IFH 098: How to Build a Pimp'd Out BlackMagic Cinema Camera Rig on the CHEAP!

IFH 098: How to Build a Pimp'd Out BlackMagic Cinema Camera Rig on the CHEAP!

When I began my filmmaking journey with my first feature film, This is Meg, I had no idea what camera I'd be shooting with. I had access to both RED Cinema and Arri Alexa Cameras for free if I wanted them but I choose against using them on this film for the following reasons:

The infrastructure need to make those camera work was complicated and expensive (even if you are getting the camera bodies for free)
I wouldn't have the freedom to shoot whenever I had the cast available. (we shot over 6 weeks)
The "footprint" of those cameras do not lend themselves to run and gun guerrilla filmmaking.
The Post Production workflow would be costly and drives are expensive.
Production Insurance would be needed and that's pricey.

So I looked around and settled on the BlackMagic Cinema Camera.

"But Alex you are nutz! You could've shot on a RED or ALEXA and you choose a BlackMagic Cinema Camera?"
Yes I did. For a few reasons:

I could own the camera, play with it, test and experiment.
No production insurance.
Small footprint for those "guerrilla filmmaking" moment out in the streets.
Amazing post production workflow (I edited and finish This is Meg on the DaVinci Resolve, more on that in the podcast)
I could affordably pimp out the rig and customize it for my shooting needs.

This is Meg is a small character driven indie film, shooting with RED or ALEXA would've been overkill.


Shooting with the BMCC
Now I've been a colorist for over 10 years and the image quality of RED or ALEXA is superior to the BlackMagic Cinema Camera but you need to choose the right tool for the project. The BMCC gave me the freedom that the other couldn't and the BlackMagic Cinema Camera is BY FAR the best bang for your buck. Speaking as a colorist and the director of photography of the film, the image quality is stellar. You just need to understand the camera's strengths and weakness.
Here are some tips when shooting with the BlackMagic Cinema Camera 2.5k.

The camera need a ton of light.
Make sure you shoot at 400 ISO unless you are shooting nights. Try to always shot 400 ISO. The BMCC Image will like it better.
Record with a minimum 240gig Card.

SHOOT RAW, not ProRes 422 HQ!

I also decided to shoot with the BlackMagic Cinema Camera because of its amazing RAW Cinema DNG file it produces. I shot with the BlackMagic Cinema Camera 2.5K not the 4k version. The 4k would've been nice but the cost in media and hard drives out weighted the extra pixel. I also knew I'd be mastering in 1080p and blowing up to 2k for the DCP deliverable.
You can shoot ProRes 422 HQ but I'd suggest shooting RAW because if you don't light the scene perfectly having that RAW Cinema DNG file can really get you out of a pickle...trust me!
I go into great detail on how I put this rig together in this weeks podcast. I share tips, tricks and real world stories of what worked and what didn't. I also talk about the post production workflow I went through editing in DaVinci Resolve.



For links to all the gear spoken about goto: https://www.indiefilmhustle.com/blackmagic-cinema-camera/

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(977)

IFH 690: Inside the Golden Age of Hollywood with George Stevens Jr.

IFH 690: Inside the Golden Age of Hollywood with George Stevens Jr.

George Stevens, Jr. has achieved an extraordinary creative legacy over a career spanning more than 60 years. He is a writer, director, producer, playwright and author. He has enriched the film and television arts as a filmmaker and is widely credited with bringing style and taste to the national television events he has conceived.As a writer, director and producer, Stevens has earned many accolades, including 15 Emmys, two Peabody Awards for Meritorious Service to Broadcasting, the Humanitas Prize and 8 awards from the Writers Guild of America, including the Paul Selvin Award for writing that embodies civil rights and liberties.In 2012 the Board of Governors of the Academy of Motion Picture Arts and Sciences voted to present Stevens with an Honorary Academy Award for “extraordinary distinction in lifetime achievement.”Stevens served for eight years as Co-chairman of the President’s Committee on the Arts and Humanities following his appointment by President Obama in 2009.Stevens is Founding Director of the American Film Institute and during his tenure, more than 10,000 irreplaceable American films were preserved and catalogued to be enjoyed by future generations. In addition, he established the AFI’s Center for Advanced Film Studies, which gained a reputation as the finest learning opportunity for young filmmakers.Stevens was executive producer of The Thin Red Line, which was nominated for seven Academy Awards, including Best Picture. He co-wrote and produced The Murder of Mary Phagan, starring Jack Lemmon, which received the Emmy for Outstanding Mini-Series.He wrote and directed Separate But Equal starring Sidney Poitier and Burt Lancaster which also won the Emmy for Outstanding Mini-Series. He produced an acclaimed feature length film about his father, George Stevens: A Filmmaker’s Journey and in 1994 produced George Stevens: D-Day to Berlin, which depicted the wartime experiences of his father – one of the most highly regarded directors of all time. In collaboration with his son and partner Michael Stevens, he produced the feature length documentary Herblock – The Black & The White on the famed political cartoonist Herbert Block for HBO.Stevens made his debut as a playwright in 2008 with Thurgood, which opened at the historic Booth Theater on Broadway. The play had an extended run starring Laurence Fishburne as Supreme Court Justice Thurgood Marshall. Fishburne received a Tony nomination and returned to the role in the summer of 2010 with runs at the Kennedy Center and the Geffen Playhouse in Los Angeles.Thurgood was filmed while at the Kennedy Center and shown on HBO in 2011.In 2006, Alfred A. Knopf published Stevens’ Conversations with the Great Moviemakers of Hollywood’s Golden Age – the first book to bring together the interviews of master moviemakers from the American Film Institute’s renowned Harold Lloyd Master Seminar Series. Conversations with the Great Moviemakers – The Next Generation was released by Knopf in April, 2012.Please enjoy my conversation with George Stevens Jr.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Kesä 20231h 1min

IFH 689: Creating Revenue Streams for Filmmakers with Pat McGowan

IFH 689: Creating Revenue Streams for Filmmakers with Pat McGowan

Pat McGowan is a longtime Film & Video Creator from Ottawa, Canada. As with many in the “biz”, his career started as a musician, moved into audio post and then into directing, producing, shooting and editing. Until recently Pat was the owner/operator of inMotion.ca, a video production company in Ottawa & Toronto. Pat has a passion for wildlife videography and can be found in the Canadian Arctic looking for Polar bears, Narwhals, and Bowhead Whales.After a successful career spanning over two decades, Pat had an epiphany, and that led to the idea and creation of BlackBox Global. He wants nothing less than to change the relationships that creators have with each other and the global market so they can have better lives. He invites his fellow film & video peeps to join BlackBox and make the world a place where creators can be free to do what they love, own the content they make, and be fairly compensated.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

6 Kesä 20231h 17min

MONDAY MOTIVATION!: Don't Be The Desperate Filmmaker

MONDAY MOTIVATION!: Don't Be The Desperate Filmmaker

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

5 Kesä 20232min

IFH 688: What They Don't Tell Filmmakers about Making an Indie Film with Jeremy Gardener

IFH 688: What They Don't Tell Filmmakers about Making an Indie Film with Jeremy Gardener

Jeremy Gardner is an American actor, writer, and director known for his work in the independent horror film "The Battery." He wrote, directed, and starred in the movie, which was released in 2012."The Battery" is a post-apocalyptic zombie film that gained critical acclaim for its character-driven approach and low-budget yet effective storytelling. Since then, Jeremy Gardner has continued to work in the film industry, both in front of and behind the camera.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

1 Kesä 20231h 53min

IFH 687: Skipping First-Time Screenwriting Mistakes with Naomi Beaty

IFH 687: Skipping First-Time Screenwriting Mistakes with Naomi Beaty

Today on the show we have former studio executive turned screenwriting teacher and screenplay consultant Naomi Beaty. She is essentially an on-call development partner to screenwriters, producers, and directors at all levels. From those just starting out, to those firmly established and working in the industry today.She lived and worked in L.A. for over a decade, read thousands of scripts, and worked with hundreds of writers through one-on-one consulting, creating the Idea to Outline workshop, and teaching story structure for Save the Cat. I’ve worked with producers internationally and consulted on the 2016 Raindance Film Festival “Indie Film of the Year” winner, Selling Isobel.As a former development exec-in-training at Madonna and Guy Oseary’s Maverick Films, she worked on projects like Twilight, Percy Jackson and the Lightning Thief, and The Stanford Prison Experiment.In this episode, we get into the weeds about mistakes screenwriters make and what studios are looking for.Enjoy my talk with Naomi Beaty.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

30 Touko 202353min

MONDAY MOTIVATION!: The Art Of Breaking The Rules

MONDAY MOTIVATION!: The Art Of Breaking The Rules

Monday Motivation! We all need a kick in the butt sometimes on our screenwriting journey. These episodes will do just that. Never stop chasing that dream and keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

29 Touko 20233min

IFH 686: How to Get Things Done with David Allen

IFH 686: How to Get Things Done with David Allen

David Allen is a productivity consultant and the author of the book "Getting Things Done: The Art of Stress-Free Productivity." He is widely recognized for his expertise in personal and organizational productivity and has developed the GTD (Getting Things Done) methodology.In his book, "Getting Things Done," Allen presents a system for managing and organizing tasks and projects to increase productivity and reduce stress. The GTD methodology focuses on capturing all tasks and commitments into an external system, clarifying their meaning and desired outcomes, organizing them effectively, reviewing and updating regularly, and taking appropriate actions. The book has gained significant popularity and has become a widely implemented system for personal and professional productivity.David Allen has been involved in coaching, training, and consulting with various individuals and organizations, including Fortune 500 companies and government agencies. He continues to speak and conduct workshops on productivity and personal development, sharing his insights and strategies to help individuals and teams enhance their effectiveness and achieve their goals.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Touko 202348min

IFH 685: Learning Screenwriting Story Structure with John Bucher

IFH 685: Learning Screenwriting Story Structure with John Bucher

Today on the show, we have storytelling guru John Bucher, who is a renowned strategist, communicator, and cultural mythologist based out of Hollywood, California. Disruptor named him one of the top 25 influencers in Virtual Reality in 2018.“John Bucher is an influencer. He’s one of our most prolific contributors.” — HBOHe is the author of six books, including the best-selling Storytelling for Virtual Reality, named by BookAuthority as one of the best storytelling books of all time. John has worked with companies including HBO, DC Comics, The History Channel, A24 Films, and The John Maxwell Leadership Foundation and served as a consultant and writer for numerous film, television, and Virtual Reality projects. Currently, he teaches writing and story courses as part of the Joseph Campbell Writers Room at Studio School in Los Angeles and at the LA Film Studies Center. He has spoken on five continents about using the power of story to reframe how products, individuals, organizations, cultures, and nations are viewed.John is a prolific writer.STORYTELLING FOR VIRTUAL REALITYStorytelling for Virtual Reality serves as a bridge between students of new media and professionals working between the emerging world of VR technology and the art form of classical storytelling. Rather than examining purely the technical, the text focuses on the narrative and how stories can best be structured, created, and then told in virtual immersive spaces. Author John Bucher examines the timeless principles of storytelling and how they are being applied, transformed, and transcended in Virtual Reality. Interviews, conversations, and case studies with both pioneers and innovators in VR storytelling are featured, including industry leaders at LucasFilm, 20th Century Fox, Oculus, Insomniac Games, and Google.A BEST PRACTICE GUIDE TO SEX AND STORYTELLINGA great deal of storytelling in film and television involves narratives that include sexual situations and nudity. The increased amount of online and streaming content outlets has, in turn, increased the number of narratives that involve these once-taboo subjects. Often, even though directors and producers desire to handle such issues with professionalism, sets become awkward when producing these scenes. A Best Practice Guide to Sex and Storytelling serves as a helpful tool for guiding creators through these waters.MASTER OF THE CINEMATIC UNIVERSEMaster of the Cinematic Universe is a guide to the future of transmedia storytelling. Content creators of every flavor are constantly needing to expand the mediums they can work in. This volume serves as a resource for using the timeless truths of story structure to craft established as well as up-and-coming short-form media formats.STORYTELLING BY THE NUMBERSStorytelling By The Numbers is a collection of essays and articles that John Bucher has written for LA Screenwriter and a variety of other outlets. All are meant to strengthen storytellers and scriptwriters. Bucher examines trends and tropes found in current film and television and uses these examples to demonstrate how and why they work as storytelling devices. Writers from any genre, working with any type of narrative, can find jewels of wisdom and applicable nuggets for their own ideas. The collection also features ten powerful writing prompts to assist writers in creating or developing a script idea from a single character.Enjoy my conversation with John Bucher.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Touko 20231h 20min

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