IFH 126: Should You Own Your Own Film Gear? - Ask Alex

IFH 126: Should You Own Your Own Film Gear? - Ask Alex

Should You Own Your Own Film Gear?
Happy New Year IFH Tribe! We are now in 2017 and this will be ana amazing, creative and monumental year for us all. I wanted to start off the year with an "Ask Alex" episode. On this episode I answer the follow tribe member questions:


Though I plan on hiring a DP for my movies, I'd like to invest in my very own camera equipment and lights. (Was thinking about investing in that BlackMagic Cinema you keep raving about.)



However, I'm being advised NOT to buy my own camera and lights! I was told that unless I'm planning on being a DP myself, and unless I plan on keeping up with all the new models of cameras coming out (which can be expensive), that buying camera equipment makes no sense.


What say you? Shouldn't an independent filmmaker seek to have his or her own filmmaking arsenal, just in case? Shouldn't directors at least try to go out, shoot, get a feel for the camera, etc., so that they are better directors, even if they'll never be DPs?


What advice would you give someone working with non-acting actors who will be getting little to no pay?

So If I go to submit my film to contests and festivals will I have problems with people in public in background shots?

Would making the background more out of focus help?

I have scenes in stores. Do I need to blur product labels?


When is the perfect time in pre-production should you start casting?


How important do you feel it is to shoot on film if your plan is to go to the big film festivals hoping to get a distribution deal? Taking Dov Simens DVD class he stresses its important, but the content is in the age of miniDV, so technology has changed quiet a bit since those DVDs were produced. Although I know the story is really more important than digital vs film, which do you feel the major film festivals are looking for today or does it matter any more? I'm looking to shoot mostly film (~75%) and mix some shots and coverage that are shot digitally (~25%).



Let's get to answering some questions.
Right click here to download the MP3Download on iTunes Direct

Slamdance Workshop Discussed on the Show
Join Blackmagic Design, Slamdance Grand Jury Award winner Andrew McPhillips, and filmmaker and host of Indie Film Hustle Alex Ferrari on Saturday, January 21 from 2:30pm to 4:30pm at the Filmmaker Lounge in the Treasure Mountain Inn for an in-depth workshop on the tools and techniques essential to the independent filmmaker.


Andrew McPhillips will discuss lessons learned from shooting his upcoming film “The Doll,” including how to seamlessly switch from production to post. Andrew used an URSA Mini 4.6K to shoot the film, DaVinci Resolve for editing and grading, and Fusion for the VFX. Along with serving as CG Supervisor at SPINVFX, Andrew’s work includes his animated short film “Blood Will Tell” which previously premiered at the Toronto International Film Festival and took home top awards at Slamdance.

Alex Ferrari will discuss how filmmakers can make the most of DaVinci Resolve as a professional editing solution. Alex recently shot, edited and graded his new film “This Is Meg” using Blackmagic Design. He will dive into the ins-and-outs of what filmmakers need to know when editing with Resolve and how it can best fit into their workflows.

A brief Q&A will follow the presentations along with raffles for prizes, including a Micro Cinema Camera, DaVinci Resolve Studio and Fusion Studio!
Join Blackmagic Design afterward from 5:00pm to 7:00pm for a happy hour in th

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(977)

IFH 728: The Science of Storytelling for Screenwriters with Will Storr

IFH 728: The Science of Storytelling for Screenwriters with Will Storr

I'm super excited to bring you today's show. Today on the podcast we have best-selling author Will Storr. Will's latest book The Science of Storytelling: Why Stories Make Us Human and How to Tell Them Better is a deep dive into how story affects the brain. Here's a bit about the book:Who would we be without stories?Stories mold who we are, from our character to our cultural identity. They drive us to act out our dreams and ambitions and shape our politics and beliefs. We use them to construct our relationships, to keep order in our law courts, to interpret events in our newspapers and social media.Storytelling is an essential part of what makes us human.There have been many attempts to understand what makes a good story – from Joseph Campbell’s well-worn theories about myth and archetype to recent attempts to crack the ‘Bestseller Code’. But few have used a scientific approach. This is curious, for if we are to truly understand storytelling in its grandest sense, we must first come to understand the ultimate storyteller – the human brain.In this scalpel-sharp, thought-provoking book, Will Storr demonstrates how master storytellers manipulate and compel us, leading us on a journey from the Hebrew scriptures to Mr. Men, from Booker Prize-winning literature to box set TV. Applying dazzling psychological research and cutting-edge neuroscience to the foundations of our myths and archetypes, he shows how we can use these tools to tell better stories – and make sense of our chaotic modern world.His TED Talk is a must-watch for all filmmakers and screenwriters. After interview hundreds of the world's thought-leaders on story it's rare for me to find a completely new way of looking at story. I can't tell you how fascinating this conversation is. If this episode doesn't spark an idea or two in your screenwriting I don't know what will.Enjoy my conversation with Will Storr.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Joulu 20231h 29min

IFH 727 Lessons Learned Writing Oliver Stone's The Doors with Randall Jahnson_mixdown

IFH 727 Lessons Learned Writing Oliver Stone's The Doors with Randall Jahnson_mixdown

Randall Jahnson is an American screenwriter and film producer. He was born on March 7, 1951, in Des Moines, Iowa, United States. Jahnson is best known for his work in the film industry, particularly as a screenwriter.Jahnson's notable credits include writing the screenplay for the 1989 film "The Mask," starring Jim Carrey. He also co-wrote the screenplay for the 1992 film "Dudes" and the 1998 film "The Doors," which is a biographical film about the rock band of the same name.In addition to his work as a screenwriter, Jahnson has worked on other aspects of film production. He served as a producer for the 1997 film "The Doors: When You're Strange," a documentary about the band, and was an executive producer for the 2009 film "The Spirit," directed by Frank Miller.Randall Jahnson has had a varied career in the film industry, working on both independent and mainstream projects. While he may not have the same level of name recognition as some other screenwriters, his contributions to the films he has worked on have left an impact on the industry.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

5 Joulu 20231h 42min

IFH 726: Story$elling Your Screenplay with Heather Hale

IFH 726: Story$elling Your Screenplay with Heather Hale

Today on the show we have returning champion Heather Hale. Heather Hale’s new book Story Selling: How to Develop, Market, and Pitch Your Film & TV Projects helps you get your stories out of your head and onto the worldwide stage. From the inspiration and conception of all kinds of creative writing, through the development and refinement of all the elements, to navigating the legal, financial, physical production, distribution, and marketing labyrinths of the overlapping businesses of mass media, she explores how (and why) we write, co-create, share and monetize stories around the world today.Pitching is an art form that brings together content and communication channels. Regardless of What you’re pitching . . . Where, When and to Whom . . . the principles are universal. It’s How you pitch that matters ― and there are countless strategies that combine elements in different combinations.Heather's book details all of them, their construction and applications, in a fun and interactive way that inspires readers to create memorable and saleable pitches in order to get their projects made.Enjoy my conversation with Heather Hale.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Marras 20231h 17min

IFH 725: Hidden Tools of Comedy for Screenwriters with Steve Kaplan

IFH 725: Hidden Tools of Comedy for Screenwriters with Steve Kaplan

Steve Kaplan is a well-known comedy writer, teacher, and consultant. He is the author of the book "The Hidden Tools of Comedy: The Serious Business of Being Funny," which is a popular resource for aspiring comedy writers. The book delves into the principles and techniques of comedy writing, offering insights and practical advice for creating humorous and engaging content.Steve Kaplan has been teaching comedy writing and performance for many years, and his expertise has made him a sought-after consultant in the entertainment industry. He has worked with numerous writers, actors, and directors, helping them develop their comedic skills and enhance their comedic projects. Kaplan's approach to comedy emphasizes the importance of understanding human nature, exploring characters' desires and obstacles, and using specific comedic techniques to elicit laughter.In addition to his book, Steve Kaplan has also conducted workshops, seminars, and lectures on comedy writing and has worked with various entertainment companies, including Disney, HBO, and DreamWorks Animation. He continues to be a respected figure in the field of comedy writing education.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Marras 20231h 12min

IFH 724: What is Maximum Screenwriting with Jeff Schimmel

IFH 724: What is Maximum Screenwriting with Jeff Schimmel

Jeff Schimmel began his Writing/Producing career in the 1980s while attending law school in Los Angeles. When not studying for the bar exam, Jeff wrote and sold his original Cold War spy thriller, Archangel, to Phoenix Entertainment Group. Soon after, Jeff was chosen by comedy legend Rodney Dangerfield and award-winning Writer/Director Harold Ramis to co-write the full-length Warner Brothers animated film, Rover Dangerfield. This led to a sports comedy screenplay assignment from Orion Pictures and 20th Century Fox, and Jeff’s first TV writing job as Story Editor on ABC’s top ten sitcoms, Full House.Next, Jeff co-wrote and produced The Schimmel Papers, a series of several short films for Fox TV's Sunday Comics, then went on to write for the groundbreaking, Emmy Award-winning sketch comedy series, In Living Color, worked as Story Editor on the WB network’s first-ever sitcom, then served as Writer and Producer on Laughing With The Presidents, NBC TV's final comedy special starring Bob Hope, with appearances by Presidents George Bush and Bill Clinton, actors Tom Selleck, Don Johnson, Tony Danza, Ann-Margret, Naomi Judd, and many more.In 2016, Jeff took over as Executive Producer of Fuse network’s music intensive Skee TV series, working with hip hop artists like Snoop Dogg, Tyler the Creator, Post Malone, and T.I. Also in the rap world, Jeff was credited as a producer on three multi-platinum selling CDs by Busta Rhymes. In 2017, Jeff’s book, “Maximum Screenwriting,” was released and has earned Amazon’s five-star rating. Jeff has appeared as a guest lecturer at L.A.’s famed Screenwriting Expo, is a popular speaker at prestigious universities and film schools, and has worked closely with the Writers Guild of America to protect the best interests of writers.25 COMMONLY ASKED QUESTIONS AND STRAIGHT ANSWERSThe entertainment industry is the toughest business around. To achieve success as a professional screenwriter, you will need every advantage you can get. A writer who faces readers, agents, producers, and creative executives are no different than a soldier going into combat. To have the best chance of survival, both would be wise to bring every weapon they can carry into the fight.This book is ammunition for the battles every screenwriter will face as it teaches: How to create a bulletproof outline, How to build and breathe life into compelling characters, How to defeat crippling procrastination, How to avoid being ripped off, and How to deal with a myriad of situations other books never mention.The one thing this book will not do is tell you what the proper margins are for a screenplay, where to place a parenthetical in dialogue or what is supposed to happen on page 30. There are dozens of books and free online lectures for that. Maximum Screenwriting was written for one reason only: to teach you what other books don’t and to tell you what other writers won’t.Enjoy my conversation with Jeff Schimmel.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

7 Marras 20231h 5min

IFH 723: The Essentials of Screenwriting with Pilar Alessandra

IFH 723: The Essentials of Screenwriting with Pilar Alessandra

Pilar Alessandra is the director of the screenwriting and TV writing program On the Page®, host of the popular On the Page Podcast and author of the top-selling book “The Coffee Break Screenwriter.”Pilar started her career as Senior Story Analyst at DreamWorks SKG and, in 2001, opened the On the Page Writers’ Studio in Los Angeles. Her students and clients have written for The Walking Dead, Modern Family, Grey’s Anatomy, Lost and Family Guy. They’ve sold features and pitches to Warner Bros, DreamWorks, Disney and Sony and have won the prestigious Nicholl Fellowship, Austin Screenwriting Competition and Warner Bros. TV Writing Workshop.In addition to her private classes taught out of the On the Page Writers’ Studio, Pilar has trained writers at DreamWorks, Disney Animation, ABC, CBS and regularly moderates the Pitch Conference at the American Film Market. Pilar has traveled the world teaching in London, Dublin, Beijing, Warsaw, Lisbon and Cape Town, training writers, animators, producers and show runners in the art of writing, story telling and pitching.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

31 Loka 202358min

IFH 722: The Art of Television Showrunning with Steve DeKnight (Marvel's Daredevil, Spartacus)

IFH 722: The Art of Television Showrunning with Steve DeKnight (Marvel's Daredevil, Spartacus)

Showrunning is a mysterious art form to many so I wanted to bringing he someone who can shine a light on what it takes to be one. Today on the show we have powerhouse show runner, writer, director, producer, and all-around good guy Steven Deknight. Best known for his work across the action, drama, and sci-fi genres on TV shows like Smallville, Spartacus, Daredevil, Buffy the Vampire Slayer, Angel, and Jupiter's Legacy.Realizing his strengths early on in his career, Steven is a jack-of-all-trades who studied acting at the onset of film school transitioned through to writing, playwright, and screenwriting. Buffy the Vampire Slayer was his big break - starting off as writer and story editor on the show, Deknight went on to produce 42 episodes of the Spin-off show, Angel.The vampire Angel, cursed with a soul, moves to Los Angeles and aids people with supernatural-related problems while questing for his own redemption.Steven went on to direct and co-executive produce 66 episodes of the 2001 show, Smallville which set a viewers rating record of 4.34 million viewers per episode and had an amazing 10 seasons run.The series goes along with Clark Kent through his struggles to find his place in the world as he learns to harness his alien powers for good and deals with the typical troubles of teenage life in Smallville, Kansas.In 2009, He briefly wrote, directed, and consulted on the short-lived Dollhouse series. Almost immediately after, Deknight got an offered to executive produce and write the hit sensation and everyone's guilty-pleasure, Spartacus.A fictional historical drama series inspired by, Spartacus, the show focused on Spartacus's obscure early life leading up to the beginning of historical records.We do a deep dive on how Steve brought the Marvel universe's darker and grittier character Daredevil to Netflix that help launch The Defenders superhero on the streaming giant.Blinded as a young boy, Matt Murdock fights injustice by day as a Lawyer and as a street-level superhero by night, in Hell's Kitchen, New York City.His feature-film directorial and writing debut Pacific Rim: Uprising. We go into the weeds on his experience bring a studio tentpole to the big screen while under extreme pressure and restraints.Steve was a blast to chat.Enjoy this conversation with Steve Deknight.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Loka 20231h 58min

IFH 721: The Million Dollar Mini-Movie Screenwriting Method with Chris Soth

IFH 721: The Million Dollar Mini-Movie Screenwriting Method with Chris Soth

Chris Soth developed the “Mini-Movie Method” after years of success as a Hollywood screenwriter. Chris has multiple projects in development at major Hollywood studios. This master storyteller is also an expert in pitching and selling - necessary tools for a screenwriter in Hollywood.Chris holds an MFA in screenwriting and a BA in Dramatic Literature. He is the only seminar instructor whose work has been produced by a major Hollywood studio.MILLION-DOLLAR SCREENWRITING presents a method of story design that is easy to understand and easy to do, The Mini Movie Method! This is the key to unlocking your future as a working screenwriter in Hollywood. It turns writing into an effortless, step-by-step process and makes beginners into experts and experts into masters of the craft. The secret to successful screenwriting has finally arrived: The Mini-Movie Method!-THE MINI-MOVIE METHOD WAS INVENTED FOR MOVIES!-When the film was born story changed forever. Traditional “Three-Act Structure” was invented for the theater, but movies are shot, edited, and projected on “reels.” Each reel contains its own piece of the story, like chapters of a novel called “sequences” or “Mini-Movies.” The Mini-Movie Method is a way of “sequencing” your story that is specifically designed for movies, tailored to movies, and unique to movies because The Mini-Movie Method was CREATED for movies.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Loka 20231h 40min

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