IFH 098: How to Build a Pimp'd Out BlackMagic Cinema Camera Rig on the CHEAP!

IFH 098: How to Build a Pimp'd Out BlackMagic Cinema Camera Rig on the CHEAP!

When I began my filmmaking journey with my first feature film, This is Meg, I had no idea what camera I'd be shooting with. I had access to both RED Cinema and Arri Alexa Cameras for free if I wanted them but I choose against using them on this film for the following reasons:

The infrastructure need to make those camera work was complicated and expensive (even if you are getting the camera bodies for free)
I wouldn't have the freedom to shoot whenever I had the cast available. (we shot over 6 weeks)
The "footprint" of those cameras do not lend themselves to run and gun guerrilla filmmaking.
The Post Production workflow would be costly and drives are expensive.
Production Insurance would be needed and that's pricey.

So I looked around and settled on the BlackMagic Cinema Camera.

"But Alex you are nutz! You could've shot on a RED or ALEXA and you choose a BlackMagic Cinema Camera?"
Yes I did. For a few reasons:

I could own the camera, play with it, test and experiment.
No production insurance.
Small footprint for those "guerrilla filmmaking" moment out in the streets.
Amazing post production workflow (I edited and finish This is Meg on the DaVinci Resolve, more on that in the podcast)
I could affordably pimp out the rig and customize it for my shooting needs.

This is Meg is a small character driven indie film, shooting with RED or ALEXA would've been overkill.


Shooting with the BMCC
Now I've been a colorist for over 10 years and the image quality of RED or ALEXA is superior to the BlackMagic Cinema Camera but you need to choose the right tool for the project. The BMCC gave me the freedom that the other couldn't and the BlackMagic Cinema Camera is BY FAR the best bang for your buck. Speaking as a colorist and the director of photography of the film, the image quality is stellar. You just need to understand the camera's strengths and weakness.
Here are some tips when shooting with the BlackMagic Cinema Camera 2.5k.

The camera need a ton of light.
Make sure you shoot at 400 ISO unless you are shooting nights. Try to always shot 400 ISO. The BMCC Image will like it better.
Record with a minimum 240gig Card.

SHOOT RAW, not ProRes 422 HQ!

I also decided to shoot with the BlackMagic Cinema Camera because of its amazing RAW Cinema DNG file it produces. I shot with the BlackMagic Cinema Camera 2.5K not the 4k version. The 4k would've been nice but the cost in media and hard drives out weighted the extra pixel. I also knew I'd be mastering in 1080p and blowing up to 2k for the DCP deliverable.
You can shoot ProRes 422 HQ but I'd suggest shooting RAW because if you don't light the scene perfectly having that RAW Cinema DNG file can really get you out of a pickle...trust me!
I go into great detail on how I put this rig together in this weeks podcast. I share tips, tricks and real world stories of what worked and what didn't. I also talk about the post production workflow I went through editing in DaVinci Resolve.



For links to all the gear spoken about goto: https://www.indiefilmhustle.com/blackmagic-cinema-camera/

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(980)

IFH 115: How to Shoot Video That Doesn’t Suck with Steve Stockman

IFH 115: How to Shoot Video That Doesn’t Suck with Steve Stockman

How to Shoot Video That Doesn’t Suck with Steve StockmanIn this week’s episode, we have Steve Stockman. Steve is an author/writer/director/producer at Custom Productions, Inc. in Los Angeles.  He’s created and Executive Produced tv series Brew Dogs for the new Esquire Network, Dogs of War for A&E, Devils Ride for Discovery Channel and $24 in 24 for Food Network;  plus worked on over 200 commercials, music videos, and web series.He also wrote and directed a film called Two Weeks starring legendary Oscar® Winning Actress Sally Field.His book, How to Shoot Video that Doesn’t Suck, is now in its 6th printing from Workman Publishing.  It’s based on a course he’s been teaching to kids for the last 14 years, but adults understand it as well.“Like two years of film school in 248 pages.” – Steven Pressfield, Author of The War of Art and The Legend of Bagger VanceIt’s not technical—it doesn’t matter whether you’re shooting RED or iPhone. It’s about how to shoot video that’s entertaining, effective—and that actually gets watched. Enjoy my conservation with Steve Stockman.Right click here to download the MP3LINKS AND RESOURCES MENTIONED IN THIS EPISODEBUY HIS BOOK HERE – How to Shoot Video that Doesn’t Suckwww.stevestockman.comCustom Productions, IncTwo WeeksDevils RideBrew DogsThis is Meg – Feature FilmBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

16 Marras 201654min

IFH 114: The Six Stages of Character Development with Michael Hauge

IFH 114: The Six Stages of Character Development with Michael Hauge

The Six Stages of Character Development with Michael HaugeThis week we have a returning guest, screenwriting guru Michael Hauge. On this episode, he discussed The Six Stages Character Development. A very eye opening episode. Check it out. Right click here to download the MP3These videos on screenplay structure are from his best selling online course: Story and Screenwriting Blueprint - The Hero's Two Journeys.In more than 4½ hours of lecture, discussion and Q&A, Michael Hauge, author of Writing Screenplays That Sell and Selling Your Story in 60 Seconds: The Guaranteed Way to Get Your Screenplay or Novel Read; and Christopher Vogler, story analyst and author of The Writer’s Journey: Mythic Structure For Writers, unite to reveal the essential principles of plot structure, character arc, myth and transformation.Click below to download more videos.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Marras 201623min

IFH 113: Post Production Process - Understand It or Suffer the Consequences

IFH 113: Post Production Process - Understand It or Suffer the Consequences

Post Production Process: Understand It or Suffer the ConsequencesFilmmaking is a long process and is divided into three stages. The first stage is pre-production stage, the second one is production, and the last one is post-production stage. In this podcast episode, I go into each of the following steps and add a few bonus ones as well. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Marras 201627min

IFH 112: Stanley Kubrick: The Rare 1966 Interview of a 37 Year Old Kubrick

IFH 112: Stanley Kubrick: The Rare 1966 Interview of a 37 Year Old Kubrick

This is a special edition of the IFH Podcast. We have for you a rare interview by Stanley Kubrick. A 37-year-old Kubrick sits down and speaks with Jeremy Bernstein. It's a remarkable look into the beginnings of the filmmaking master. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Marras 20161h 25min

Are Film Festivals Even Relevent Anymore? - FFH 007

Are Film Festivals Even Relevent Anymore? - FFH 007

Film Festivals: Are They Relevant Anymore?Film Festival Hacks is the podcast that explores the festival circuit “from both sides of the badge.” Alex Ferrari is an award-winning filmmaker with nearly 600 international film festivals under his belt. He’s joined by Chris Holland, author of Film Festival Secrets: A Handbook for Independent Filmmakers who has worked closely with more than 200 film festivals including Sundance, AFI Fest, and SXSW. Together we explore the hidden world of film festival programming and pass along tips that give you that critical edge in the festival submissions game.In episode seven discuss the relevance of film festivals in today's digital world. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Marras 20167min

IFH 111: Sean Baker: ‘Tangerine' How to Shoot a Sundance Hit on Your iPhone

IFH 111: Sean Baker: ‘Tangerine' How to Shoot a Sundance Hit on Your iPhone

Sean Baker: 'Tangerine' How to Shoot a Sundance Hit on Your iPhoneI've recently been looking and studying alternative shoot methods to shoot a feature film. One name that keeps coming up is Sean Baker. His ground-breaking film Tangerine made more noise at the Sundance Film Festival  than the winner that year. The film was also produced by the indie film legends, Jay and Mark Duplass.Tangerine was shot completely on an iPhone. Yes, an iPhone. The great thing was that after his Sundance screening no one in the audience or at the film festival knew that the film was shot on an iPhone.What I respect about Sean Baker as a filmmaker is that he didn't focus on the technology when promoting his film, he let the story, actors and film speak for itself. If you haven't seen Tangerine you are missing out. Take a look at the RED BAND trailer below.I wanted to put together a post that highlighted what can be done with minimal filmmaking tech and a great story. Sean Baker has definitely what can be done in today's filmmaking world.Below are a ton of videos explaining the process Sean Baker and his director of photography Radium Cheung, HKSC went through making Tangerine, as well as a bunch of video explaining tips and tricks on how to turn your something you shot on an iPhone into cinematic gold. Enjoy my conversation with Sean Baker.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

2 Marras 20161h 20min

IFH 110: Doing the Hustle with Better Off Single Director Benjamin Cox

IFH 110: Doing the Hustle with Better Off Single Director Benjamin Cox

Today we have on the show the very talented writer/director Benjamin Cox. He is the founder of Red Square Pictures, a New York-based film production company. As creative head, Mr. Cox oversees all aspects of the company's development, production, and content-related activities. A producer, writer, and director, his Red Square Pictures projects include work for a wide range of commercial/fashion clients as well as narrative work in both television and feature films.A feature film that Mr. Cox produced, wrote and directed, NYC dating comedy Better Off Single starring Aaron Tveit, Abby Elliott, Lauren Miller Rogen, Kal Penn, Chris Elliott, Lewis Black, Shane McRae, Kelen Coleman and Annaleigh Ashford, is set for its theatrical release in the fall of 2016. Another of Mr. Cox’s feature projects, an untitled ethereal dramedy starring Mary Beth Hurt, Aidan Quinn, Olympia Dukakis, Macy Gray, Peter Gerety, Emmet Walsh and Rachel Brosnahan, has recently completedAnother of Mr. Cox’s feature projects, an untitled ethereal dramedy starring Mary Beth Hurt, Aidan Quinn, Olympia Dukakis, Macy Gray, Peter Gerety, Emmet Walsh and Rachel Brosnahan, has recently completed post-production and was produced by Mr. Cox, directed by Dianne Dreyer and executive produced by Kevin Spacey. Take a look at Ben's stylish short film Bionda Castana:Check out his current film Better Off Single:A new film from Red Square Pictures and writer/director Benjamin Cox, Better Off Single is the NYC dating comedy that follows one man’s hallucination-fueled, post-breakup quest to find new love… and himself.  Better Off Single stars Aaron Tveit, Abby Elliott, Lauren Miller Rogen, Kal Penn, Chris Elliott, Lewis Black, Shane McRae, Kelen Coleman and Annaleigh Ashford.Doing the Hustle with Better Off Single Director Benjamin CoxToday we have on the show the very talented writer/director Benjamin Cox. He is the founder of Red Square Pictures, a New York-based film production company. As creative head, Mr. Cox oversees all aspects of the company's development, production, and content-related activities. A producer, writer, and director, his Red Square Pictures projects include work for a wide range of commercial/fashion clients as well as narrative work in both television and feature films.A feature film that Mr. Cox produced, wrote and directed, NYC dating comedy Better Off Single starring Aaron Tveit, Abby Elliott, Lauren Miller Rogen, Kal Penn, Chris Elliott, Lewis Black, Shane McRae, Kelen Coleman and Annaleigh Ashford, is set for its theatrical release in the fall of 2016. Another of Mr. Cox’s feature projects, an untitled ethereal dramedy starring Mary Beth Hurt, Aidan Quinn, Olympia Dukakis, Macy Gray, Peter Gerety, Emmet Walsh and Rachel Brosnahan, has recently completedAnother of Mr. Cox’s feature projects, an untitled ethereal dramedy starring Mary Beth Hurt, Aidan Quinn, Olympia Dukakis, Macy Gray, Peter Gerety, Emmet Walsh and Rachel Brosnahan, has recently completed post-production and was produced by Mr. Cox, directed by Dianne Dreyer and executive produced by Kevin Spacey. Take a look at Ben's stylish short film Bionda Castana:Check out his current film Better Off Single:A new film from Red Square Pictures and writer/director Benjamin Cox, Better Off Single is the NYC dating comedy that follows one man’s hallucination-fueled, post-breakup quest to find new love… and himself.  Better Off Single stars Aaron Tveit, Abby Elliott, Lauren Miller Rogen, Kal Penn, Chris Elliott, Lewis Black, Shane McRae, Kelen Coleman and Annaleigh Ashford.When Charlie Carroll quits his job and his girlfriend on the same day, it seems as though he’s finally found freedom. But after a quick dip in the dark waters of the NYC dating pool, Charlie begins to wonder if he’s made a mistake. He’s not equipped for single life. In fact, Charlie might not be equipped for life inBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

27 Loka 201650min

IFH 109: Top 10 Film Distribution Rules for Success

IFH 109: Top 10 Film Distribution Rules for Success

Film Distribution: Top 10 Rules for SuccessWhen filmmakers go out into the world to try to sell their indie film it can be a bit dangerous. The shark infested waters that make up film distribution can be brutal. Since I'm now going down the same dangerous road with my film This is Meg, I decided to write up a few rules I found useful over the years when it comes to film distribution.Split Up Your RightsThe Bigger the Deal the Less Control You HaveCap Your Film Distribution ExpensesThe Middle Men - Beware of the DealNothing is GuaranteedCost vs Sale or R.O.I.Film Festivals Help...SometimesBeware of Exclusive 5 Year Distribution ContractDon't get caught with your pants down in Post ProductionE/O Insurance...gotta have itI go into great detail about the list below in the podcast episode so take a listen. I hope to have the transcript for this episode up by next week. Happy selling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Loka 201634min

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