BONUS EPISODE: Big Budget Indie Films and Creative Freedom with Neill Blomkamp

BONUS EPISODE: Big Budget Indie Films and Creative Freedom with Neill Blomkamp

Ever since I saw District 9 and learned of all the mythical stories behind the short film becoming a feature, I have been a massive fan of today’s guest, Neill Blomkamp. Though Neill is here today to talk about his new sci-fi horror fiction film, Demonic, we also chatted up about his other films that have been successful over the years.

Released in August 2021, Demonic follows a young woman who unleashes terrifying demons when supernatural forces at the root of a decades-old rift between mother and daughter are ruthlessly revealed.

Neill is a South African Canadian film director, producer, screenwriter, and animator, best known for writing and directing multiple-award-winning films such as Chappie, Elysium, and the iconic District 9, along with a plethora of short films, commercials, and special effect credits.

If you have seen a few of Neill’s works already, you would already know and admire his dystopian, action, and sci-fi style of writing and filmmaking. He depicts the short film in documentary style, with xenophobic social segregation themes.

In 2009 Neill and his wife, Canadian screenwriter Terri Tatchell, co-wrote a short film titled, Alive in Joburg, which later became his feature film debut, District 9. Neill received an Academy Award nomination for Best Adapted Screenplay and Best Picture for this $210.8 million-grossing film from a $30 million budget.

District 9 was a critically acclaimed splash, earning multiple awards, including the Bafta, the Academy, Golden Globes, etc., for its visual effects, editing, screenplay, and picture. And a 90% on rotten tomato. But the success of this film is truly in the story it tells and the inspiration that drove it.

In 1982, a massive star ship bearing a bedraggled alien population, nicknamed "The Prawns," appeared over Johannesburg, South Africa. Twenty-eight years later, the initial welcome by the human population has faded. The refugee camp where the aliens were located has deteriorated into a militarized ghetto called District 9, where they are confined and exploited in squalor.

In 2010, the munitions corporation, Multi-National United, was contracted to forcibly evict the population with operative Wikus van der Merwe in charge. In this operation, Wikus is exposed to a strange alien chemical and must rely on the help of his only two new 'Prawn' friends.

As you will hear in our conversation, this project was inspired by parts of Johannesburg in South Africa's history Neill was learning. His journey involved gaining awareness of xenophobia from relatively poor South Africans against immigrants from Mozambique, Nigeria, and Malawi --- a sentiment is still prevalent with some South Africans to this day.

The initial short film, Alive In Joburg that preceded District 9, had a socio-political theme shot in realism-based style paired with sci-fi but of performers sharing real-life experiences of illegal aliens/immigrants in South Africa.

By the time he had to adapt the script for the feature, District 9, Neill had moved into an interest of South Africa’s history, including apartheid, and precisely its border war period in the 1980s.

As mentioned earlier, Neill started his career in this industry through visual effects and animation in commercials. When he moved to Canada at 18 years old, the pathway opened up for him to finally pursue his childhood dream of working in the film industry.

He did Ads animation for some years while closely following the works of film directors who had gone the commercials to film directing route. One of his most prominent commercials to date, which was shelved by the clients based on creative differences, was a short film Superbowl ad for Nike.

Even though he spent a short time doing commercials, Neill has held on to all the transferable lessons and tips to his filmmaking and screenwriting.

IN 2015, Neill released his third feature film, dystopian sci-fi action fiction, Chappie, co-written with his wife, Tatchell --- starring Sharlto Copley, Dev Patel, and Hugh Jackman. Chappie became a massive success at the box office with a gross of from a $49 million budget.

Chappie, an artificial general intelligence law enforcement robot, is captured during a patrol and reprogrammed by gangsters after being stolen. He becomes the first robot with the ability to think and feel for himself.

Not to give too much away, let's dig into my interview with our incredible guest, Neill Blomkamp.


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IFH 352: The Inside Story About Distribber Downfall, Film Aggregators and a Warning with Joe Dain

IFH 352: The Inside Story About Distribber Downfall, Film Aggregators and a Warning with Joe Dain

Today we are going to BLOW THE LID off this entire Distribber/Film Aggregator mess. Today's guest is Joe Dain from Terror Films. Joe has been on the frontlines of this Distribber debacle and has been affected in a large way. He had many films placed through Ditribber and has been working diligently to save the films he has placed through Distribber. Joe wrote an amazing guest post speaking the real issue facing filmmakers in the shadow of what has happened with Distribber. During his journeys, he has discovered many interesting bits of information about the going on's of Distribber in the final months and lays out a few "what ifs" that are extremely interesting.Be ready for a lively conversation about Go Digital/Distibber, Film Aggregators, Predatory Film distributors, where filmmakers are making money today with their films, what platforms do avoid, and much, much more.Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

4 Loka 20191h 48min

IFH 351: The Future of Making Money with Your Indie Film

IFH 351: The Future of Making Money with Your Indie Film

In this episode, I lay out the future of making money in independent filmmaking as I see it. The old legacy model of making and movie and handing it over to a distributor doesn't work anymore. A new model needs to be created and I hope the method I go over in this show will help you generate multiple revenue streams from your film projects. I also warn you about many concerning issues I see in today's revenue model for filmmakers and how you can insulate yourself from them moving forward.Take notes because this episode is PACKED with knowledge bombs. Enjoy!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

3 Loka 201942min

IFH 350: Do You Want to Learn How to Make, Market and Sell an Indie Film?

IFH 350: Do You Want to Learn How to Make, Market and Sell an Indie Film?

First of all, we made it to 350 episodes. HOLY CRAP! Thank you all for all the love and support that you have given me, this show and Indie Film Hustle in general. To celebrate I'm launching the first-ever MAKE YOUR MOVIE BOOTCAMP. The Bootcamp is a LIVE two-day intensive designed to show you how to make, market and sell a feature film. I've been working on this for months and I finally get to release it to the world.I wanted to create a workshop that could jump-start people on their filmmaking career but with my flavor of course. Below is a fraction of what I'll be diving into at the Bootcamp.Ideas: Learn how to flesh out your ideas into a marketable film project.Screenwriting Process: We go over the basics of screenwriting and discuss alternative methods of writing like scriptments and improv.Finding Money: Alternate ways to raise money for your film.Crowdfunding: Discuss the dos and don'ts of what makes a successful campaign.Directing Your Film: I breakdown methods and techniques that will jump-start your directing journey.Post Production Workflows: Where many indie films die. This won't happen to you. I'll teach you the proper way to set up your workflow and get you and your film to the finish line.Marketing and Building an Audience: Once you have your film done you need to get it out into the world. I will go over proven techniques that will help you build and target an audience.Submitting to Film Festivals: Tricks and techniques on what to do and definitely what not to do when taking your film on the festival circuit. This one section that will save you thousands of dollars and years of your life.Self Distribution Models: I'll teach you how to run a successful self-distribution campaign by using multiple case studies on how it is done correctly.Avoid Predatory Film Distributors: It is shark-infested waters out there. We go over what to look out for when dealing with traditional and predatory film distributors.Revenue Streams: I do a deep dive into how to create multiple revenue streams from your indie film.Breaking Through Your Fear: I show you techniques to break through your own creative fears and finally make the feature film you have always wanted to.PLUS: Two Surprise film industry heavy hitters will come into Guest Speak and answer questions.Why Do You Need This Bootcamp?Jump Start Your Feature FilmIt takes a lot of time and energy to get a feature film off the ground, but it doesn't have too. I shot my first film in 8 days and completed the entire process, from idea to final product, within 3 months. The film went on to be sold internationally and was licensed by Hulu. I will teach you the techniques I used to make this happen.Marketing and Audience BuildingIn today's world if you do not understand how to get your indie film in front of the right customers you are dead in the water. I've built a large platform with millions of eyeballs. I will teach you my secret sauce for audience building.Avoid Distribution PitfallsThere are a lot of predatory film distributors in the industry today that are all too happy to take advantage of you. If you are not careful you could end up making a non-tax deductible donation to one of these sharks and loss your film for 15 years. I will show you how to avoid these snakes and how to find a good distributor to partner with.Actually, Make Money with Your FilmI will discuss the Filmtrepreneur® Method of filmmaking. Thinking more like an entrepreneurial filmmaker is imperative moving forward in the business. Creating multiple revenue and passive income streams from your film projects is the key to a sustainable career.The MAKE YOUR MOVIE BOOTCAMP will be taking place Oct 26 &27 in Burbank, CA at the Hilton Garden Inn in downtown Burbank. If you want to get 20% off the ticket price CLICK HERE.This will be EPIC. When you finish this Bootcamp you will be ready to make, market and sell your feature film. I go over the details in this episode so take a listen and I hope to meet you in person at the MAKE YOUR MOVIE BOOTCAMP.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Syys 201915min

IFH 349: Can Filmmakers Make Real Money on Filmhub or Is It a Bust? with Klaus Badelt

IFH 349: Can Filmmakers Make Real Money on Filmhub or Is It a Bust? with Klaus Badelt

oday on the show I have Klaus Badelt. We do a deep dive into the state of independent film and self-distribution. We also discuss the Distribber debacle and how filmmakers can get access to their films back from Distribber.Klaus is not only a tech entrepreneur he also writes the occasional score for feature films including The Thin Red Line, The Prince of Egypt, Gladiator, and Pirates of the Caribbean: The Curse of the Black Pearl.He also founded Filmhub, a unique way to distribute your indie film. Filmhub allows filmmakers to upload your film for free, while streaming channels discover, order, and stream your work - worldwide. Once revenue starts flowing, 80% goes to you. No deductions or fees. That's it.Enjoy my epic conversation with Klaus Badelt.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Syys 20191h 45min

IFH 348: Making and Selling a Niche Indie Film with Rob Smat

IFH 348: Making and Selling a Niche Indie Film with Rob Smat

Today on the show we have writer/director Rob Smat. His niche film is THE LAST WHISTLE. It is a Football Drama with a budget 125K, the crew was almost entirely film students, shot in 13 days in Texas, distributed worldwide by Vertical Ent. for 10 theater release this past June and originated as a pitch for Rebel Without a Crew TV show and was turned down so I made it myselfRob formed a cast from high-level B-list stars, fostered relationships with distributors before shooting, and focused on production value without losing sight of the story.  Trying to recoup budget rather than use the festival circuit to find an audience he did not submit the film to any major festivals, we discuss the pros and cons of that strategy.He was 22 when I started developing the project and wanted THE LAST WHISTLE to lead him to a place where he could build a filmmaking business model that could sustain his filmmaking goals.Enjoy my conversation with Rob Smat.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Syys 20191h 19min

IFH 347: Directing Your Film Shot by Shot with Steve Katz

IFH 347: Directing Your Film Shot by Shot with Steve Katz

There are a few filmmaking books that have made as big of an impact on the craft of directing like today's guest's Film Directing: Shot by Shot: Visualizing from Concept to Screen, written by director Steve Katz.Shot by Shot is the world’s go-to directing book, now newly updated for a special 25th Anniversary edition! The first edition sold over 250,000 copies, making it one of the bestselling books on film directing of all time. Aspiring directors, cinematographers, editors, and producers, many of whom are now working professionals, learned the craft of visual storytelling from Shot by Shot, the most complete source for preplanning the look of a movie.The book contains over 800 photos and illustrations and is by far the most comprehensive look at shot design in print, containing storyboards from movies such as Citizen Kane, Blade Runner, Dead-pool, and Moonrise Kingdom. Also introduced is the concept of A, I, and L patterns as a way to simplify the hundreds of staging choices facing a director in every scene.Shot by Shot uniquely blends story analysis with compositional strategies, citing examples then il-lustrated with the storyboards used for the actual films. Throughout the book, various visual approaches to short scenes are shown, exposing the directing processes of our most celebrated auteurs ― including a meticulous, lavishly illustrated analysis of Steven Spielberg’s scene design for Empire of the Sun.Enjoy my conversation with Steve Katz.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

20 Syys 20191h 42min

IFH 346: Do Film Aggregators Make Sense Anymore? + Distribber Downfall Update

IFH 346: Do Film Aggregators Make Sense Anymore? + Distribber Downfall Update

In this episode, I ask the question do film aggregators make sense anymore? Does it make sense for every indie film? I also discuss the larger problem that the Distribber meltdown has shown us about the entire film agreeation business. This is an eye opening show.I also give you updates on the Distribber debacle and bring you the latest information from the frontline.Take a listen. I hope this helps!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Syys 201956min

IFH 345: Distribber Bankrupt - How to Protect Yourself

IFH 345: Distribber Bankrupt - How to Protect Yourself

In this episode, I update filmmakers on the emergency situation going on with the film aggregator Distribber. In last weeks episode, I spoke a bit about what is going on with this company. After that show I kept getting emails, messages, and tweets of filmmakers telling me their horror stories of no one return email, no people picking up calls, nonpayments​ for months and so on. I'm in the same situation with my film This is Meg.I decided to dig deep into the problem and find out what the hell is going on. I breakdown everything I know about what is happening and give you a few ways to protect yourself and your film.Also, their website www.distribber.com is still live but DO NOT SUBMIT YOUR FILM. They would just be taking the money and not providing a service. Take a listen. I hope this helps!Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Syys 201925min

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