BONUS EPISODE: The Complete Guide to NFT in Independent Film (and How to Make Money)

Mark W. Travis acclaimed as "the director’s director", Mark W. Travis is regarded by many Hollywood and International professionals as one of the world’s leading authorities in the art and craft of film directing. Drawing from his impressive background in design, writing, acting, and his wide range of experience directing theater, film and television, Mark is able to bring new insights and exceptional clarity to the complex task of directing the feature film.Mark W. Travis earned a B.A. degree in Theatre at Antioch College and did his graduate training in Directing in the MFA program at the Yale School of Drama. Mark is a creative consultant to film directors Mark Rydell, George Tillman, Cyrus Nowrasteh and many other notable writers and directors.Mark’s television directing credits include The Facts of Life, Family Ties, Capitol and the Emmy Award-winning PBS dramatic special, Blind Tom: The Thomas Bethune Story. In 1998 he directed the pilot for LifeStories.In 1990 he completed his first film, Going Under, for Warner Bros., starring Bill Pullman and Ned Beatty. In 2001 he wrote and directed The Baritones (parody of The Sopranos) as well as the short documentary, Earlet. In 2006 he co-directed the documentary, Ancient Light.Mark’s unique approach to working with actors and characters (The Travis Technique) has gained the attention of directors, writers and actors worldwide and is becoming a standard approach for stimulating powerful performances.Since 1992 Mark has been sharing his techniques on writing, acting and directing worldwide.USA: The Directors Guild, American Film Institute, Pixar Animations Studios, UCLA Extension, Taos Talking Pictures Film Festival, Denver Film Festival, Hollywood Actor’s Workshop, Hollywood Film Institute.JAPAN: Film & Media Lab and Vantan Film School.GERMANY: UW Filmseminares, ActionConcept, IFS, and HFF, the Munich Film School.POLAND: The Film Farm in Kotla.ENGLAND: Raindance, Paradigm Film Productions, Hurtwood House, Metropolitan Film School, National Film and Television School, London Film School, Lionhead Studios, London Film Academy.FRANCE: The Cannes Film Festival,NETHERLANDS: The Maurits Binger Institute.UKRAINE: HSU in Kiev, OIFF in Odessa;RUSSIA: International Film Actors Workshop,IRELAND: FAS Screen Training Ireland,NORWAY: The Norwegian Film School,DENMARK: The National Film School ofDenmark,SPAIN: afilm International Film Workshops,CZECH REPUBLIC: FAMU Academy of Film and Television.Mark has served as a Creative Consultant on several feature films including: Here’s Herbie; Notorious; Not Forgotten; The Stoning of Soraya M,; Black Irish; Men of Honor; Barbershop; Barbershop 2; The Day Reagan Was Shot; Norma Jean, Jack and Me and television episodes of: Lois and Clark; The Pretender; Picket Fences, 90210, Melrose Place; Strong Medicine; NYPD Blue; The Practice and Ally MacBeal.Mark is the author of the Number-One Best Seller (L.A. Times), THE DIRECTOR’S JOURNEY: the Creative Collaboration between Directors, Writers and Actors. His second book on directing, DIRECTING FEATURE FILMS (published in April of 2002) is currently used as required text in film schools worldwide. His next book, THE FILM DIRECTOR’S BAG OF TRICKS will be published in September 2011.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

8 Syys 20221h 33min

Matt Eskandari immigrated to the United States as a child with his family, following the Iranian revolution. He is an alumnus of the University of Southern California, and would direct several award-winning shorts; including "The Taking" (Screamfest Award for Best Student Short). The film propelled him to nationwide exposure when he was chosen by Steven Spielberg and Mark Burnett; from a pool of 12,000 candidates, to participate in the Fox filmmaker competition 'On the Lot.'Matt would go on to make his feature directorial debut with the psychological thriller "Victim." The controversial work was distributed by Ifc Films for theatrical release and hailed by Ain't it Cool News as, "a thinking man's Saw" and "both original and disturbing." Eskandari's next feature, "The Gauntlet," starring international stars Bai Ling and Dustin Nguyen was produced and shot entirely in China. It was one of the first China/US co-productions recognized by the Beijing Film Bureau and after a successful worldwide festival run was distributed as "Game of Assassins" by Lionsgate StudiosMatt's third feature, the self-contained swimming pool thriller "12 Feet Deep," starring Tobin Bell and Alexandra Park was praised by critics as, "a tensely directed hidden gem that will leave you struggling to breathe," and has gone on to become the single top selling title for MarVista - having amassed a record 40 million trailer views in its first months release.Inspired by true events, sisters Bree and Jonna get trapped beneath the fiberglass cover of an Olympic sized public pool after it closes for the holiday weekend. They find themselves at the mercy of the night janitor, Clara, who sees the trapped sisters as an opportunity to solve a few problems of her own.Coming from a unique cultural perspective and honing his directorial craft in genre films, Eskandari is ready to use his distinct voice to embark into a further exploration of human nature and delve into the relevant fears and themes of our modern day world.His latest film is "Wire Room" and has been said that this will be Bruce Willis' last film before his retirement.Action legend Bruce Willis comes out with guns blazing as Shane Mueller, a Homeland Security agent who runs the Wire Room, a high-tech command center surveilling the most dangerous criminals. New recruit Justin Rosa (Kevin Dillon, “Entourage”) must monitor arms-smuggling cartel member Eddie Flynn — and keep him alive at all costs. When a SWAT team descends on Flynn’s home, Rosa breaks protocol and contacts the gangster directly to save his life. As gunmen break into the Wire Room and chaos erupts, Mueller and Rosa make a final, desperate stand against the corrupt agents and officials who seek to destroy evidence and kill them both.Enjoy my conversation with Matt Eskandari.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

6 Syys 20221h 3min

Today on the show we have two filmmakers that shot a sci-fi feature film with a $600 camera, three lights, no-budget, no stars and a dream. Amazingly they were still able to get worldwide distribution. The film is called COSMOS and the filmmakers are brothers Elliot Weaver & Zander Weaver.COSMOS is a no-budget sci-fi feature film directed and self-produced by brothers Elliot Weaver & Zander Weaver, taking on all key crew roles throughout production, with the exception of writing the score.The film is a contemporary sci-fi mystery following three amateur astronomers who accidentally intercept what they believe is a signal from an alien civilization. Realising they may have just stumbled across Mankind’s greatest discovery, they must race to document their finding, prove its authenticity and share it with the world before it is lost forever. But the truth they uncover is even more incredible than any of them could have imagined.Inspired by Amblin-era adventure, set over one night and against the backdrop of a World changing discovery, COSMOS offers spectacle and thrills but reminds us success is nothing without people to share it with.You can see the insanity that they went through to make this film. They started pre-production in 2013 and production in 2015. They shot it on my favorite camera the Blackmagic Pocket Cinema Camera 1080p, the same camera I shot my indie feature On the Corner of Ego and Desire with. Their soundstage was built in their garage where they would build up and breakdown the set every night. The film took 5 years to complete.The pure insanity of these filmmakers is awe inspiring. The brothers and I discuss what it took to make COSMOS, the tech they used, how they keep the actors for years and so much more.Enjoy my inspiring conversation with Elliot and Zander Weaver.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

5 Syys 20221h 25min

So insane and talent Australian filmmaker Mark Toia is back to tell us how he made millions of dollars self distributing his remarkable debut film Monsters of Man. After getting offered bad and predatory distribution deals he wondered if there was another way. Enter my book Rise of the Filmtrepreneur: How to Turn Your Film into a Money Making Business. When I wrote my book Rise of the Filmtrepreneur I hoped it would help filmmakers around the world. I never thought that a filmmaker halfway around the world would read it and change his entire marketing and distribution plan for his million-dollar+ indie film.After reading Rise of the Filmtrepreneur he reached out to tell me what he was thinking of doing. He was planning on self-distributing his film as an experiment to see if he could do it and also to prove to filmmakers around the world that you can get a great ROI (Return on Investment) on a million-dollar+ indie film without any major bankable stars.I asked him,"So a million-dollar Filmtrepreneur experiment?"Mark said yes. He had already been offered multiple seven-figure deals from distributors but after looking at the convoluted fine print of the distribution contracts he decided to opt out. The payment schedules were so insane it would take Mark forever to get any money at all. The traditional film distribution path was not designed to help him get paid and if a film like Monsters of Man is having these issues the system is most definitely broken.Then he discovered my book and down the Filmtrepreneur rabbit hole, he went. When I saw the trailer for the first time I almost fell out of my chair. I recently had the pleasure of watching the film and all I can say is:"Monsters of Man is one of the BEST films I've seen in 2020. A must watch!"In this conversation Mark is completely transparent on how he made millions with his film. He also reveals not only his successes but also some failures he dealt with along the way. This is truly a one in a decade indie film experiment that you now have access to see how it was done.Enjoy my conversation with Mark Toia.Here's the synopsis of Monsters of Man:A robotics company teams up with a corrupt CIA agent trying to position themselves to win a lucrative military contract. They illegally airdrop 4 prototype robots into the middle of the infamous Golden triangle to perform a live field test on unsuspecting drug lords that the world will never miss. Volunteer doctors witness the murder of a village and become the targets.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

1 Syys 20221h 41min

Jessica Thompson is an Emmy-nominated filmmaker who made her feature writer-directorial debut with "The Light of the Moon". The film won the Audience Award for Best Narrative Film at the SXSW Film Festival. "The Light of the Moon", starring Stephanie Beatriz (Brooklyn Nine-Nine, In The Heights, Encanto), enjoyed a limited theatrical release to sold-out screens in both New York and Los Angeles and heralds a 97% Rotten Tomatoes score. Critics called the film "harrowingly effective" (Variety), "honest and complex" (The Hollywood Reporter), and Film Inquiry stated, "for any filmmaker this would be an unmitigated triumph, but for a first time filmmaker this is revelatory."Jess was the lead director on Showtime's original series, "The End", produced by the Academy Award-winning See-Saw Films (The Power of the Dog, The King's Speech). "The End" is a dramedy, told through three generations of a dysfunctional family who are trying to die with dignity, live with none, and make it count. The series received five-star reviews from The Guardian and The Times.In 2021, Jess directed her second feature, "The Invitation", a Sony Picture's thriller-horror, written by herself and Blair Butler. It will have a worldwide cinematic release on August 26th, 2022.After the death of her mother and having no other known relatives, Evie (Nathalie Emmanuel) takes a DNA test…and discovers a long-lost cousin she never knew she had. Invited by her newfound family to a lavish wedding in the English countryside, she’s at first seduced by the sexy aristocrat host but is soon thrust into a nightmare of survival as she uncovers twisted secrets in her family’s history and the unsettling intentions behind their sinful generosity.In 2010, Jess founded Stedfast Productions, a collective of visual storytellers who use film to explore the complexity of the human story.Jess is an Australian filmmaker who resides in Los Angeles. She is repped by CAA, Kaplan/Perrone Entertainment, and Independent Talent Group (UK).Enjoy my conversation with Jessica M. Thompson.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

30 Elo 20221h 5min

I sat down with one of the most legendary and successful screenwriters/producers in Hollywood, Oscar® Winner Eric Roth. Over a 50+ years career, he's well-known for writing or producing films like Forrest Gump, A Star is Born, Mank, The Curious Case of Benjamin Button, Munich, Ali, and the list goes on.The critically and commercially acclaimed American drama, Forrest Gump is an adaptation of Winston Groom's 1986 novel of the same title, adapted by Eric Roth in 1994.The story depicts several decades in the life of Forrest Gump, played by the incomparable, Tom Hanks, a slow-witted but kind-hearted man from Alabama who witnesses and unwittingly influences several defining historical events in the 20th century the United States.The $55 million budget film grossed $683.1 million at the Box Office and won the Oscars for Best Picture, Best Actor in a Leading Role, and three Golden Globes awards.With a dream to pursue writing, he got his start working crew on a bunch of independent movies being made by some experimental filmmakers at a local studio (the Millennium will film workshop) while studying at Columbia University and later transferred to UCLA Film School.While on the climb up, Roth got the opportunity through his good friend Stuart Rosenberg, to rewrite the script for the Paul Newman movie, The Drowning Pool, at the tender age of 20 years old.Last year, Roth co-produced the multi-award nomination biographical drama, Mank. mank earned ten Oscar® nominations and six Golden Globe Awards nominations.1940. Film studio RKO hires 24-year-old wunderkind Orson Welles under a contract that gives him full creative control of his movies. For his first film, he calls in washed-up alcoholic Herman J Mankiewicz to write the screenplay. That film is "Citizen Kane," and this is the story of how it was written.A Star is Born, co-written by Roth became a 2018 phenomenon. Director, co-writer and lead actor, Bradley Cooperand Lady Gagabrought steaming chemistry to our screens in a way that had been lacking. The film grossed twelve times its $36 million budget which is more than any of the other three versions of the musical romantic drama film.Seasoned musician Jackson Maine (Bradley Cooper) discovers, and falls in love with struggling artist Ally (Gaga). She has just about given up on her dream to make it big as a singer - until Jack coaxes her into the spotlight. But even as Ally's career takes off, the personal side of their relationship is breaking down, as Jack fights an ongoing battle with his own internal demons.A must mention amongst Roth’s screenplays is the 2008 screenplay adaptation of The Curious Case of Benjamin Button, starring Brad Pitt, Cate Blanchett, Academy winner Mahershala Aliand Taraji P. Henson.The film tells the story of Benjamin Button, a man who starts aging backward with consequences. I could go on and on, through the extensive list of incredible writing Eric Roth has given the world, but you can listen to our conversation to hear all about them. Even his Television writing and producing on shows like House of Cards, The Alienist, and the upcoming remake of the science fiction classic Dune, directed by Denis Villeneuve.I've been a fan of Eric's work since my days working at a video store. It was truly an honor to sit down and talk shop with a master of the craft.Enjoy my conversation with Eric Roth.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

29 Elo 20221h 16min

DAVID S. GOYER has earned a reputation for telling character-driven stories adapted from the otherworldly realms of superheroes, fantasy and the supernatural. His breakout came in 1998 when he wrote the action hit BLADE starring Wesley Snipes, based on the Marvel Comics vampire hunter. Since then, he’s solidified himself as writer and producer who elevates genre driven stories to the next level.Most recently, Goyer Executive Produced and served as Showrunner for one of the year’s most epic series, FOUNDATION, which premiered on Apple TV+. Based on Isaac Asimov’s iconic novels, Goyer’s sensibilities brought this world to life with his unique tone.On the film side, Goyer produced the Sundance hit THE NIGHT HOUSE, starring Rebecca Hall, as well as the Scott Derrickson film ANTLERS. Both films are being released by Searchlight this fall. Goyer also produced THE TOMORROW WAR, starring Chris Pratt for Skydance and Amazon.Previously, Goyer scripted and collaborated with Christopher Nolan on the story for the Superman feature MAN OF STEEL. Goyer also worked with Nolan on the mega-hit DARK KNIGHT trilogy, starting with the screenplay for BATMAN BEGINS. Goyer went on to team with Nolan on the story for the billion-dollar blockbuster THE DARK KNIGHT for which they received a Writers Guild of America Award nomination for Best Adapted Screenplay, followed by the story’s conclusion in THE DARK KNIGHT RISES. Additionally, Goyer co-wrote and produced BATMAN V. SUPERMAN, which broke the record for biggest March opening weekend in box office history.In 2002, Goyer made his feature film directorial debut with the drama ZIGZAG for which he also wrote the screenplay, based on the acclaimed novel by Landon Napoleon.  His other directing credits include THE INVISIBLE starring Justin Chatwin and Marcia Gay Harden, and the hit supernatural thriller THE UNBORN, based on his own original screenplay and starring Odette Annable and Gary Oldman. In the same year wrote 2002’s BLADE II on which he also served as an executive producer. In 2004, he directed, wrote and produced the last of the trilogy, BLADE: TRINITY.In addition to screenwriting, Goyer made his debut in video games with the story for the smash hit “Call of Duty: Black Ops,” and penned the story for its blockbuster follow up, “Call of Duty: Black Ops 2” as well as Black Ops: Cold War. Goyer also wrote and executive-produced the groundbreaking VR series VADER IMMORTAL for Lucasfilm and Oculus.In Television, Goyer’s work includes the series DA VINCI’S DEMONS, for which he served as Creator, Director, and Executive Producer, focusing on the life of Leonardo da Vinci; CONSTANTINE, KRYPTON; and the cult classic FLASHFORWARD. Goyer also co-wrote the pilot and serves as executive producer for Neil Gaiman’s SANDMAN, which is currently filming in London.The Dialogue: Learning From the Masters is a groundbreaking interview series that goes behind the scenes of the fascinating craft of screenwriting. In these 70-90 minute in-depth discussions, more than two-dozen of today's most successful screenwriters share their work habits, methods and inspirations, secrets of the trade, business advice, and eye-opening stories from life in the trenches of the film industry. Each screenwriter discusses his or her filmography in great detail and breaks down the mechanics of one favorite scene from their produced work.Your Host: Producer Mike De Luca is responsible for some of the most groundbreaking films of the last 15 years. After enrolling in New York University's film studies program at 17, De Luca dropped out four credits shy of graduation to take an unpaid internship at New Line Cinema. He advanced quickly there under the tutelage of founder Robert Shaye and eventually became president of production.To watch the rest of this amazing series go to The Dialog Series on IFHTV.Enjoy this conversation with David S. Goyer.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Elo 20221h 22min

Jason Satterlund has been writing and directing films for about 100 years. He's directed multiple award-winning feature films and, in 2021, he wrote and directed 28 episodes of television. His latest feature film, The Abandon, just sold to Lionsgate is will be seen in theaters across North America.His Star Wars film, Kenobi, clocked one million views in 24 hours, and landed on Steven Soderbergh's watch list. This resulted in a cover page article in the New York Time's arts section, making him an official nerd. When he isn't busting his hump on his own projects, he enjoys teaching filmmaking workshops and shaping the filmmakers of the future.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

23 Elo 20221h 28min