IFH 469: Hemingway and the Art of the Documentary with Lynn Novick

IFH 469: Hemingway and the Art of the Documentary with Lynn Novick

I am a huge fan of today’s guest. Since seeing one of her first documentaries, I was transfixed by her power of storytelling. Our guest is an Emmy and Peabody award-winning documentary filmmaker, Lynn Novick---a formidable and respected PBS documentary filmmaker with thirty-plus years of experience in the business.

Her archival mini and docu-series documentaries bring historically true events to the big screen alongside her filmmaking partner, Ken Burns.

You’ve most likely seen some of her landmark documentary films. The likes of Vietnam (2017), TV Mini-Series documentary The Civil War (1990), College Behind Bars (2019), eighteen hours mini-series, Baseball (2010), and many more.

Just this year, the pair premiered their latest co-produced and co-directed three parts documentary on PBD---recapitulating the life, loves, and labors of Ernest Hemingway. The series explores the painstaking process through which Hemingway created some of the most important works of fiction in American letters.



Novick is an experienced-learned documentary filmmaker. In the mid-1980s, she applied to film school but did not pursue that lane when she couldn’t find a documentary filmmaking-specific program. Instead, she sought out apprenticeships. Starting at the PBS station in New York City WNET, for six months. And then worked for Bill Moyers as an assistant producer on a series of projects, including her debut production in 1994 with Joseph Campbell and the Power of Myth, followed by A World of Ideas with Bill Moyers, etc.

The Civil War is a comprehensive survey of the American Civil War.





Novick’s decades-long collaboration with Ken Burns emerged in 1989 and has led to the co-production of a number of renowned docu-series. First, there was the highly acclaimed ‘The Civil War’ which traced the course of the U.S. Civil War from the abolitionist movement through all the major battles to the death of President Lincoln and the beginnings of Reconstruction.

Her vast experience as a researcher comes in handy on these kinds of projects, she explains during our convo.

She won an Emmy Award in 1994 for producing the Baseball documentary and won a Peabody Award in 1998 for her co-directing and co-producing of Frank Lloyd Wright's documentary.

Baseball covers the history of the sport with major topics including Afro-American players, player/team owner relations, and the resilience of the game.

Other must mention include multi-Emmy nominations documentary ‘Prohibition’, The Vietnam War, Jazz, and Novick’s first solo directing, College Behind Bars (2019).

College Behind Bars explores urgent questions like What is the essence of prisons? Who in America has access to educational opportunities? Six years in the making, the series immerses viewers in the inspiring and transformational journey of a small group of incarcerated men and women serving time for serious crimes, as they try to earn college degrees in one of the most rigorous prison education programs in America – the Bard Prison Initiative (BPI)


Novick is one of those filmmakers who have combed through an obscene amount of knowledge and understanding of documentary films. I have a feeling you will enjoy this chat as much as I did.

Enjoy my conversation with Lynn Novick.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(979)

IFH 076: How to Blaze Your Own Path in the Film Industry

IFH 076: How to Blaze Your Own Path in the Film Industry

How to Blaze Your Own Path in the Film IndustryHave you been banging your head against the wall trying to figure out what you need to do to break into the film industry? Me too. This episode  is dedicated to all the indie filmmakers out there trying to make a living as a filmmaker. After studying so many success stories of directors, writers, producers, and actors who finally broke through and made it into the exclusive party I found one common denominator among every single one of them. I discuss that truth and make a major announcement to the Indie Film Hustle Tribe about what I'll be doing over the next year and how it applies to the topic of "Blazing Your Own Path in the Film Industry."If your a bit lost or just keep running into walls trying to make it as a filmmaker then this is the podcast you need to listen to. I hope you find some value in it. Good luck!Right click here to download the MP3LINKS AND RESOURCES MENTIONED IN THIS EPISODEIndie Film Hustle's FULL ACCESS MembershipTHIS IS MEG Launch TeamJill Michele-MéleanVideoBlocks (Stock Footage - IFH Discount)IFH Online Film School - 30% OFF DiscountIFH 069: Michael Polish – How to Make Money Selling a No Budget DSLR Indie FilmFor Lovers OnlyFreeFilmBook.com (Your FREE Audio Book)Six Secrets to get into Film Festivals for FREE!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Touko 201626min

IFH 075: GUT CHECK! What Does It Really Take to Make in Hollywood with Sebastian Twardosz

IFH 075: GUT CHECK! What Does It Really Take to Make in Hollywood with Sebastian Twardosz

Every once in a while we all need to get a gut check. A "gut check" is when some new situation, or in this case knowledge, that tests your belief on what it takes to achieve your goal.I invited Sebastian Twardosz to give us that gut check and lay down some major knowledge bombs on the Indie Film Hustle Tribe. Now Sebastian has been playing the Hollywood game for close to two decades and has ranked up some major experience. Hollywood and the film business in general is a "relationship business". Here's what Sebastian said:"Some of you will be successful and some of you will be less successful—it’s a numbers game, but regardless of the stats, you will likely fail if you don’t help each other."Sebastian Twardosz’s first production job was from 1995-1999 for Tom Cruise and Paula Wagner’s Paramount-based company where he started as an assistant and was promoted to executive, actively participating in the making of Mission Impossible 1-2 and Without Limits.Like many hopefuls wanting to get into the film biz, Sebastian Twardosz started as an agent's assistant in the motion picture department at ICM. He graduated from the USC School of Cinematic Arts in 1993. His short film, Silent Rain, received a Student Academy Award from the Academy of Motion Picture Arts and Sciences as well as the Student Emmy.Sebastian co-produced the independent feature Small Town Saturday Night starring Chris Pine, and he has been an adjunct professor at both UCLA and USC Film Schools teaching about the art and business of film since 2006.He also hosted a weekly show called The Insiders which aims to shed light on the “behind-the-scenes world of Hollywood” for aspiring filmmakers. Sebastian is currently a partner in Circus Road Films, which advises and represents emerging filmmakers. Take a listen to this eye opening interview.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Touko 20161h 12min

IFH 074: How to Make Money TODAY Selling Your Short or Feature Film with Amazon Video Direct

IFH 074: How to Make Money TODAY Selling Your Short or Feature Film with Amazon Video Direct

We making money selling your short film, feature film or web series just got a whole lot easier. Amazon.com has thrown it's hat into the Independent creators VOD ring with the launch of Amazon Video Direct.This move is designed to go head to head with Google's YouTube for video-ad dollars. as well as going after other juggernauts like Facebook and Vimeo.Amazon Video Direct has four distribution options for its creators.Filmmakers can make their films available to Prime Video subscribers and receive a per-hour royalty feeFilms or Series can be sold as a subscription through the Streaming Partners ProgramFilms can be made available for digital rental or purchaseFilms can be made available to ALL Amazon customers for free with ads, and filmmaker would receive a 55% share of the ad revenue (exactly as they do on YouTube).Take listen for the lowdown. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

16 Touko 201610min

IFH 073: Film Gear in Cinematography Today with Ernesto Lomeli

IFH 073: Film Gear in Cinematography Today with Ernesto Lomeli

Film Gear in Cinematography Today with Ernesto LomeliOh, the dilemma! What film gear should I use for my film? Which camera will give me the look I want for my project? What gear can I afford? Well as I've said before:"Film gear does not make a movie, the story does. No one ever won Sundance or an Oscar® because they used the latest and great film gear. They won because of, you guessed it, story."With that said choosing the right film gear for your film is important. You need to have the right paint brush and not nesseraly the most expensive or newest paint brush to create your opus. I thought it would be interesting to have cinematographer Ernesto Lomeli  on the show. He's one of the most technical film geeks I know. Ernesto shares a bunch of knowledge bombs with us in this interview and discusses what film gear to get and what you really need to make your project sing!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Touko 20161h 22min

IFH 072: How Marketable is Your Film Idea or Screenplay?

IFH 072: How Marketable is Your Film Idea or Screenplay?

How Marketable is Your Film Idea or Screenplay?So how marketable is your film idea or screenplay? I know so many screenwriters and filmmakers who spend months and sometimes years on an idea that is cool to just themselves. Depending on what you are attempting to achieve with your story, you should always figure out if you idea is marketable or if you have a fighting chance of selling the screenplay or final film. Paul Castro, the writer of the Warner Brothers feature film August Rush (Starring Robin Williams) shares with us his thoughts on how to test and find marketable ideas. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Touko 201612min

IFH 071: Save the Cat – Screenwriting Story Structure Made Easy

IFH 071: Save the Cat – Screenwriting Story Structure Made Easy

Why would you want to ‘Save the Cat’? If you are a screenwriter or aspiring one you should of heard by now of Blake Snyder’s game changing screenwriting book.In his 20-year career as a film producer and screenwriter, Blake Snyder sold dozens of scripts, including co-writing Blank Check, which became a hit for Disney, and Nuclear Family for Steven Spielberg — both million-dollar sales. Named “one of Hollywood’s most successful spec screenwriters,” Blake sold his last screenplay in 2009.His book, Save the Cat!® The Last Book on Screenwriting You’ll Ever Need, was published in May, 2005, and is now in its 24th printing. When I read this book it really had an impact on my storytelling and screenwriting.Thankful Blake was not done and apparently it was not quite the last book on screenwriting you’ll ever need, as the eagerly awaited sequel, Save the Cat!® Goes to the Movies: The Screenwriter’s Guide to Every Story Ever Told, was published in October, 2007 — shooting to #1 in the Screenwriting and Screenplay categories on Amazon.com. Blake’s third book, Save the Cat!® Strikes Back: More Trouble for Screenwriters to Get Into… And Out Of, was published in November, 2009.Blake’s method has become the “secret weapon” of many development executives, managers, and producers for its precise, easy, and honest appraisal of what it takes to write and develop stories that resonate. Save the Cat!® The Last Story Structure Software You’ll Ever Need has codified this method. Blake passed unexpectedly in 2009 but the Save the Cat community carries on Blake’s work.I had the pleasure of interviewing one of Blake’s main pupils Jose Silerio. Jose is carrying the torch of Blake’s work and travels around the world well…saving the cat.Enjoy my informative interview with Jose Silerio.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Touko 20161h 11min

IFH 070: A Filmmaker's Focus - Podcast Interview with Alex Ferrari

IFH 070: A Filmmaker's Focus - Podcast Interview with Alex Ferrari

So this week I'm doing something different. I occasionally get asked to be guest on other people's podcasts. In these podcast I go over topics I might not of spoken about on the IFH Podcast in the past so to mix things up, with the permission of the hosts,  I'll be uploading bonus episodes with these interviews.In my effort to bring you more value I think you'll enjoy these interviews. First up is my interview with Doc Kennedy from the Filmmaker's Focus Podcast. This interview was a ton of fun. Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Touko 20161h 3min

IFH 069: Michael Polish - How to Make Money Selling a No Budget Indie Film

IFH 069: Michael Polish - How to Make Money Selling a No Budget Indie Film

I'm always looking for indie filmmaking models to study. I like to analyze how other filmmakers make successful indie films while doing through a new DIY method, self distributing their film or achieving critical and fan respect for their work.Well I found a film that checks all the boxes, For Lovers Only create by the Polish Brothers, Michael and Mark Polish (more on that film later). These filmmakers have been making films, on their terms, for over a decade now.Since premiering at Sundance with their debut feature, 1999's Twin Falls Idaho, the brothers have remained steadfast in their commitment to creating personal, character-driven films.How does one make money shooting a feature film on a DSLR? The film in question came from a screenplay that Mark Polish wrote more than a decade ago called For Lovers Only, about an American photographer who runs into an old flame while on assignment in Paris. The film follows the rekindled lovers around Paris, France in a series of quiet vignettes that gradually reveal more about the complications in the couples' lives.Related: DSLR Video Tips: How to Make Your DSLR Film or Video Look More CinematicInspired by the guerilla style of the French New Wave filmmakers of yesteryear, Mark and Michael Polish came up with a simple plan: they'd fly over to France with only a Canon 5D Mark II camera (which they already owned) and one actress (Castle star Stana Katic) in tow and just go out and shoot feature film. Oh did I mention it was in black and white?Michael Polish sat down with me for an amazing interview about his filmmaking life, Hollywood and what it means to be an artist.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

27 Huhti 20161h 35min

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