IFH 085: Why You Don't Need a Screenplay to Make an Amazing Film

IFH 085: Why You Don't Need a Screenplay to Make an Amazing Film

Why You Don't Need a Screenplay to Make an Amazing Film


As indie filmmakers we throw a lot of obstacles on our own path to creating a feature or short film. No obstacle is larger then the almighty screenplay. How many screenwriters and filmmakers do you know that have been working on the movie script for 3, 5, or 7 years? They keep chipping at it in hopes of cracking that nut or it gives them an excuse for not actually making a feature film.
I was no different. One of the biggest things that slowed, if not stopped my filmmaking journey was "the screenplay." I decided to see if there was a different way to approach making a movie with my first feature film This is Meg.
In doing my research I came to realize that in the last few years, some of my favorite films happen to be (almost) entirely improvised. No structured screenplay. Some were huge tent pole studio movies, Oscar winners (Ironically for best screenplay) and small indie films. It certainly seemed to be a more prolific style among independent filmmakers and I find that it can mean success when they cast the right actors. Especially in the "Mumblecore" and "Dogma 95" indie film movements.
Iron Man had no screenplay?
My favorite "lack of screenplay" story was the Marvel Studios tent-pole Iron Man. You heard me correctly. The film that launched the Marvel Cinematic Universe and that show the word what a great leading Robert Downey Jr could be. It remains one of the most enjoyable adaptations of a Marvel comic book to date.


via Marvel Studios

Take a listen to what Jeff Bridges revealed in a recent interview.

"They had no script, man! They had an outline. We would show up for big scenes every day and we wouldn't know what we were going to say. We would have to go into our trailer and work on this scene and call up writers on the phone, 'You got any ideas?' Meanwhile the crew is tapping their foot on the stage waiting for us to come on."

Although a story and structure was firmly in place, the dialogue wasn't - leading to much improvisation on set, which accounts for the film's energetic, sparky atmosphere.

"I said, ‘Oh, what we're doing here, we're making a $200 million student film. We're all just fuckin' around! We're playin'. Oh, great!. That took all the pressure off. Oh, just jam, man, just play. And it turned out great!" Bridges recalled.

Here is a list of film I mention and discuss in detail in the podcast:

John Cassavetes - Shadows
Mike Leigh - Vera Drake
David O. Russell - American Hustle
Lynn Shelton - Your Sister's Sister
Jon Favreau - Iron Man
Derek Cianfrance -

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Jaksot(984)

IFH 065: Lloyd Kaufman & Troma: How I Make Money Selling Movies

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IFH 063: The Walking Dead - Working on the Dead Set with Vince Gonzales

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IFH 062: Top 5 Film Festival SCAMS Filmmakers Need to Be Aware Of!

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IFH 061: Chris Vogler - Screenwriting & The Writer's Journey Blueprint

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IFH 060: Should You Work for Deferred Payment or Back End Points?

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IFH 059: How a 17 yr old Shot & Sold her 1st Feature on 16mm Film

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IFH 058: Tips on How Directors Should Work with a Colorist

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