IFH 432: From Film Editor to Billion-Dollar Director with Raja Gosnell

IFH 432: From Film Editor to Billion-Dollar Director with Raja Gosnell

Today on the show we have director Raja Gosnell. He directed comedy classics like Big Momma's House starring Martin Lawrence, Never Been Kissed starring Drew Barrymore, and Yours, Mine & Ours starring Dennis Quaid.

Raja is best known as the director who brought not one but two beloved children's cartoons to the big screen, Scooby-Doo and The Smurfs. We also discuss the original vision that Raja and writer James Gunn had for Scooby-Doo. Let's say we finally understand why Scoob and Shaggy always had the munchies.





He also directed the relatively low-budget runaway hit Beverly Hills Chihuahua. Raja's films have grossed almost $2 billion at the worldwide box-office.

Raja wasn't always a director, he started his film career as an assistant editor in the late 1970s. His first credit as a film's main editor was the romantic comedy The Lonely Guy (1984), for director Arthur Hiller. During the 1980s, Gosnell served as editor in films directed by Tom Laughlin, David Worth, Bob Dahlin, Bert Convy, Christopher Leitch, Annabel Jankel, Rocky Morton, Phillip Schuman, and Chris Columbus.

For Chris Columbus he edited the comedy film Heartbreak Hotel (1988), which features a 1970s teenager kidnapping singer Elvis Presley, to bring home as a gift for his mother. During the 1990s, Gosnell would serve as editor in several more films by Columbus.

The 1990s started with Gosnell working as an editor in two high-profile projects: Pretty Woman (1990) by Garry Marshall, and Home Alone (1990) by Chris Columbus. Both turned out to be among the major hits of the year 1990. He then worked in the Columbus films Only the Lonely (1991), Home Alone 2: Lost in New York (1992), Mrs. Doubtfire (1993), and Nine Months (1995).

Raja and I discuss his remarkable career as an editor, why he jumped to directing, and why he choose to do the thing everyone says not to do direct children and animals. I had a ball talking shop with Raja.

We also discuss his remarkable new film Gun and a Hotel Bible, which he co-directed with Alicia Joy LeBlanc.

Based on an award-winning play, GUN AND A HOTEL BIBLE is the story of a young man on the verge of a violent act (Pete) and his encounter with a personified hotel bible (Gideon). Can Gideon sway Pete before Pete pulls the trigger?

Enjoy my conversation with Raja Gosnell.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(979)

IFH 813: Building Films from Scratch: Mastering Microbudget Movie-Making with Evan Kidd

IFH 813: Building Films from Scratch: Mastering Microbudget Movie-Making with Evan Kidd

Evan Kidd is a passionate indie filmmaker who believes great stories don’t need big budgets—just big heart. In this episode, he shares how he created his feature film Son of Clowns using the resources he already had: friends, favors, and faith in the process. With a deep respect for collaboration, Evan emphasizes the importance of building a reliable team, staying grounded, and keeping ego out of the equation. His filmmaking philosophy leans heavily on authenticity, transparency, and making the most of real-world environments, often embracing the beautiful chaos that unfolds on set. Throughout the conversation, Evan offers wisdom for creatives struggling with fear and perfectionism. He encourages filmmakers to stop waiting for ideal circumstances and start where they are, even if that means running sound themselves or rewriting scenes to fit accessible locations. “Filmmaking is just a big game of improvisation,” he says, reminding us that adaptability and passion are more powerful than money. His journey is a heartfelt lesson in making art that matters—without asking permission.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

29 Heinä 20251h 2min

IFH 812: How Tremors turned into a Masterclass in Storytelling with S.S Wilson

IFH 812: How Tremors turned into a Masterclass in Storytelling with S.S Wilson

In this episode, screenwriter and filmmaker S.S. Wilson shares the behind-the-scenes journey of creating the cult classic Tremors, revealing how creative limitations, meticulous story structure, and a deep respect for character and sound design brought the film to life. From his writing process with partner Brent Maddock to the evolution of the Tremors franchise and his advice for aspiring filmmakers, Wilson offers a masterclass in crafting compelling, low-budget cinema with heart and precision.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

22 Heinä 202538min

IFH 811: How Pixar’s Story Secrets Can Transform Your Filmmaking Process with Brit Cruise

IFH 811: How Pixar’s Story Secrets Can Transform Your Filmmaking Process with Brit Cruise

Brit Cruise—educator, filmmaker, and producer of Pixar in a Box—takes us on a journey through the fusion of storytelling, science, and education. From his early days editing videos with dual VCRs to his innovative work at Khan Academy, Brit reveals how deep focus, analog creativity, and a love for explanation helped shape his approach to teaching complex subjects through immersive visuals. With storytelling as the core, he shares how each lesson in Pixar in a Box connects school-taught concepts like math and physics to the movie magic of Pixar, showing students that what they learn can have real, creative application. Throughout the conversation, Brit explores his philosophy that creativity is “the ability to deal with unknowns,” emphasizing iteration, structure, and the power of simplicity. He also gives us a glimpse into the upcoming storytelling curriculum at Pixar in a Box, where students will storyboard their own shorts from scratch. For filmmakers, educators, and curious minds alike, this episode is a masterclass in how to bring clarity, authenticity, and joy into the learning and creative process.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

15 Heinä 202552min

IFH 810: The No-Excuses Filmmaking Philosophy of Len Kabasinski

IFH 810: The No-Excuses Filmmaking Philosophy of Len Kabasinski

Len Kabasinski shares his journey from childhood dreams of monsters and martial arts to becoming a prolific force in the world of independent B-movie filmmaking. He recounts the origins of his first feature Swamp Zombies, revealing how a passion for horror and action films, coupled with sheer determination and minimal resources, propelled him into the director’s chair. With stories of on-set challenges, like actors no-showing and rewrites done on the fly, Len highlights the resourcefulness required to survive and thrive in the micro-budget world. His deep respect for martial arts and love for genre films shine through as he explains how even his earliest projects were fueled by vision, grit, and a DIY spirit. As the conversation unfolds, Len Kabasinski reflects on the evolution of his filmmaking, from improving technical aspects like sound and lighting to writing scripts that align with available resources. He discusses working with cult personalities like Dan Severn and Jasmine St. Claire, and how casting is not just about fame but about attitude and collaboration. Looking forward, he shares excitement about upcoming projects like Hellcats Revenge and Challenge of the Five Gauntlets, emphasizing his desire to showcase his martial arts roots in full force. Throughout, Len remains grounded, humble, and fiercely committed to telling the stories he believes in—proving that true creativity doesn’t wait for permission.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Heinä 202553min

IFH 809: No Budget, All Hustle: The Filmmaking Grind of Staci Layne Wilson

IFH 809: No Budget, All Hustle: The Filmmaking Grind of Staci Layne Wilson

In this colorful and deeply personal episode, Staci Layne Wilson shares her remarkable journey from a childhood surrounded by Hollywood legends and horseback riding to becoming an award-winning filmmaker and bestselling author. Born and raised in Los Angeles to a famed musician father (Don Wilson of The Ventures) and a glamorous pin-up model mother, Staci’s life has always been steeped in creativity. Yet, her entrance into filmmaking wasn’t planned—it evolved naturally through her work as a horror novelist and entertainment journalist. With a passion for storytelling and a love for visual style, she eventually directed short films and features that showcase her unique blend of artistry, grit, and genre flair. Throughout the conversation, Staci Layne Wilson reflects on the confidence she gained through small, creative victories, her experiences navigating the film world as a woman, and her desire to tell authentic stories—whether through film or memoir. Her book So L.A. offers a humorous yet heartfelt look into her unconventional upbringing, filled with wild stories like meeting Malcolm McDowell weekly or being invited to the Playboy Mansion as a teenager. With future projects on the horizon, including a documentary on her father’s legendary band, she continues to blend past and present into meaningful art that captures the spirit of Hollywood’s golden oddities.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

1 Heinä 202543min

IFH 808: Behind the Screams: How Shae Smolik Brought The Hatred to Life!

IFH 808: Behind the Screams: How Shae Smolik Brought The Hatred to Life!

Shae Smolik, a talented young actress from Iowa, shared her journey from local modeling to leading a feature film in Los Angeles. Starting with commercials and gradually advancing to TV and web series, Shae embraced each step with enthusiasm and resilience. Her audition technique—spontaneous and emotionally driven—reflects an innate gift for performance. This approach helped her land the lead role in the horror film The Hatred, a major milestone that showcased her ability to handle complex, emotionally intense scenes at a young age.On set, Shae demonstrated a level of professionalism and presence that many seasoned actors strive for. She spoke candidly about initially feeling overwhelmed by the scale of a professional film production, but quickly adapted, delivering performances that resonated with both cast and audience. Her advice to fellow young actors is to stay authentic, enjoy the process, and never fear mistakes—because there's always another audition, and the heart of acting lies in being true to yourself.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Kesä 202524min

IFH 807: Making Your Own Damn Movies: Inside Dave Campfield’s Troma-Fueled Filmmaking Path

IFH 807: Making Your Own Damn Movies: Inside Dave Campfield’s Troma-Fueled Filmmaking Path

When two Daves walk into a podcast, you don’t expect to stumble upon a meditation on art, failure, persistence, and horror-comedy. But that’s exactly what happened in this electric and delightfully unfiltered conversation with Dave Campfield, a filmmaker, actor, and host of the Troma Now Podcast, best known for his work in the cult Caesar and Otto comedy-horror film series.Dave Campfield is a fiercely independent filmmaker whose journey from a now-defunct film college in New Mexico to directing his own cult horror satires has been a long and winding road paved with hustle, humor, and horror.We start in the sand-colored surrealism of Santa Fe, where adobe buildings and the ghost of City Slickers set the stage for Dave’s early filmmaking dreams. In the land of tumbleweeds and tumble-down gym studios turned sound stages, Dave cut his teeth not just on film but on the art of adaptation.The college no longer exists, but the memories—like chalk lines under studio lights—remain vivid in his story. “It was like going to school on Tatooine,” he says, laughing, but behind that joke is a bittersweet nod to the ephemeral.From there, Dave walks us through the illusion of success—early meetings with Universal and New Line Cinema where hopes were dangled like carrots in front of eager young dreamers. The industry, he quickly learned, speaks its own coded language: familiarity, marketability, and sometimes, plain deception. One mentor told him to “say you're young, from the streets, and have a dark comedy,” regardless of truth. Dave gave it a shot but came away with the haunting realization that "they were intrigued enough to keep me on leash, but not enough to make it happen."That experience seeded his first real film, “Dark Chamber,” a mystery-horror project which deliberately bucked slasher formulas. It took five years to make—five years of blood, sweat, and overdrafts. And yet, when the studios responded with, “We wanted something more familiar,” Dave knew he was swimming upstream. Still, he sold the film to a small distributor, endured its repackaging as something it wasn’t, and got it onto Netflix. A win—just not the one he envisioned.But here’s the heart of it all: Dave didn’t stop. He pivoted, not with bitterness, but with evolution. “I decided I wasn't going to be one of those people waiting for opportunity. You had to make it happen on your own.” And so, he leaned into comedy horror—a genre he describes as “Abbott and Costello meet Frankenstein, but for the splatter generation.” Thus, Caesar and Otto were born: two absurdly lovable doofuses bumbling their way through massacres, monsters, and paranormal mayhem.One of Dave’s secret weapons is loyalty to what’s real. Whether recounting how Lloyd Kaufman forgot him (then remembered) or editing commercials for the Philadelphia Pet Expo, he keeps a kind of grounded magic about his craft. He shares a deeply personal new project, “Awaken the Reaper,” born from a decade of introspection and struggle, calling it “the most personal thing I’ve ever written.” He says, “It’s about being stuck—feeling like every day you’re not moving forward—and finally getting out of your own way.”All along, Dave’s been quietly building a reputation for casting future stars before they break—Trey Byers (Empire), Peter Scanavino (Law & Order)—and hosting a podcast that thrives not just because of brand synergy with Troma, but because he genuinely knows how to talk to people. “They’ve never rejected an episode,” he remarks. “I tease Troma a lot, and they’re always game. It’s a beautiful collaboration.”The conversation wraps not with grandiosity, but a recognition that even the smallest cult followings can keep a creator going. “My fanbase is small, but intense,” Dave says with pride. “I can rattle them off on two hands.” Maybe that’s enough. Maybe that’s everything.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Kesä 202557min

IFH 806: Shooting Sharks in Your Living Room: The Art of DIY Filmmaking with Ron Bonk

IFH 806: Shooting Sharks in Your Living Room: The Art of DIY Filmmaking with Ron Bonk

In this episode, we dive into the wild, wonderful world of Ron Bonk, an indie filmmaker and founder of SRS Cinema known for the cult horror-comedy House Shark. Ron shares his journey from studying accounting and criminal justice to becoming a self-taught director, driven by a passion for storytelling and a deep love for genre cinema. With no Hollywood backing, Ron used camcorders, community college equipment, and his own home as a film set to bring his visions to life. House Shark began as a joke about roof noises and turned into a full-blown production that he wrote, directed, and shot over a year. His philosophy? Use what you have, stay true to your weird ideas, and don't be afraid to break the rules. He talks about the challenges and joys of indie filmmaking, how crowdfunding works behind the scenes, and why authenticity matters more than perfection. As Ron puts it, “You tell people whatever they need to hear in order to keep shooting.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Kesä 202558min

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