BONUS EPISODE: From Forrest Gump to Dune with Oscar® Winner Eric Roth

BONUS EPISODE: From Forrest Gump to Dune with Oscar® Winner Eric Roth

I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he's well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on.

The critically and commercially acclaimed American drama, Forrest Gump is an adaptation of Winston Groom's 1986 novel of the same title, adapted by Eric Roth in 1994.

The story depicts several decades in the life of Forrest Gump, played by the incomparable, Tom Hanks, a slow-witted but kind-hearted man from Alabama who witnesses and unwittingly influences several defining historical events in the 20th century the United States.

The $55 million budget film grossed $683.1 million at the Box Office and won the Oscars for Best Picture, Best Actor in a Leading Role, and three Golden Globes awards.

With a dream to pursue writing, he got his start working crew on a bunch of independent movies being made by some experimental filmmakers at a local studio (the Millennium will film workshop) while studying at Columbia University and later transferred to UCLA Film School.

While on the climb up, Roth got the opportunity through his good friend Stuart Rosenberg, to rewrite the script for the Paul Newman movie, The Drowning Pool, at the tender age of 20 years old.

Last year, Roth co-produced the multi-award nomination biographical drama, Mank. mank earned ten Oscar® nominations and six Golden Globe Awards nominations.

1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.

A Star is Born, co-written by Roth became a 2018 phenomenon. Director, co-writer and lead actor, Bradley Cooperand Lady Gagabrought steaming chemistry to our screens in a way that had been lacking. The film grossed twelve times its $36 million budget which is more than any of the other three versions of the musical romantic drama film.

Seasoned musician Jackson Maine (Bradley Cooper) discovers, and falls in love with struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.

A must mention amongst Roth’s screenplays is the 2008 screenplay adaptation of The Curious Case of Benjamin Button, starring Brad Pitt, Cate Blanchett, Academy winner Mahershala Aliand Taraji P. Henson.

The film tells the story of Benjamin Button, a man who starts aging backward with consequences.

I could go on and on, through the extensive list of incredible writing Eric Roth has given the world, but you can listen to our conversation to hear all about them. Even his Television writing and producing on shows like House of Cards, The Alienist, and the upcoming remake of the science fiction classic Dune, directed by Denis Villeneuve.

I've been a fan of Eric's work since my days working at a video store. It was truly an honor to sit down and talk shop with a master of the craft.

Enjoy my conversation with Eric Roth.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(981)

IFH 109: Top 10 Film Distribution Rules for Success

IFH 109: Top 10 Film Distribution Rules for Success

Film Distribution: Top 10 Rules for SuccessWhen filmmakers go out into the world to try to sell their indie film it can be a bit dangerous. The shark infested waters that make up film distribution can be brutal. Since I'm now going down the same dangerous road with my film This is Meg, I decided to write up a few rules I found useful over the years when it comes to film distribution.Split Up Your RightsThe Bigger the Deal the Less Control You HaveCap Your Film Distribution ExpensesThe Middle Men - Beware of the DealNothing is GuaranteedCost vs Sale or R.O.I.Film Festivals Help...SometimesBeware of Exclusive 5 Year Distribution ContractDon't get caught with your pants down in Post ProductionE/O Insurance...gotta have itI go into great detail about the list below in the podcast episode so take a listen. I hope to have the transcript for this episode up by next week. Happy selling.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Loka 201634min

SPECIAL EDITION: The Walking Dead – Working on the Dead Set with Vince Gonzales

SPECIAL EDITION: The Walking Dead – Working on the Dead Set with Vince Gonzales

Special Edition: Thought I’d bring this episode back since the new season of The Walking Dead premiered yesterday and it was a brutal one.  The Walking Dead – Working on the Dead SetIf you are a Walking Dead fan you are going to LOVE this episode. If you ever wanted to know what an assistant director does on set you are going to LOVE this episode.On today’s episode, we have a long time friend Vince Gonzales. Vince has been working in the film industry for over top decades. His IMDB page is pretty crazy. He’s worked on 90 classics like The Sandlot, Speed, and What Dreams May Come. Now after 2000 his credits start to heat up: Pearl Harbor, Six Feet Under, Charmed, Boston Legal, Grey’s Anatomy, Transformers: Age of Extinction and of course The Walking Dead.I wanted to bring Vince on the show to discuss his time on The Walking Dead but also what it takes to be an assistant director on both small and “monstrous” sets. Don’t listen to this episode in the dark.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Loka 201648min

IFH 108: How to Create a Cult Classic with Rafael Diaz Wagner

IFH 108: How to Create a Cult Classic with Rafael Diaz Wagner

This week we have Rafael Diaz Wagner, co-writer, and producer of the new Cult Classic "Attack of the Killer Donuts." Yes, that is really the name of the film and it's glorious. He started making films with a Beta Camera when he was 10 years old. Since then Rafael has written or co-written over 15 screenplaysI wanted to find out how this film was made, marketed and sold. It's a wonderful case study. Check out the trailer below and get ready to laugh.Here a quote from the Hollywood Report review of the :"If John Waters and George Romero dropped acid together and then spent the night at their local Krispy Kreme, they might have concocted something like Attack of the Killer Donuts. But the fact that such a film actually exists, and is exactly what it claims to be about, is something that even the best drugs can’t help explain."And here is the poster that got me interested in  speaking to Rafael. They knew who their market was and marketed directly to them.Enjoy my conversation with writer/producer Rafael Diaz Wagner.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Loka 20161h 11min

IFH 107: How to Shoot Super 16mm Film with Egon Stephen Jr.

IFH 107: How to Shoot Super 16mm Film with Egon Stephen Jr.

How to Shoot Super 16mm Film with Egon Stephen Jr.So you want to be a filmmaker. You want to put the FILM back into FILMmaking. Well this episode is for you. Film is not dead. It has been quietly working in the background of the industry.Some of the productions that shooting film these days are:Mad Max: Fury RoadNoahThe AvengersThe Bourne LegacyCaptain America: The First AvengerIron Man 2The Magnificent SevenWestworldThe Girl on the TrainThe Walking DeadJack ReacherBatman vs SupermanStar Wars: The Force AwakensStar Wars: Rogue OneSpectreThe Hateful EightJurassic WorldWonder WomanAmerican Horror StoryStar TrekThe knowledge to shoot film is dying. There's nowhere online where you can take a course on how to shoot Super 16mm film. The "workshops" available are extremely expensive and don't really give you practical knowledge from someone who has actually shot in the field.I wanted to put together an online course to preserve that knowledge for future filmmakers. Today's guest, Director of Photography Egon Stephen Jr, and I got together and shot The Definitive Super 16 mm Film Masterclass.So in today's show Egon and I drop some knowledge bombs on shooting film. So if you ever wanted to know if shoot "real" was an option for your indie feature or short film then perk up those ears. Enjoy my conversation with Egon Stephen Jr.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Loka 20161h 24min

IFH 106: Directing Actors & How to Become an Actor’s Director with Per Holmes

IFH 106: Directing Actors & How to Become an Actor’s Director with Per Holmes

Directing Actors & How to Become an Actor’s Director with Per HolmesDirecting actors can be one of the most difficult parts of wearing the director's hat. Actors speak a language that a director must understand if they are to pull and nurture an amazing performance. Unfortunately film schools do not teach this must need "foreign language" course.I've worked with every kind of actor there is. From Oscar® Nominated to fresh out of acting class. Pulling a good performance can be tough and I would get very frustrated sometimes because I couldn't speak there language.Then I met Per Holmes. Per created a gaming change course years ago called "Hollywood Camera Work: Mastering High-End Blocking and Staging." I loved this course and it's a must for any filmmaker.When I heard he was creating a "Directing Actors" course I was in. I was able to take the course right before I shot my first feature film "This is Meg" and it helped me immensely. I was able to speak the actor's language and nurture the performance I needed for the story.I asked Per Holmes to be a guest on the show because I've never taken a course where the instructor was so detailed, thought out and passionate about the subject. Directing Actors is INSANE.  Here's a bit on the course.Years in the making, Directing Actors is the most comprehensive acting and directing training in the world. Created by Per Holmes, the course teaches a better way to be a Director, by having extremely strong technique, and the right philosophy and personality on the set.Through almost a thousand examples, we cover literally every acting and directing technique, every interaction between Actor and Director, and we cast, rehearse and shoot 9 scenes.Directing Actors is the result of Per Holmes' personal obsession with resolving once and for all the best way to work with Actors. Every known technique has been tested, and the results are surprising, sometimes shocking. Directing Actors has involved almost 150 people through 7 years of development and 3 years of shooting and editing, including almost a hundred talented Actors who have gracefully allowed us to show the process without any filters.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

13 Loka 20161h 40min

IFH 105: Secrets of Indie Film Producing with Suzanne Lyons

IFH 105: Secrets of Indie Film Producing with Suzanne Lyons

Secrets of Indie Film Producing with Suzanne LyonsThis week on the show we have a returning guest, Indie Film Producing guru Suzaane Lyons.Suzanne Lyons is president/producer of Snowfall Films, Inc. and to date has produced or exec produced twelve feature films with budgets that range from $200,000 to $10 million.  Suzanne has worked with talent that including Brenda Blethyn, Christopher Walken, Naomi Watts, Alfred Molina, James Caan, Dean Cain, Ariel Winter, Susan Sarandon, Donald Sutherland, Ellen Burstyn, Jennifer Tilly, Jon Lovitz, Asia Argento, Winona Ryder, Peter Fonda, Ed Begley, Jr. and more. Suzanne’s films have won a gamut of awards and festivals from the prestigious BAFTA award, a premier at the Directors Fortnight at the Cannes Film Festival, best picture at Shockerfest, the UK Horror Fest and acceptance into the Toronto, Berlin. LA and Montreal Film Festivals.  In addition to her work as a film producer, Suzanne designed and ran the film school, Flash Forward Institute, with a focus on marketing oneself in the industry. She has guest lectured at over 60 industry events, guilds and organization. In 2012 she published her book through Focal Press (Taylor and Francis) called “Indie Film Producing: The Craft of Low Budget Filmmaking.” Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Loka 20161h 17min

IFH 104: ‘Blue Jay' & Directing Mark Duplass with Alex Lehmann

IFH 104: ‘Blue Jay' & Directing Mark Duplass with Alex Lehmann

'Blue Jay' & Directing Mark Duplass with Alex LehmannOn today's episode I have the pleasure of interviewing first-time feature film director Alex Lehmann. And his first film is a hell of way to launch a directing career. His new film is called Blue Jay starring Mark Duplass (who also wrote and produced) and Sarah Paulson (recent Emmy Winner for The People vs OJ Simpson).Blue Jay just had it's world premiere at the Toronto International Film Festival to rave reviews:"If the hour and a half spent inside this story seems fleeting, it's only because sometimes that's the best you can ask of a good nostalgia trip." - IndieWire"Mark Duplass and Sarah Paulson have extraordinary chemistry, painting a cumulative portrait of the fragility and rareness of being truly in sync with a partner." - Slate MagazineMeeting by chance when they return to their tiny California hometown, two former high-school sweethearts (Mark Duplass and Sarah Paulson) reflect on their shared past through the lens of their differently dissatisfied presents, in this tender, wise and affecting chamber drama from first-time feature director Alex Lehmann.Check out my conversation with Alex Lehmann and if you listen to until the end he promises to give out Mark Duplass' personal cell number. Apparently this is how Mark likes to be pitched. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Loka 20161h 8min

IFH 103: How a Camera and Hustle Created a $30 Million Empire with Joel Holland

IFH 103: How a Camera and Hustle Created a $30 Million Empire with Joel Holland

How a Camera and Hustle Created a $30 Million Empire with Joel HollandGet ready to be inspired. I want to bring this week's guest onto the show for a while now. Joel Holland is the founder and CEO of VideoBlocks, the first subscription-based provider of stock video and audio, with over 100,000 customers in the television and video production industry, from NBC to MTV to pro-sumers and hobbyists looking to enhance their video projects and productions. There's a lot indie filmmakers can learn from Joel. In 2013, VideoBlocks was ranked the 32nd fastest growing technology company in the US/Canada, and the 2nd fastest growing technology company in the DC region by Deloitte for the Fast500, for achieving 7,000% revenue growth over the past 5 years.Photo Credit: VideoBlocks.comIn 2012, VideoBlocks was named the #4 Fastest Growing Media Company by Inc. Magazine, and made the prestigious Inc. 500 list. For his work with VideoBlocks, Joel has been named one of the "Top 25 Entrepreneurs Under 25" by BusinessWeek Magazine, "Young Entrepreneur of the Year" by the United States Small Business Administration, and "Entrepreneur of the Year" for the Greater Washington DC Region by Ernst & Young.In 2013, Joel was recognized on the Inc. "30 Under 30" list: He is the definition of the word "Hustle." Sit back and enjoy my conversation with Joel Holland.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Syys 20161h 15min

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