IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

IFH 682: How to Make Your Own Damn Indie Movie with Lloyd Kaufman

Stanley Lloyd Kaufman never really wanted to make movies, but wanted to work in Broadway musicals. During his years in Yale, though, he got introduced to "B" pictures and the works of Roger Corman. Lloyd later got the opportunity to executive-produce a short movie made by a fellow student. The film, called "Rappacini", got him even more interested in movies. He bought his own camera and took it with him to Chad, Africa, were he spent his summer. There, he shot a 15-minute film of a pig being slaughtered. That was his first movie, and was the birth of what was later to become known as Troma Films. He showed the footage of the squealing pig being killed to his family, and their shocked reaction to it made him wonder if making movies that shocked audiences would keep them in their seats to see what would happen next.He wanted to be a director right then and there, so he got a couple of friends at Yale and made his second movie, The Girl Who Returned (1969). People loved it, and he went straight to work on other films, helping out on projects like Joe (1970), Rocky (1976) and Saturday Night Fever (1977).

Lloyd put in a lot of long, hard hours in the film business, just to be in the credits and to get money for his next project, a full-length feature. It was a tribute to Charles Chaplin, Harold Lloyd and the classic era of silent-film comedy. Even though Lloyd hated the movie when it was finally completed, people seemed to love it. He formed a studio called 15th Street Films with friends and producers Frank Vitale and Oliver Stone. Together, they made Sugar Cookies (1973) and Cry Uncle (1971), directed by John G. Avildsen. A friend from Yale, Michael Herz, saw Lloyd in a small scene in "Cry Uncle" and contacted him to try to get into the film business, too. Kaufman took Herz in, as the company needed some help after Oliver Stone quit to make his own movies. Michael invested in a film they thought would be their biggest hit yet, Schwartz: The Brave Detective (1973) (aka "Big Gus, What's the Fuss?"). It turned out to be a huge flop and 15th Street Films was ruined. Lloyd and Michael owed thousands of dollars to producers and friends and family members who had invested in the picture.

Lloyd, trying to find a quick way to pay off the bills, made The Divine Obsession (1976), and with Michael formed Troma Studios, hoping to make some decent movies, since they only owned the rights to films they thought were poor. They were introduced to Joel M. Reed, who had an unfinished movie called "Master Sardu and the Horror Trio". The film was re-edited and completed at Troma Studios (which actually consisted of just one room) during 1975, re-titled and released in 1976 as Blood Sucking Freaks (1976) (aka "Bloodsucking Freaks"). It was enough of a success to enable them to pay the rent so they wouldn't lose the company.[presto_player id=154943]Lloyd later got a call from a theater that wanted a "sexy movie" like The Divine Obsession (1976), but about softball (!). The resulting film, Squeeze Play (1979), used up all the money Troma had earned from "Bloodsucking Freaks" and, as it turned out, no one wanted to see it--not even the theater owner who wanted it made in the first place (he actually wanted a porno movie). Just when things looked their darkest, they got a call from another theater which was scheduled to show a film, but the distributor pulled it at the last minute.

Troma rushed "Squeeze Play" right over, and it turned out to be a huge hit. Lloyd, Michael and Troma eventually made millions from it, and had enough money to buy their own building (which still remains as Troma Headquarters). Troma then turned out a stream of "sexy" comedies--i.e., Waitress! (1982), The First Turn-On!! (1983), Stuck on You! (1983)--but there was a glut of "T&A" films on the market. Troma noticed that a lot of comedies were being made, and decided to make one, too, but much different than the rest. After reading an article that claimed horror movies were dead, Lloyd got the idea to combine both horror and comedy, and Troma came up with "Health Club Horror"--later retitled and released as The Toxic Avenger (1984), a monster hit that finally put Troma on the map.

Lloyd Kaufman and Troma have become icons in the cult-movie world, and Troma has distributed over 1000 films. Lloyd has continued his career as a director in addition to producing, and Troma has turned out such films as Monster in the Closet (1986), Class of Nuke 'Em High (1986), Combat Shock (1984), Troma's War (1988), and Fortress of Amerikkka (1989), and Poultrygeist: Night of the Chicken Dead (2006), which follows an army of undead chickens as they seek revenge on a fast food palace.

Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

Jaksot(969)

IFH 586: Inside the Blumhouse Filmmaking Machine with Marcus Dunstan

IFH 586: Inside the Blumhouse Filmmaking Machine with Marcus Dunstan

Marcus Dunstan’s screenwriting with his partner, Patrick Melton, include such horror films as FEAST 1-3, SAW IV-V-VI& SAW 3D THE FINAL CHAPTER, PIRANHA , GOD OF WAR, FINAL DESTINATION 6, and SCARY STORIES TO TELL IN THE DARK. Marcus Dunstan’s directing credits include THE COLLECTOR, THE COLLECTION, THE NEIGHBOUR, BLUMHOUSE’S PILGRIM and this summer’s BLUMHOUSE PRESENTS: UNHUMAN.Dunstan is a producer of THE CANDIDATE, and executive producer of 2022’s horror-thriller TAKE BACK THE NIGHT. Currently Dunstan and Melton are collaborating once again with Blumhouse and Disney + on a soon to be announced suspense thriller series, as well as the horror film ESCAPE: HALLOWEEN with Live Nation and Insomniac.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

2 Kesä 20221h 4min

IFH 585: What is the Controversial Indie Film NFT Franchising Method? with Cameron Van Hoy

IFH 585: What is the Controversial Indie Film NFT Franchising Method? with Cameron Van Hoy

Cameron Van Hoy is a veteran in the entertainment industry. After a stint acting, he wrote and produced films such as Treasure of the Black Jaguar, Tooken, and Sharkproof. He really came into his own producing the hit horror comedy Tragedy Girls, which hit theaters around the world and has gone on to become a cult classic.His debut directorial feature, Flinch, was released early this year to great acclaim and theatrical distribution before finding a digital home with the tech giants of Amazon, Apple, and Google. The film continues to accumulate a loyal following and Van Hoy has an affinity for gritty stories documenting love, family and crime in an epic and timeless way.Cameron created the indie film called Flinch that was are released and franchised via NFTs. It’s a controversial method, but we are aiming to be trailblazers of the industry and help mitigate the controversy surrounding NFTs by releasing it with a solid foundation. It stars Daniel Zovatto, Tilda Cobham-Hervey, Cathy Moriarty, Tom Segura, Buddy Duress, David Proval, Steven Bauer, Michael Drayer and more. It is a crime thriller that tells the story of a young hitman who lives with his mother and a girl who witnesses them commit a murder. The backbone of any film growing a supporting audience is the community behind it. NFTs survive and thrive off of their communities. We are creating 9,999 original art pieces that are representative of characters in the universe. Community members will have the opportunity to purchase these for a set amount each. The funds from these NFTs will go into making the sequel to Flinch. Upon selling all of the NFTs, the film immediately goes into preproduction. A dedicated audience of nearly 10,000 have an interest in ensuring the film succeeds. Those who hold these NFTs can be verified and are rewarded for doing so. After parties with the cast and crew, special Q&As with the director, early access to the script, visits to set during shooting, and red carpet premiers. They gain exclusivity. Additionally, as a reward, 50% of the income generated from the movie will go into a shared community wallet. The NFT holders can vote on how to use these funds. They can use it to market and promote the film, create additional IP (comic books, TV shows, etc.), or whatever else they want to do with it! It gives holders “skin in the game” of the art and movies they love.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

31 Touko 202256min

IFH 584: Secrets to Creating Great Character Moments with Chris Riley

IFH 584: Secrets to Creating Great Character Moments with Chris Riley

Chris Riley is a screenwriter whose first film, After The Truth, an award-winning courtroom thriller written with his wife and professional partner, Kathy, sparked international controversy in 1999 when it was released in Germany.Other credits include 25 To Life, a dramatic thriller for Junction Entertainment and Touchstone Pictures; The Other White House, a political thriller for Sean Connery’s Fountainbridge Films and Intermedia; Aces, an action-adventure romance for Paramount Pictures; and a screen adaptation of the book Actual Innocence for Mandalay Television Pictures and the Fox television network. A veteran of the Warner Bros. script department, Riley is the author of The Hollywood Standard: The Complete and Authoritative Guide to Script Format and Style. He serves as professor of film at John Paul the Great Catholic University in San Diego and previously taught in the MFA program in writing for screen and television at Pepperdine University.He served as creative director at Yellow Line Studio where he executive produced the web series Bump+ and produced the feature Red Line. He is a founding partner of the online Story Masters Film Academy.His new book is The Defining Moment How Writers and Actors Build Characters.Aimed at both the head and the heart, The Defining Moment plumbs the depths of the most memorable characters ever to appear on the screen, the stage or the page. The book focuses on those moments so pivotal in a character’s formation that they create a distinct boundary of before and after, moments without which the character couldn’t exist and moments through which characters can transform before our eyes. Writers, actors and storytellers of all stripes will discover a powerful new key to unlock any character they seek to develop, write or portray. They may even unlock a deeper understanding of themselves.Features:The first in-depth study of the essential principles that will redefine the way storytellers understand their characters and themselves.Essential insights into the forces that create characterDozens of examples of character-defining moments from film, television, theater and literatureAn exploration of pivotol moments: birth, death, discovery, decision-making, injury and healingAn examination of how writers and actors employ defining moments in their deepest and most unforgettable worksInsights into how directors, editors, cinematographers and composers dramatize key momentsPractical exercises for defining and redefining characterTips for discovering the moments that matter mostDeeply personal stories from the authors’ lives to illustrate the variety of moments that define us.For every storyteller, no matter their medium, The Defining Moment will redefine the way they understand their characters and themselves.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

26 Touko 20221h 14min

IFH 583: Are Film Festivals Worth It Anymore? with Slamdance Co-Founder Dan Mirvish

IFH 583: Are Film Festivals Worth It Anymore? with Slamdance Co-Founder Dan Mirvish

Prior to that, Dan directed the award-winning, critically-acclaimed feature Bernard and Huey, scripted by Oscar/Pulitzer-winner Jules Feiffer, and starring Oscar-winner Jim Rash and David Koechner which screened in over 30 film festivals on 5 continents, had a nationwide US theatrical release, and sold to over 49 countries. Dan is the author of the bestselling non-fiction book The Cheerful Subversive’s Guide to Independent Filmmaking: From Preproduction to Festivals and Distribution from Focal Press/Routledge.The fully updated, post-pandemic 2nd Edition starting selling on July 6, 2021 and hit #1 on Amazon's New Releases chart. His film Between Us, an award-winning feature starring Julia Stiles and Taye Diggs, played in 23 festivals in 7 countries, and got a 50+ city theatrical release in the US, and sold to 144 countries, plus screening on Netflix, Showtime, Starz and all digital outlets.Dan was mentored by Robert Altman on his first film, Omaha (the movie), which led him to co-found the upstart Slamdance Film Festival. His film Open House prompted the Academy Awards to controversially rewrite their rules on the Best Original Musical category. Mirvish also co-wrote his bestselling, critically-acclaimed novel I Am Martin Eisenstadt based on the fake McCain advisor who took credit for Sarah Palin not knowing Africa was a continent.A former speechwriter for U.S. Sen. Tom Harkin, Dan has a master's degree from USC film school, is a member of the Directors Guild of America, has guest lectured at more than 45 film schools and universities and was named as one of Variety's Top 50 Creatives to Watch.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

24 Touko 202254min

IFH 582: How to Cast, Finance and Package an Indie Film with Courtney Lauren Penn

IFH 582: How to Cast, Finance and Package an Indie Film with Courtney Lauren Penn

Courtney Lauren Penn co-founded and runs the multi-faceted production company Renegade Entertainment with her co-founder Thomas Jane. Courtney oversees content: producing film, series and hybrid new media projects alongside Jane. Renegade is a pioneering outfit that has been among the most active production labels since launching in late 2019. The company is active in several verticals – feature films, streaming and TV series, and comic book and graphic novel publishing and production.Since its inception, Renegade has produced a slew of independent feature films, a short form comedy series, a television and streaming 8 episode series for the ABC in Australia and IMDBtv/Amazon alongside AGC Television, is currently in production on a comic book series THE LYCAN for ComiXology Originals at Amazon; 3 features the duo produced releasing in 2022 and in pre-production on several films for 2022.The first film the duo executive produced was the western thriller THE LAST SON, starring Thomas Jane, Sam Worthington, Colson Baker (Machine Gun Kelly) (released December 2021), followed by horror comedy SLAYERS, starring Abigail Breslin, Thomas Jane and Malin Akerman (releasing September 2022). Courtney and Jane further produced DIG starring Emile Hirsche, Thomas Jane and Harlow Jane, bowing in June 2022, as well as MURDER AT YELLOWSTONE CITY, starring Richard Dreyfuss, Gabriel Byrne, Isaiah Mustafa, and Thomas Jane, set to premiere June 24, 2022. The company just wrapped on ONE RANGER for Lionsgate in March 2022.Among the myriad projects currently being developed by Courtney and Jane is the long-awaited adaptation of Stephen King’s FROM A BUICK 8. The duo have a large slate including several best-selling novels they are in development on. Adopting a material-first, platform agnostic philosophy, Courtney embraces the growing disruption in the entertainment ecosystem and together with Jane have built a selective slate of compelling stories and edgy material with global commercial appeal. She takes a transmedia approach to cultivating IP and collaborating with gifted storytellers and partners to build out her company’s diverse content slate.Courtney attended the University of Pennsylvania and subsequently studied Filmmaking and Direction at NYU’s Tisch School for the Arts. She is a former National Chess Champion, Top 50 Women’s Chess Player, Visiting Committee Member of Hematologic Oncology at the Dana Farber Institute, Platinum Member of New York Women in Film & Television, Member of the Producers’ Council of the Producers Guild of America, and proud mother to her son. Courtney began her career in sell-side mergers and acquisitions and corporate restructuring on Wall Street.Renegade participates annually in charitable giving to institutions who directly participate in “research to bedside” care for children with cancer and vulnerable children in high conflict zones. In March 2022, Courtney & Jaime King teamed up and used Instagram to promote the booking of AIRBNB’s in conflict zones in the Ukraine as a means of getting funds directly to the people mid-conflict.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

19 Touko 20221h 14min

IFH 581: Screenwriting & Showrunning Friends and Grace & Frankie with Marta Kauffman

IFH 581: Screenwriting & Showrunning Friends and Grace & Frankie with Marta Kauffman

Marta Kauffman is an Emmy- and Golden Globe-winning television writer, producer and showrunner behind the hit series Friends and Grace & Frankie. After graduating from Brandeis University, Kauffman got her big break alongside David Crane when their pilots Dream On (1990) and The Powers That Be (1992) were greenlit. The pair then launched Bright/Kauffman/Crane Productions with Kevin Bright and became the trio that created the iconic sitcom Friends.Marta’s expansive and successful career includes creator, director, EP and showrunner credits on a number of television series, films, digital series and projects. In 2015, Kauffman started her production company, Okay Goodnight, with industry veteran Robbie Tollin and Hannah KS Canter.Their first series, Grace & Frankie, starring Jane Fonda, Lily Tomlin, Martin Sheen, and Sam Waterston premiered on Netflix in 2015 and is Netflix’s longest-running original ever. The series has received multiple Emmy and SAG nominations and is premiering the final episodes of its seventh and last season later this year. In 2018, the company produced the documentary Seeing Allred, which premiered at the 2018 Sundance Film Festival and is currently available on Netflix.Kauffman has received a number of honors and awards including the Paddy Chayefsky Laurel Award for lifetime achievement in television writing from the Writers Guild of America, the 2016 Outstanding Television Writer award at the 23rd annual Austin Film Festival & Screenwriters Conference, The Kieser Award at the 44th Annual Humanitas Awards, and Variety’s TV Producers Impact Report for consecutive years in 2019 and 2020. Okay Goodnight and Kauffman currently have numerous projects in various stages of development at multiple networks.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Touko 20221h 11min

IFH 580: How to Cast a Bankable Star with Thomas Jane

IFH 580: How to Cast a Bankable Star with Thomas Jane

Thomas Jane is a prolific actor, director, and producer, with extensive credits including the series The Expanse and Hung, and the features The Punisher, 61, The Predator and Boogie Nights. Jane recently starred in in the hit thriller The Vanished, and his film Run Hide Fight world premiered at the 77th Venice Film Festival. Jane will next be seen in the anticipated drama series Troppo for IMDb TV/Amazon, based on the bestselling novel by Candice Fox, which he is also executive producing via his Renegade Entertainment banner.Jane founded the production company Renegade Entertainment with Courtney Lauren Penn in 2019. Since its inception, Renegade has produced the soon to be released features Murder at Yellowstone City, starring Jane, Gabriel Byrne, and Isaiah Mustafa; Dig, starring Jane, Emile Hirsch, and Harlow Jane; The Last Son, starring Jane, Sam Worthington and Colson Baker; and Slayers, starring Jane, Abigail Breslin and Malin Akerman.Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, Dreamcatcher, and The Mist.Jane is a writer and director, directing one of the first-ever natively shot films in 3D, the noir thriller Dark Country, as well as the celebrated season 5 episode “Mother” of his hit series The Expanse. He founded the graphic novel company RAW Studios in 2011.Thomas recently opened up his new production company Renegade Entertainment.Thomas Jane and Courtney Lauren Penn’s Renegade Entertainment has been prolific since launching late in 2019. Since the start of the pandemic the company has completed production on Murder at Emigrant Gulch, starring Gabriel Byrne, Isaiah Mustafa, and Thomas Jane; Dig, starring Thomas Jane, Harlow Jane, and Emile Hirsch; The Last Son, starring Thomas Jane, Sam Worthington, and Colson Baker; and Slayers, starring Abigail Breslin, Thomas Jane, and Malin Akerman.Renegade is in production on their first scripted series Troppo, based on the bestselling novel by Candice Fox. Among their projects in development, Renegade is producing a comic series The Lycan, continuing the Malone franchise with a sequel to the cult fan favorite Give ‘em Hell Malone, and producing an adaptation of Stephen King’s From a Buick 8, marking the fourth collaboration between Jane and King, following 1922, The Mist, and Dreamcatcher.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

12 Touko 20221h 10min

IFH 579: I Made a Short Film Now WTF Do I Do With It (Audio Book Preview)

IFH 579: I Made a Short Film Now WTF Do I Do With It (Audio Book Preview)

In this episode you get a FREE PREVIEW of the IFH Books release of I Made A Short Film Now WTF Do I Do With It audio book on Audible.Written by award-winning filmmaker Clarissa Jacobson, I Made A Short Film Now WTF Do I Do With It is jam-packed with hard-earned knowledge, tips, and secrets on how to enter film festivals, promote your movie… and SUCCEED!I Made A Short Film Now WTF Do I Do With It covers everything from what festivals to submit to, how to maximize your money, secure an international presence, deal with rejection, gain publicity, harness the power of social media, what a sales rep does and much more.Included are exclusive filmmaker discounts on services/products from the subtitling company, Captionmax, and promo merchandisers, Medias Frankenstein and The Ink Spot.What Others Are Saying:"I Made a Short Film Now WTF Do I Do With It is jam-packed with first-hand knowledge, tips, and secrets on how to enter film festivals, promote your movie, and achieve your wildest filmmaking dreams. It’s required reading for every indie filmmaker who wants to gain an audience, stand out on the festival circuit, and work towards a career as a filmmaker." -- Film Daily"Ultimately, Clarissa’s book is a very thoughtful reflection on her experiences making and marketing her successful and hilarious horror comedy “Lunch Ladies.” This reflection is a wonderful knew resource for filmmakers who are making or have already completed a new short film, but are looking for some help maximizing its audience-seeking potential." -- Horrible Imaginings Film Festival blogBecome a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

10 Touko 202244min

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