IFH 559: How to Get Your Project on Netflix with RB Botto

IFH 559: How to Get Your Project on Netflix with RB Botto

Today on the show we have returning champion RB Botto.

For many, the holy grail of television has become Netflix. It’s a titan in the industry, and with over 200 million subscribers worldwide, no one can put out content quite like them. Just look at the recent hit show BRIDGERTON, which has already been seen by a massive 80 million households (!!) since its release. If you’re a writer or creator, getting your series onto Netflix’s platform can spell success in a big way. But first there’s the matter of getting your series in front of them and pitching it effectively.

It should be a comfort to know that you’re not the only one who wants your series on Netflix. Netflix wants that too! Netflix execs are constantly on the lookout for exciting new voices and new series to fill their slate. Yet it takes more than just a good series or a good pilot script to get on Netflix’s radar; you need to be able to communicate it well and pitch it in a way that will get their team excited. This certainly takes some work, but it’s absolutely achievable. If you’re interested in getting your show on Netflix, it’s time to learn directly from the source what it will take to make that happen.

In an effort to reach more writers and find more content, Netflix has joined forces with Stage 32 to present a FREE and invaluable workshop on what it is that they’re looking for in new shows and how you can best pitch your series to their executives. In Stage 32's continued effort to help level the playing field for content creators worldwide, we felt it's important that we help you get tools you need to be able to make sure that you can pitch effectively.

Kicking off the workshop will be Stage 32 CEO, Richard "RB" Botto (@rbwalksintoabar), and hosting this presentation will be Stage 32's Managing Director Amanda Toney with Netflix’s Director of Creative Talent Investment and Development for International Originals Christopher Mack. Christopher was previously Senior Vice President of Scripted Content for Stage 13, overseeing all of the brand’s original scripted series and development slates across multiple genres, including Emmy nominated Netflix series’ SPECIAL and IT'S BRUNO. Before Stage 13, Chris headed the Warner Bros. Workshop, the writing and directing program for professionals looking to start and/or further their careers in television. Over a period of 10 years in this role, Chris curated a roster of close to 100 writers and 50 directors representing the breakthrough emerging voices working on high-profile television shows today. In addition to these responsibilities, Chris has covered hit shows such as TWO AND A HALF MEN and SMALLVILLE for the Current Programs department.

Prior to joining Warner Bros., Chris spent seven years writing on various one-hour dramas including ER, THE PRACTICE and THE NEW TWILIGHT ZONE. After graduating from Loyola Law School, Chris got his start in television at NBC Studios as an associate and he quickly rose to becoming an executive. During his time at the newly created NBC Studios, he oversaw a varied list of shows including: THE FRESH PRINCE OF BEL AIR and IN THE HOUSE, among others.

In this exclusive Stage 32 workshop, Christopher will delve into what exactly makes a television pitch work at Netflix.He’ll discuss the essentials you’ll need to catch Netflix’s eye and will zero in on how to write an effective pitch document.He’ll pose questions you be able to answer and communicate for your series and give you ideas on how best to communicate your show’s overview, world, tone, and characters. Christopher will then discuss how season summaries should be built and give you ideas on how to think about and present potential episodes. Finally, you will have the invaluable opportunity to ask Christopher your own questions. You will leave this presentation with the understanding of how to structure and present your series, not in theory, but directly from the source.

Enjoy my epic conversation with RB Botto.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(980)

IFH 598: What You Don't Learn In Film School (Audiobook Preview)

IFH 598: What You Don't Learn In Film School (Audiobook Preview)

The book is an especially invaluable tool for anyone thinking of going to film school. It is an in-depth, no-holds-barred look at making movies from ‘concept to delivery in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking.Multi Emmy Award-winning filmmaker Shane Stanley writes a book anyone and everyone should read if they want an entertainment industry insider's professional guidance on how to create a movie. This book is an especially invaluable tool to those who have, or plan to, attend a college or university film school. Your Complete Guide To (Independent) Filmmaking.An in-depth, no holds barred look at making movies from ‘concept to delivery’ in today’s ever-evolving climate while breaking down the dos and don’ts of (independent) filmmaking. Learn invaluable industry secrets from top to bottom and discover the truth about independent film distribution as the lid is torn off the many myths surrounding sales agents and today’s release platforms that are certain to open reader’s eyes - and ruffle a few feathers!If you are a filmmaker do yourself a favor and pick up his book What You Don’t Learn In Film School: A Complete Guide To (Independent) Filmmaking, it is a GREAT companion book to Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

14 Heinä 20221h 44min

IFH 597: Can Short Films Make Any Money? with Kim Adelman

IFH 597: Can Short Films Make Any Money? with Kim Adelman

Kim Adelman began her producing career with the indie feature, Just Friends. She then launched the Fox Movie Channel's short film program, where the 19 shorts she produced won 30+ awards and played over 150 film festivals worldwide, including the Sundance Film Festival four years in a row.Kim Adelman currently teaches Low Budget Filmmaking  at UCLA Extension and Cinema Production II at Mount Saint Mary University. In 2014, she was named UCLA Extension's Entertainment Studies Instructor of the Year.  In 2016, she won its Distinguished Instructor Award.In addition to guest lecturing at UC Irvine, Cal State Fullerton, and Cal State Los Angeles, she has also taught filmmaking workshops across the US, Canada, and New Zealand. Most recently she led creative writing workshops for kids at UCLA’s Hammer Museum via 826LA and filmmaking for teens at Pasadena’s Norton Simon Museum.Over the past two decades, Ms. Adelman has also reported extensively on festivals and short films for Indiewire, co-programmed the American Cinematheque's annual Focus on Female Directors short film screening series for fifteen years, and co-founded FFC: the Female Filmmaking Collective.  She has also been a jury member and/or a panel moderator at numerous international film festivals, including Sundance Next and the Los Angeles Film Festival during its final year.Her short film book, Making it Big in Shorts, is on its third edition and has been published internationally in Spanish and Mandarin.  The three pop culture books she wrote for Penguin Random House are The Girls Guide to Elvis, The Girls Guide to Country, and The Ultimate Guide to Chick Flicks. which was also published in Japanese.She has recorded a five-part educational podcast on independent filmmaking for UCLA Extension and co-hosted the 15-episode movie adaptation podcast Book to Screen, available on iTunes. She has also appeared as cinema expert in the ARTE documentary From Weepies to Chick Flicks, E!'s Hollywood & Sex special, and the DVD extras for Love Me Tender and Ghost.  She was profiled for Women Transforming Media and appeared onKim Adelman was also Director of On Air Creative Production for Style Network until that network shut down. She has worked at multiple cable networks including FX/FXM, E!, G4, PopTV, the Game Show Network, and Cinevault.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Heinä 20221h 10min

BONUS EPISODE: Blood, Bullets, Filmmaking and Octane with Joe Carnahan

BONUS EPISODE: Blood, Bullets, Filmmaking and Octane with Joe Carnahan

It's been a hell of a year so far. I've been blessed to have had the honor of speaking to some amazing filmmakers and man today's guest is high on that list. On the show we have writer/director Joe Carnahan. Joe directed his first-feature length film Blood, Guts, Bullets and Octane. which was screened at the 1998 Sundance Film Festival, and won some acclaim.In 2002, Joe directed the neo-noir crime film Narc starring Ray Liota and Jason Patric. The film caught the eye of the biggest movie star in the world Tom Cruise, who jumped on as an executive producer. His involvement helped propel the film and Joe's career. Narc went on to earn about 13 million dollars in the worldwide box office, and launch Joe's career.Narc: When the trail goes cold on a murder investigation of a policeman an undercover narcotics officer is lured back to the force to help solve the case.Tom Cruise asked Joe to write and direct Mission Impossible III. The dream slowly became a nightmare as Joe was run through the Hollywood machine at the highest level. He left the project soon after.As a response to his Hollywood experience he wrote and directed the high octane, insane masterpiece that is Smokin' Aces, starring Ben Affleck, Ryan Reynolds, Ray Liotta, Andy Garcia, Chris Pine, Common, Jason Bateman, Wayne Newton. The film is about a Las Vegas performer-turned-snitch named Buddy Israel who decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.In 2010, Carnahan directed the action thriller The A-Team, a film adaptation of the hit television series from the 8os. It was a worldwide box office hit, becoming Joe's highest-grossing film.THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit. Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit.Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team. (read less) THE A-TEAM follows the exciting and daring exploits of Hannibal Smith and his colorful team of former Special Forces soldiers who were set up for a crime they did not commit.Going rogue, they utilize their unique talents and eccentricities to try and clear their names and find the true culprit. Liam Neeson (Taken), Bradley Cooper (The Hangover), mixed martial arts champ Quinton Rampage Jackson, and District 9 sensation Sharlto Copley, are The A—Team.Joe follow that up with the adrenaline-fueled, action-packed film, The Grey. Arguably one of my favorites in Joe's filmography. It has some of the most intense and brutally realistic attack scenes ever filmed.Liam Neeson (Schindler's List, Taken) stars as the unlikely hero Ottway in this undeniably suspenseful and powerful survival adventure. After their plane crashes into the remote Alaskan wilderness, a roughneck group of oil drillers are forced to find a way back to civilization. As Ottway leads the injured survivors through the brutal snow and ice, they are relentlessly tracked by a vicious pack of rogue wolves that will do anything to defend their territory. Joe latest adrenaline-fueled film is called Boss Level. starring Frank Grillo, Naomi Watts, Michell Yeoh, and Mel Gibson. Think Groundhog's Day or Edge of Tomorrow meets Smokin' Aces. It's time loop chaos!Trapped in a time loop that constantly repeats the day of his murder, former special forces agent Roy Pulver (Frank Grillo) uncovers clues about a secret government project that could unlock the mystery behind his untimely death. In a race against the clock, Pulver must hunt down Colonel Ventor (Mel Gibson), the powerful head of the government program, while outrunning skilled ruthless assassins determined to keep him from the truth in order to break out of the loop, save his ex-wife (Naomi Watts) and live once again for tomorrow.Joe and I had a ball discussing his early career, working in and outside the studio machine, superhero films, meeting Hollyweird dirt bags, writing for other directors, the Colombian government and much, much more.Getting ready to take an adrenaline-fueled ride with Joe Carnahan.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Heinä 20221h 37min

IFH 596: The Art of Showrunning a Hit Amazon Show with Naren Shankar

IFH 596: The Art of Showrunning a Hit Amazon Show with Naren Shankar

Naren Shankar is the Executive Producer/Showrunner of the critically acclaimed television adaptation of the international best-seller science fiction novel series, The Expanse, an Amazon Prime Original Series from Alcon Television Studios.Naren spent eight seasons as a Writer-Executive Producer and Co- Showrunner of the most-watched show in the world, CSI:Crime Scene Investigation. In 2011 he helped launch NBC's Grimm as a Writer- Executive Producer.Prior to CSI, Naren was an Executive Producer on the SyFy Channel cult hit series Farscape for The Jim Henson Company, and spent three seasons as a writer-producer on Showtime's The Outer Limits.Naren began his career as a writer and science consultant for Star Trek: The Next Generation, and he holds a PhD in Applied Physics & Electrical Engineering from Cornell University.Naren has been honored with multiple Emmy nominations for Best Series, a WGA Award nomination for CSI's two-hour event "Grave Danger" directed by Quentin Tarantino, and has received WGC and Saturn Awards for The Outer Limits, CSI, and Farscape. The Expanse won a Hugo Award for "Leviathan Wakes" in 2017 and was nominated in 2019 for "Abaddon's Gate."Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

7 Heinä 20221h 13min

IFH 595: Marcel the Shell: From Viral YouTube Short to Hit A24 Film with Dean Fleischer-Camp

IFH 595: Marcel the Shell: From Viral YouTube Short to Hit A24 Film with Dean Fleischer-Camp

Dean Fleischer Camp is the award-winning filmmaker and New York Times-bestselling author who created viral sensation MARCEL THE SHELL WITH SHOES ON. Since appearing on Filmmaker Magazine’s 25 New Faces of Independent Film in 2011, Camp’s work has been profiled in virtually every major American media outlet. In 2018, his first feature FRAUD was released to widespread controversy and acclaim, described as a "brilliantly provocative”(Filmmaker) and “exhilarating”(Sight+Sound) “masterwork”(Documentary Magazine) that “pushes the boundaries of documentary”(Variety).His first scripted feature, an adaptation of MARCEL THE SHELL WITH SHOES ON starring Jenny Slate, Isabella Rossellini and Rosa Salazar, is slated for a 2022 theatrical release via A24. He has directed for Comedy Central, HBO, TBS, Adult Swim and Disney Interactive. Commercial clients include Atlassian, Pop-Tarts, Clearasil, Maltesers, and many others.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

5 Heinä 202249min

BONUS EPISODE: Oscar® Winner Oliver Stone on Directing, Screenwriting and Surviving the Vicious Hollywood Game

BONUS EPISODE: Oscar® Winner Oliver Stone on Directing, Screenwriting and Surviving the Vicious Hollywood Game

Today on the show I bring you one of the most influential and iconic filmmakers in the history of cinema, three-time Oscar® winner Oliver Stone. Throughout his legendary career, Oliver Stone has served as director, writer, and producer on a variety of films, documentaries, and television movies. His films have been nominated for forthy two Oscars® and have won twelve.I hope this conversation inspires filmmakers and screenwriters to never give up. Oliver struggled for years taking jobs as a production assistant, cab driver, office assistant, and any other gig he could find to help him survive while he was chasing his dream. He wrote and wrote, meeting his goal of one to two screenplays a year, no matter what. Never give up, never surrender. Enjoy my epic conversation with Oliver Stone.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Heinä 202258min

IFH 594: From Micro-Budget to World-Wide Distribution with Shane Stanley

IFH 594: From Micro-Budget to World-Wide Distribution with Shane Stanley

At sixteen years old, Shane had already received his first Emmy Award for his work on Desperate Passage (1987) which starred Michael Landon. Over the next few years he learned filmmaking under his father Lee Stanley on what became known as The Desperate Passage Series (1988 to 1995) starring Sharon Gless, Edward James Olmos, Marlo Thomas and Louis Gossett Jr..The self-produced series earned a total of thirty-three Emmy nominations, (winning thirteen) as well as numerous Christopher Awards and CINE Golden Eagles. In 1994, the Stanleys feature film, Street Pirates (1994) was a two-time winner of the CINE Golden Eagle Award for best feature documentary and film editing.In 2001, Shane launched Visual Arts Entertainment, his own production company, most notably credited with Gridiron Gang (2006) starring Dwayne Johnson & Xzibit as well as the critically acclaimed independent film, A Sight for Sore Eyes (2004) with Academy Award nominee, Gary Busey.The film, (produced for under $10,000) marked Shane's directorial debut and went on to win the Gold Special Jury Award at Worldfest Houston, Best Dramatic Short Film at the International Family Film Festival, a Telly Award for Outstanding Achievement in Film and Television as well as two Aurora Awards for writing & directing. The film was also invited to Cannes to compete in the annual international film festival.His new film is Double Threat.After skimming money from the mob, a, well-trained fighter, Natasha (Danielle C. Ryan), finds herself on the run with a kind, naïve accountant, Jimmy (Matthew Lawrence) whose life is about to get more thrilling than he could ever imagine.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

30 Kesä 20221h 23min

BONUS EPISODE: Why You Stop Yourself From Making Your Indie Film

BONUS EPISODE: Why You Stop Yourself From Making Your Indie Film

We all need a kick in the butt sometimes on our filmmaking or screenwriting journey. This show will do just that. Never stop chasing that filmmaking dream. Keep on hustling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

29 Kesä 202211min

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