IFH 544: Filmmaking Lessons: The Art of Adaptation with Joe Wright

IFH 544: Filmmaking Lessons: The Art of Adaptation with Joe Wright

Today on the show we have Oscar® nominated filmmaker Joe Wright.

Joe has established himself as one of Hollywood’s top directors with his rare ability to captivate global audiences through his extraordinary cinematic craft.

Most recently, Wright directed the psychological thriller THE WOMAN IN THE WINDOW, starring Amy Adams, Julianne Moore, and Gary Oldman. The film follows an agoraphobic psychologist whose life is turns upside down when a befriended neighbor suspiciously disappears. The film was released by Netflix in May 2021.

Previously, Wright directed the war drama the Academy Award winning film DARKEST HOUR. Written by Anthony McCarten and starring Gary Oldman as Winston Churchill, the film follows Churchill’s early days as the British Prime Minister during World War II. At the 90th Academy Awards, the film earned four nominations, including ‘Best Picture’ and won for ‘Best Actor’ and ‘Best Makeup and Hairstyling’. The film was also additionally nominated for nine BAFTA Awards including ‘Best Film’ and ‘Best British Film’, four Critics Choice awards, and a Golden Globe award.

Wright made his directorial debut in 2005 with the critically acclaimed film PRIDE & PREJUDICE. Starring Keira Knightley, Matthew Macfadyen and Donald Sutherland, the film was adapted from the Jane Austen novel of the same name and garnered commercial and critical success.

Wright received the BAFTA Award for ‘Most Promising Newcomer’ and also won the ‘Best Director of the Year’ award from the London Film Critics Circle. The film also received an additional five BAFTA nominations including ‘Best Screenplay-Adapted’, four Academy Award nominations including ‘Best Actress’ for Knightley and ‘Best Original Score’ and two Golden Globe nominations including ‘Best Film’.

His sophomore directorial feature was an adaptation of Ian McEwan’s ATONEMENT, which was released in 2007 by Universal Pictures. Reuniting with Keira Knightly and also starring James McAvoy and Saoirse Ronan, the film opened the 64th Venice International Film Festival, making Wright the youngest director to ever open the event.

The film went on to receive thirteen BAFTA Award nominations in major categories including ‘Best Director’ for Wright and ultimately won for ‘Best Film’. At the 80th Academy Awards the film also picked up seven nominations including ‘Best Picture’ and won for ‘Best Original Score’ and earned seven nominations at the Golden Globes, winning ‘Best Motion Picture – Drama’ and ‘Best Original Score’.

In 2012, Wright released his film adaption of Leo Tolstoy’s historical romantic drama ANNA KARENINA, which first premiered at the Toronto Film Festival. Marking his third collaboration with Keira Knightley, the film depicts the tragedy of Russian aristocrat and socialite ‘Anna Karenina’, whose affair with ‘Officer Count Vronsky’ leads to her ultimate demise.

His adaptation earned four nominations at the 85th Academy Awards, six nominations at the BAFTA Awards including ‘Best British Film’, a Golden Globe nomination, and two Critics Choice Awards.

Additional filmmaking credits include the 2015 prequel PAN starring Hugh Jackman; the 2011 action thriller HANNA with Saoirse Ronan; and the 2009 drama THE SOLOIST starring Jamie Foxx and Robert Downey Jr.

His new film is the magical Cyrano starring Peter Dinklage, Haley Bennett, and Kelvin Harrison Jr.

Too self-conscious to woo Roxanne himself, wordsmith Cyrano de Bergerac helps young Christian nab her heart through love letters. This musical adaptation of Edmond Rostand's classic play tells the story of Cyrano de Bergerac as he pines for the affections of the beautiful Roxanne, who has fallen in love with another man named Christian de Neuvillette. Though Cyrano understands that his social status and physical appearance will forever keep him apart from his lady love, he offers his skills as a gifted poet to Christian in an effort to bring the two lovers together once and for all.

Enjoy my enlightening conversation with Joe Wright.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(979)

IFH 155: What the Heck is a Line Producer with Sevier Crespo

IFH 155: What the Heck is a Line Producer with Sevier Crespo

What the Heck is a Line Producer with Sevier CrespoI've been asked by the tribe to do a show on what the heck is a line producer. Ask and you may receive. Today's guest is Line Producer Sevier Crespo. Sevier is line producer that works in the indie film world. He knows how to handle lower budgets and get the most out of them.According to Wikipedia: a line producer is a type of film producer who is the key manager during daily operations of a feature film, television film, or an episode of a TV program. A line producer works on one film at a time. They are responsible for human resources and handling any problems that come up during production.I wanted to have Sevier on the show to really go over how a good line producer can help you on your productions. He's been around the biz for years working with legends like Jerry Bruckheimer, Michael Mann, Ridley Scott, Tony Scott and Joe Petka to name a few. Here's some info on today's guest. Producer Sevier Crespo, p.g.a., is a dynamic force in film and television production, known in the industry as the man who conquers impossible circumstances to bring projects in on schedule and on budget. Accolades for his projects include BEST AMERICAN COMEDY at the NY International Film Festival, TV GUIDE’s Hot List (the only web series to make the list), a Parents’ Choice Award, and a Mom’s Choice Award. And it’s no wonder since he learned the ropes from heavyweights, Jerry Bruckheimer and Michael Mann.Crespo may have cut his teeth on sequels to “Bad Boys” and “Chainsaw Massacre,” but $5-million-and-under budgets are where Crespo really shows his prowess. He developed, created, wrote, produced, line produced and acted in “Jackers” with a budget of $50k. The feature film grossed $500k in its first quarter and has taken in over $5 million since. Crespo also saved a film that was $60k in the hole (with a budget of $225k) and brought it in on budget and on schedule. And when he delivered an NBC pilot (starring Mandy Moore and James Roday) on time and on budget too, he was not only praised for an LA/NY shoot with the micro-budget, but also literally shocked a network exec over the project, who looked him straight in the eye and said, “How the fuck did you manage to do that?”Crespo studied production at UCLA and learned the ropes under the tutelage of Robert Townsend and director Sam Bayer at Ridley Scott’s RSA USA, Inc. He’s since worked with such global brands as Adidas, Coca-Cola, Nike, Marlboro, Mitsubishi, NBC, and Netflix – to name a few. Tapping back into his latin roots, Sevier worked alongside Danny Trejo in the comedy “Pendejo” and the upcoming feature “Deceived” (2017).Enjoy my conversation with Line Producer and Producer Sevier Crespo.LINKS AND RESOURCES MENTIONED IN THIS EPISODESevier Crespo - IMDBSevier Crespo - WebsiteTwitterFacebookSPONSORSHollywood Film & Television Directing Masterclass (30% OFF)Directing Actors Master Course – (30% OFF – CODE: HUSTLE)Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - DistribberHollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)Werner HBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Touko 20171h 10min

IFH 154: How to Direct the Character, Not the Actor with Mark Travis

IFH 154: How to Direct the Character, Not the Actor with Mark Travis

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he’ll be on the show soon). Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here’s a bit on The Travis Technique.Acting is too often just pretending. And most directing is demanding and controlling and result oriented.  And consequently, the final product suffers. But it doesn’t have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences.  The Travis Technique is an organic approach to directing actors that is guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget.  In the last 20-years the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.When actors, directors and writers use the Travis Technique, it’s not just a performance anymore.  It becomes REAL!   The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.Recommended by Hollywood’s top brass: Mark Rydell, Art Seidelman, Randal Kleiser, George Tillman, Asaad Kelada, Jan Eliasberg, John Badham and other A-listers. For over 20-years Mark Travis has been sharing his award-winning techniques on writing, acting and directing worldwide.Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master.  They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis’ workshops and seminars have covered the entire filmmaking process including: all stages of preparation, pre-production, production, and post-production.  Mark has been instrumental in launching successful directorial careers in the US and internationally.Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.Enjoy my conversation with Mark Travis.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Huhti 20171h 56min

IFH 153: Why You Need to Get Off Your Ass NOW & Make Your Film

IFH 153: Why You Need to Get Off Your Ass NOW & Make Your Film

Why You Need to Get Off Your Ass NOW & Make Your FilmI think the title speaks for itself. Every once in a while I need to hear some stories that inspire me to get off my ass and make sh*t happen. I hope this episode helps inspire you to get off your ass and make your film happen!Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube ChannelLINKS AND RESOURCES MENTIONED IN THIS EPISODEHow to make a $1,000 Feature Film with Jay & Mark DuplassJoe Swanberg: How to Shoot & Sell Six Feature Films in a Year!SPONSORSDirecting Actors Master Course – (30% OFF – CODE: HUSTLE)Get Your Film on Netflix, Hulu & Amazon & Keep 100% off the Revenue - DistribberHollywood Camera Work: Mastering High-End Blocking and Staging (30% OFF – CODE: HUSTLE)Aaron Sorkin Screenwriting Master ClassHans Zimmer Film Scoring MasterClassKevin Spacey Acting Master ClassFreeFilmBook.com (Download Your FREE Filmmaking Audio Book)Hulu PlusKILLER RESOURCES!!!INDIE FILM SYNDICATE Filmmaking CommunityIFH's Online Film SchoolSix Secrets to get into Film Festivals for FREE!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Huhti 201720min

IFH 152: How to Build an 8 Million Following YouTube Empire with RocketJump's Dez Dolly

IFH 152: How to Build an 8 Million Following YouTube Empire with RocketJump's Dez Dolly

How to Build a YouTube Empire with RocketJump Co-Founder Dez DollySo I want you to get ready for an epic podcast. Have you ever been surfing through Youtube and come across a channel with 5, 8, 10 million followers and ask yourself:"How the hell did they build that audience?"I do all the time. Over the last year, I've had the pleasure of working on a killer new show called Dimension 404 for Hulu and Lionsgate. The series is created and produced by the boys over at Rocket jump. Now, Rocketjump is one of those Youtube channels with 8 million followers I was talking about. I had the opportunity to sit down with on of the co-founders of Rocketjump and show runner of Dimension 404 Dez Dolly.Here some more info on Dez Dolly:Desmond Dolly is a writer, director, producer who got his start in the industry selling TVs at an Indiana Best Buy. After graduating USC Film School - Dez wrote and directed an independently financed feature film, Champion of Glory, while climbing the ranks as a commercial director & editor. Building a post production company from the ground up, Dez cut his teeth on AAA ad campaigns, boasting a client roster that includes Google, Viacom, Warner Brothers, Fox, Visa, Kraft, Dodge, Samsung, and AT&T, to name a few.In 2010, Dolly partnered with film school classmates Freddie Wong and Matt Arnold to form the digital production company and entertainment banner, RocketJump.com. There, Dez and his partners pioneered new forms of online video, bringing professional content to the YouTube platform. Their culturally influential viral videos have accumulated over 7 million subscribers and tallied over one billion views, making Dez one of the most watched video directors on the global web.The first season of his flagship web series, Video Game High School, gained over 130 million cumulative views over 21 episodes, and was named "#1Web Series of 2013" by Variety. Season 3 was heralded as a must-see People pick in 2014, and was nominated for a 2015 Producers Guild Award for Outstanding Digital Series.Dez Executive Produced and co-starred in the Hulu docu-reality series, RocketJump: The Show. In 2017, Dolly renewed his first look deal with Lionsgate and served as creator and executive producer of Hulu sci-fi anthology series, Dimension 404.Dez is a wealth of information and drops some MAJOR knowledge bombs in this episode. If you've ever wondered how you could build an audience of almost 8 million the perk up your ears and get ready to take notes.Enjoy my conversation with Dez Dolly from Rocketjump.Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube Channel Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

18 Huhti 20171h 48min

IFH 151: How to Shoot 96 Script Pages in 4 Days

IFH 151: How to Shoot 96 Script Pages in 4 Days

So after I posted the video below I was slammed by emails and messages from the IFH Tribe asking for details on how I shot 96 pages of a visual effect heavy series in just 4 days. The series is called The S.P.A.A.C.E Program and I was hired to direct and post the series by Legendary Pictures Digital and Nerdist. I decide to pump out a podcast detailing my techniques and tips on how to shoot large volumes of script pages fast. We average between 90-110 camera setups a day...CRAZY! Couldn't have done it without my amazing cast and crew. At the end of this journey, we'll have eight episodes running about 12 minutes each. I still can't believe we did it. One thing I forgot to mention in the podcast is to use fast gear. We shot on the Blackmagic Ursa Mini 4.6k which lived mostly on sticks. This is my camera of choice now as it gives you the biggest bang for your buck. We also use a Dana Dolly which made moving the camera a breeze. Take a listen to this crazy journey and I hope you can pick up some useful knowledge that will help you on your filmmaking journey.Right click here to download the MP3Download on iTunes DirectWatch on IFH YouTube ChannelBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Huhti 201722min

IFH 150: How to Launch Your Indie Film on iTunes with Brad Raider

IFH 150: How to Launch Your Indie Film on iTunes with Brad Raider

If you want to see a self-distribution pathway to get your film on iTunes and actually make some money meet writer/director Brad Raider. His film Kensho at the Bedfellow was released on iTunes this year and he shares his marketing and distribution strategy with us in this episode. With This is Meg being released on iTunes in the summer I was ALL EARS.Here's a bit about the film:A 30-something New Yorker feels trapped by his job, his ex and his family. When a beautiful childhood friend wanders back into his life, he begins to feel a glimmer of hope in his search for freedom and meaning.Two-time Best Feature Film winner at six festivals, KENSHO is a visionary, existential drama and the extraordinary directorial debut of actor / director Brad Raider. The truly independent, micro-budget film is at the heart of the conscious-cinema movement and a proud partner of the International Rescue Committee, donating a percentage of net profits to their humanitarian efforts around the world.Now on sale in iTunes: http://bit.ly/kenshoitunesEnjoy my conversation with Brad Raider.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Huhti 20171h 22min

IFH 149: Star Wars, Star Trek & Geeking Out with Greg Grunberg

IFH 149: Star Wars, Star Trek & Geeking Out with Greg Grunberg

Have you ever kept seeing an actor pop up in all your favorite films and television shows? Well, that guy is probably Greg Grunberg. I've been a fan of Greg before I knew who Greg was. Greg Grunberg has been in some of the BIGGEST films and shows of all time. Yup! Greg Grunberg has been around. He's the definition of a working actor. It's worth a listen just to hear his stories from Comic-Con and the set of Star Wars: The Force Awakens.Greg Grunberg also hosts a show with Kevin Smith called Geeking Out! Here's some more on that.Actor Greg Grunberg talks with Kevin Smith about working with J.J. Abrams and those notoriously tight 'Star Trek' uniforms. Grunberg also gives details about his new late-night AMC talk show "Geeking Out," which he hosts with pal Smith. Greg also has an amazing friendship with writer/director JJ Abrams and we go into how that relationship came to be.In this episode, Greg talks filmmaking shop, tells us stories from the set and comic cons and inspires us to never give up and keep on hustlin'. Enjoy my geek out with Greg Grunberg.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Huhti 20171h 13min

IFH 148: How to Write a Super Natural Hit Film with BeetleJuice Creator Larry Wilson

IFH 148: How to Write a Super Natural Hit Film with BeetleJuice Creator Larry Wilson

How to Write a Super Natural Hit Film with Beetlejuice Creator Larry WilsonIf you were a kid of the late 80s or early 90s then today's guest definitely had an impact on your life. Larry Wilson is the co-creator of the cult classic Beetlejuice (directed by Tim Burton), writer of Addams Family and worked on the legendary television show Tales from the Crypt.Larry wasn't always a screenwriter, he worked on the studio side of things as well as an executive. In this interview, he tells the story of how he championed a young and pre-Terminator James Cameron to be the writer/director of Aliens. Great story! Check out some of his work below:Larry Wilson was also a screenwriting teacher at UCLA, arguably one of the best screenwriting programs in the world. He has continued to teach through his very popular workshops. His latest workshop Larry Wilson's Method to Madness-A Fantasy and Horror Workshop is filling up quick so sign up. Here's a bit about the workshop.As your teacher, my goal is to inspire leaps of imagination by creating an environment that resembles an awesome story conference—the kind myself and my partners experienced while creating Beetlejuice. First, that means we’re allowed to be strange—I’ll encourage your creative quirks and far-out ideas, as long as they’re entertaining and help to tell your story. I’ll be your guide for workshop writing assignments, role playing games, and group journeys through the dark realms that will keep you engaged and entertained while you’re creating your best story—ever! We’ll jump off the creative cliffs together. What I won’t be doing is lecturing for hours, hoping you’re staying awake. And, even if we’re talking about the darkest story in the world, I’ll make sure we're having fun (if we’re not laughing, it’s not happening). There’s a method to my madness, I promise, and I also promise that you’ll enjoy the ride.Below you'll find the episode of Alfred Hitchcock Presents that both Larry Wilson and Tim Burton worked on together and started their Beetlejuice adventures. The episode was called "The Jar.Enjoy my spooky and funny conversation with Larry Wilson.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

21 Maalis 20171h 20min

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