae Phyo Kyaw was aware of his sexual orientation from a young age, and the lack of acceptance grew heavy. He attempted suicide several times, until he finally found a way to let go of his inner shame. He was determined to come out, which he did after he had obtained his medical degree.After the military coup was launched in February 2021, Pyae Phyo Kyaw was touched to see members of the LGBT community marching alongside everyone else in the streets in the nonviolent protests. He also began to detect a kind of sea change in attitudes taking place before his eyes among the online community in Myanmar, particularly on Facebook, and was further amazed when the NUG appointed an openly gay minister.Pyae Phyo Kyaw and his partner chose to leave their employment at a Mandalay hospital to help those in the thick of the conflict zone, settling on an area in Karenni state, where they established a mobile medical tent. Since then, they have treated villagers who have lost limbs to landmines, and seen others die from treatable diseases because they simply couldn’t get the proper medicine. Combined with what that population has had to so long endure, it strengthens Pyae Phyo Kyaw’s commitment to help build a more equitable society in Myanmar.Beyond acting as a bridge between two different cultures, the couple is also making a profound impact on Burmese society as well, having become something of online celebrities. Pyae Phyo Kyaw is quite aware of how their service and sacrifice are breaking down social and cultural barriers for perhaps the first time in that country’s history.

10 Maalis 20221h 32min

In the aftermath of student strikes in 1968, Alan left Columbia University and moved to Berkeley, California. There, he found himself amid a whirlwind of social unrest: the counter-culture movement, anti-war protests, experimentation with mind-altering chemicals, and increasingly violent crackdowns by the police. Eventually Alan came across Philip Kapleau’s book, The Three Pillars of Zen, and was immediately intrigued. Zen was not completely unfamiliar to Alan. Coming from New York, he was personally familiar with several Beat writers and their flirtations with Zen. But in Kapleau, found something much more substantial. This led to Alan’s first engagement with Buddhist practice, and he eventually took up the meditation of Sōtō Zen, “a practice that is quite receptive and fluid.”As Alan was refining his life as a practitioner, he also started reflecting on the connection between spirituality and broader social and political issues. This led to Alan’s evolving into an “Engaged Buddhist,” through which he viewed the eradication of suffering as applying both to individuals as well as communities.Alan also became increasingly interested in Myanmar. Observing the constrictions that had been placed on the monkhood under a military dictatorship for so many years does not leave him feeling optimistic about the future of Buddhism there. Neither has the lack of involvement by the Sangha in the democratic movement gone unnoticed by Generation Z protesters, who are now sacrificing everything for their country’s freedom. One of the unintended consequences of the coup is that, however it ultimately sorts out, the future of Buddhism in Myanmar is uncertain. Alan’s perspective on the Burmese resistance is quite relevant, given his own involvement as a Buddhist practitioner in “street politics” during the turbulent 1970s in the US. While he came to the conclusion that personally supporting violence would ultimately not be effective, he acknowledges that 2022 Myanmar is not 1968 California, and doubts that a strict adherence to nonviolence alone would be effective in Myanmar’s case.Engaged Buddhist action stands in stark contrast to the widespread spiritual bypass that seems to characterize a large segment of the Western meditator community. Alan has also observed this, commenting that it occurs “often in an individual context where people allow their practice to just cover for the work that they need to be doing on themselves… The spiritual bypass is putting on blinders so that you really can't see what's in front of you.”

3 Maalis 20222h 6min

Most people would not regard a violent military coup as the best time to start an organization, but that's exactly what Katie Craig and her partners did! Katie has worked with minority language communities around Myanmar for years, which gives her unique insight into the historical, cultural, and political challenges that such communities face. Given the Burmanization policies of the government, this has been no easy task. One of the biggest battlegrounds has been the mandated use of Burmese in all public schools, which often goes hand-in-hand with the prohibition of ethnic language use in the classroom. Katie emphasizes that language is more than simply a way of speaking, it’s also a way of being in the world, and a major factor in identity. She views language diversity as an opportunity for learning, and stresses that her organization is not trying to challenge the supremacy of the Burmese language within the country, but to try to ensure that its instruction does not wipe out indigenous languages. Katie speaks passionately of the trauma that befalls a community when it loses its language, or when it is subject to oppression at the hands of the language majority community. Katie describes another layer of complexity regarding the language situation in Myanmar. Each of the standard, generalized ethnic language categories, such as “Kachin” or “Chin,” actually contains a variety of dialects. Identity is often rooted in temporary political or survival needs. And to make things more complicated still, some language minority communities still do not have their own formalized script, and might alternately use either Burmese or Roman characters depending on the context, and based on preferences in identity and alignment.To help address these complex issues, Katie co-founded Myanmar Indigenous Community Partners (MICP). Part of their work involves assisting peoples within Myanmar who have no written form of language to create one. The work of MICP helps language minority groups not only preserve their language, but also their culture and identity along with it.

24 Helmi 20221h 28min

“I think Tatmadaw is a place where soldiers and their families have lost their human rights,” Su Thit asserts. Her bold criticism of Myanmar's military is somewhat unusual because her husband was one of the several hundred thousand soldiers employed by the Tatmadaw. The couple had enjoyed beginning their adult lives in a transitioning democracy. In a free society, the military would have its rightful place in society, and so at first, they did not need to choose sides between the Tatmadaw and the country’s evolving democratic reforms. But that all changed the moment the coup was launched.Su Thit and Htet Myat committed early on to joining the Civil Disobedience Movement (CDM). They had to endure great risk and discomfort to get to safety. Their life now is a challenge: without any belongings, having lost many friends, and unable to see family, they live under challenging conditions; on some days, she doesn't even have enough water. And yet, they are not just focused on trying to get by, but doing everything they can to encourage more soldiers and their families to leave their posts. Su Thit set up an organization called “Spouses of People’s Soldiers,” which supports military wives in encouraging their husbands to defect, and helps them establish a life outside the Tatmadaw. They also provide opportunities for those who have decided to defect, as they begin to build a new life. Su Thit has been able to receive enough donations to support over 50 families!Su Thit’s organization is run and supported almost entirely by Burmese in-country, and she admits to being slightly perplexed—and feeling isolated—by the lack of support she has received from foreigners, especially those who have long lived and worked in Myanmar, many of whom she had counted as friends. This is another important reason that our platform is so committed to bringing her story to listeners around the world. “Our revolution is close to victory,” Su Thit assures us. With increased defections, “the military can have all the guns in the world, but if there are no soldiers left to use them, we win.”

17 Helmi 20221h 2min

Like so many other spiritual seekers from the West, Kim Shelton and her husband were attracted to Myanmar by the opportunities that the country presents for developing a deeper Buddhist practice. Kim’s experience there inspired her to create a feature-length documentary, One Thousand Mothers, which examines life in a Buddhist nunnery in the Sagaing Hills.Kim learned that many girls became nuns due to poverty, conflict, or difficult family circumstances, and so the decision to ordain is not necessarily because of spiritual yearning. The young nuns in the film honestly and insightfully discuss both the value of the renunciate’s life, and the alluring attractions of the mundane world. One scene depicts a girl who has left the nunnery, and returns for a dialog with her nun friends, wearing make-up, earrings, etc. The camera captures the fascinating conversation that ensues about the relative merits of lay versus worldly life. The film does not shy away from the more challenging life that Myanmar’s nuns have in contrast to monks. One scene about alms round depicts monks receiving hot spoonsful of cooked rice and nuns getting only small pinches of dry rice.Kim was delighted when the Abbess herself accepted the invitation to be interviewed. She had never been on camera before, and the experience was memorable for everyone involved. In one of the movie’s more memorable scenes, the Abbess admitted that the presence of the film crew was a disruption to the discipline and education they try to instill in the nuns, yet affirmed that it would all be worthwhile in the end if the film enabled foreigners to learn more about the Buddha’s teachings.One Thousand Mothers provides viewers with a unique opportunity to see the inner workings of a living Buddhist nunnery. The end result is that the nun’s life in Myanmar is authentically portrayed, without falling into the trap of Western exotification, and the nuns interviewed on screen are extremely forthcoming, providing a glimpse into the very minds of these renunciates.

10 Helmi 202258min

When films examine a subject in detail, it’s sometimes described as a “meditation on…” that particular theme. Golden Kingdom, a 2015 film by Brian Perkins, fits this expression in more ways than one.Brian himself is a dedicated meditator, which affected the artistic choices he made as director. For example, Brian and his crew slept in the monastery for the duration of the shoot, and he spent every morning meditating before he started filming. This meditative approach also gave him the space to linger on certain shots, encouraging a patience on the part of the viewer.Golden Kingdom tells the story of four Buddhist novices in Shan State, whose Sayadaw is called away on urgent business, leaving them alone in a remote monastery. The plot then takes a dark turn when conflict breaks out, and survival becomes the central issue. But the story arc is not the typical, linear/logical structure of Western narratives; the workings of karma are acknowledged, and Burmese folk elements begin to blend into reality, along with a childlike perspective that creeps in as a way to shape the audience’s understanding of what is taking place.The genesis of the film is a story in itself. Brian had visited Myanmar some years previously as a backpacker, and stumbled on that monastery. The setting inspired a movie full-blown in his head. However, turning his dream into a reality was anything but easy. In making his preparations to return, Brian found himself on a government blacklist. But he eventually found a way in, with just a one-week visa, and his crew had to disassemble and smuggle in much of the operating equipment. It was a long hike from the nearest town, and everything had to be hauled in on bamboo poles, including generators because the remote monastery didn’t have electricity.Once the film was completed, the digital files were copied on hard disks, and smuggled out by friends unaffiliated with the movie. Meanwhile, one of his translators tried to extort him, and Brian had overstayed his visa, so had to pay a “fixer” to be able to exit the country. Still, he feels it was all easily worth it in the end.

5 Helmi 20221h 34min

Kenneth Wong, a Burmese language instructor at UC Berkeley, has spent a lifetime studying the history of Burmese films, and is one of the organizers of the Burma Spring Benefit Film Festival. He grew up in Yangon half a century ago and remembers the formulaic, romantic comedies that the Burmese movie industry churned out each year, escapist films that rarely touched on relevant social issues. There were also Bollywood movies and American blockbusters that attracted massively audiences. “I have a feeling that there were a lot of people who, if they had been given the chance to make films, they could have made really great films that were on par with foreign films, but they just weren't able to,” he remarks sadly.Everything changed with the democratic transition of the last decade, when films no longer had to pass the scrutiny of the all-powerful Censor Board. It was like a finger removed from the dike, an artistic explosion where artists could now express themselves without fear of punishment.While independent films started to take off in that more open artistic climate, Kenneth was especially impressed by the growth of locally made documentaries, which began to take on issues of social justice, ethnic minority rights, and LGBTQ issues. “Those are the sort of things that previously you couldn't even talk about openly in teashops,” he notes.And what about the stars who contributed their talents to that period of artistic blooming? While a handful have openly sided with the military and others have only attended a few rallies briefly in order to take selfies that promote their brands, others have made incredible sacrifices. Examples include Hta Hta Thet, a former beauty queen who has since joined a People’s Defense Force team, or Paing Takhon, a movie star and model who was recently sentenced to three years for his activism.

31 Tammi 20221h 9min

For her first post-coup documentary, Padauk: Myanmar Spring, Jeanne Hallacy’s team employed a technique called “in-depth personal storytelling,” and the results were simply stunning. It allows the viewer a much more intimate look into how the movement—and the ensuing crackdown—developed. Padauk is one of many films featured in the Burma Spring Benefit Film Festival, a virtual streaming event with all proceeds going to humanitarian projects across Myanmar.Jeanne describes her work as rooted in the ethos of non-violence, but she also admits she is in no position to judge the move to armed resistance, noting the past 70 years of internal conflict and civil war in the country, along with the more recent outright theft of the government on the part of the military.She also heaps much praise on local journalists who are risking everything to continue to share the truth of the military’s aggressions to the world, especially those operating in ethnic regions. She describes one such local media outfit which had its offices raided by soldiers, who had to run away to avoid arrest and are now continuing their reporting from deep underground.Jeanne sees a cause for optimism in spite of everything, noting a unity she had not witnessed in all her years visiting the country. In one of the film’s more powerful scenes, an ethnic Bamar woman expresses her guilt and regret at not doing more to understand the suffering of the country’s ethnic minority communities before the coup. Her confession is symbolic of a much broader reckoning taking place within the Bamar majority.One of Jeanne’s quotes sums up the silver lining inside the country’s present, very dark cloud. “For the first time ever, I see a much-heightened awareness among the urban sectors of young people, And not just young people, but middle-aged people, civil servants… They are now willing to take the hands of their ethnic sisters and brothers, Rohingya sisters and brothers, and say, ‘We are one. We are united we are together, and we will end this military rule together.’ That's what's different.”

26 Tammi 202256min