IFH 692: How I Wrote Erin Brockovich with Susannah Grant

IFH 692: How I Wrote Erin Brockovich with Susannah Grant

In the male-dominated world of Hollywood, Susannah Grant has emerged as a powerful force, breaking barriers and reshaping the landscape of screenwriting. With her unique storytelling abilities and uncompromising vision, Grant has become a trailblazer, paving the way for women in the film industry.

Born on January 4, 1963, in New York City, Grant developed a passion for storytelling at a young age. She attended Amherst College, where she studied English and received her Bachelor of Arts degree. Grant's love for writing and storytelling drove her to pursue a career in screenwriting, and she enrolled in the prestigious American Film Institute in Los Angeles.

Grant's breakthrough moment came in 1995 when she wrote the screenplay for the critically acclaimed film, "Pocahontas." Her heartfelt and emotionally resonant script earned her widespread recognition, including an Academy Award nomination for Best Adapted Screenplay. This achievement placed Grant in an elite category, as she became one of the few women to receive such recognition in the film industry.However, it was her work on the film "Erin Brockovich" in 2000 that solidified her position as a groundbreaking screenwriter. Grant's masterful script, based on a true story, portrayed the journey of Erin Brockovich, a determined legal assistant who takes on a corporate giant. The film, directed by Steven Soderbergh and starring Julia Roberts, became a critical and commercial success, earning Grant her second Academy Award nomination.Grant's screenwriting prowess lies in her ability to tell stories that resonate deeply with audiences. Her characters are flawed, complex, and relatable, capturing the essence of the human experience.

Whether it's exploring themes of justice, resilience, or personal growth, Grant's writing delves into the core of the human condition, leaving a lasting impact on viewers.Beyond her skillful storytelling, Grant's contribution to the industry extends to her advocacy for women in film. She has been a vocal supporter of gender equality and has actively fought against the gender disparity that exists within the industry. Grant believes in creating opportunities for female filmmakers and has mentored and championed aspiring women writers, directors, and producers, encouraging them to tell their stories and make their mark in Hollywood.In addition to her screenwriting work, Grant has ventured into directing. In 2007, she made her directorial debut with the film "Catch and Release," which she also wrote. While the film received mixed reviews, it showcased Grant's versatility as a storyteller and her willingness to take creative risks.Grant's impact on the film industry cannot be overstated.

Through her groundbreaking work and unwavering commitment to her craft, she has inspired a new generation of female storytellers, empowering them to shatter the glass ceiling and claim their rightful place in the world of cinema.As the landscape of Hollywood continues to evolve, Susannah Grant remains a steadfast figure, pushing boundaries, challenging conventions, and amplifying the voices of underrepresented communities. Her dedication to storytelling and advocacy serves as a guiding light, reminding us of the transformative power of cinema and the importance of diverse perspectives.In a time when the call for inclusivity and gender equality is louder than ever, Susannah Grant's legacy stands as a testament to the strength, resilience, and creativity of women in film. Through her remarkable career, she has proven that a powerful story knows no gender and that the talent and passion of women in the industry are indispensable. Susannah Grant's impact will continue to be felt for generations to come as she paves the way for a more inclusive and representative film industry.

Please enjoy my conversation with Susannah Grant.




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Jaksot(979)

IFH 332: Is Artificial Intelligence Putting Screenwriters Out of Work? with Andrew Kortschak

IFH 332: Is Artificial Intelligence Putting Screenwriters Out of Work? with Andrew Kortschak

Today on the show we have filmmaker Andrew Kortschak. In today’s digital age, where ‘releasing’ a film involves putting it on Vimeo, new filmmakers often struggle to rise above the noise and break into the exclusive industry.Andrew has a unique approach to this problem and in fact joined forces with a Silicon Valley venture capitalist to build End Cue like a tech startup: via a bi-coastal incubator model where directors cut their teeth and build their portfolios doing commercial work. On such alum of this approach is Jon Watts - Andrew co-produced his NBR award-winning film Cop Car before he’d go on to direct Spiderman: Homecoming.To further address the pain-points of young producers, End Cue even sprouted groundbreaking Artificial Intelligence (AI) technology to save time during the scriptwriting process. This was a fascinating conversation. Enjoy my talk with Andrew Kortschak.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

17 Heinä 201953min

FT 004: Creating Revenue Streams from Your YouTube Short Films with Luke Neumann

FT 004: Creating Revenue Streams from Your YouTube Short Films with Luke Neumann

Today's guest is Filmtrepreneur Luke Neumann. Luke has taken a very interesting filmmaking path. He runs a very popular YouTube channel with over 140,000 subscribers. On his channel, you'll see DIY film tutorials, filmmaking tips and tricks, aerial drone videos, short films and vlogs presented in 4K/UHD, 4K/60fps and 8K. What makes him a Filmtrepreneur is that he leveraged his audience and created multiple revenue streams.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

16 Heinä 201958min

The NEW Filmtrepreneur® Podcast - Introduction | Show Formalities | What to Expect

The NEW Filmtrepreneur® Podcast - Introduction | Show Formalities | What to Expect

After months of preparation, it's finally here, The Filmtrepreneur Podcast! After the success of the Indie Film Hustle Podcast and the Bulletproof Screenwriting Podcast, I felt there was another area of the filmmaking process that I could help filmmakers with, how to actually make money with their films. Filmtrepreneur was born.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

16 Heinä 201922min

IFH 331: Hollywood Screenwriting with Screenwriter John August

IFH 331: Hollywood Screenwriting with Screenwriter John August

Today on the show we have Hollywood screenwriter, director, producer, podcaster and novelist John August. He is known for writing the hit Hollywood films Go, Charlie's Angels, Charlie's Angels: Full Throttle, Big Fish, Charlie, ​and the Chocolate Factory and Frankenweenie, the Disney live-action adaptation of Aladdin and the novel Arlo Finch in the Valley of Fire. He hosts the popular screenwriting podcast Scriptnotes with Craig Mazin, maintains an eponymous screenwriting blog and develops screenwriter-targeted software called​ Highland 2.5 through his company, Quote-Unquote Apps.Enjoy my conversation with John August.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

11 Heinä 20191h 5min

IFH 330: To Film and Die in L.A - Micro-Budget Misadventures with Adam William Ward

IFH 330: To Film and Die in L.A - Micro-Budget Misadventures with Adam William Ward

Today on the show we have writer/director, Adam William Ward. His new film is called Wally Got Wasted. I brought him on the show to discuss the crazy misadventures he had shooting guerilla-style in the City of Angels, Los Angeles. L.A. is probably the toughest city in the world to shoot a guerilla-style film.  His stories are not on filled with knowledge bombs but are entertaining as hell. "Wally Got Wasted" is like "The Hangover" meets "Weekend at Bernie's." It follows the adventures of 3 friends who accidentally kill a scumbag, then screws up getting rid of the body, so they are forced to pretend he is alive as they are chased through downtown LA in one crazy night.Enjoy my entertaining conversation with Adam William Ward.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

9 Heinä 20191h 17min

IFH 329: Shooting a Micro Budget Film in a War Zone with Benjamin Gilmour

IFH 329: Shooting a Micro Budget Film in a War Zone with Benjamin Gilmour

Today on the is one of the bravest indie filmmakers I've ever had the pleasure of meeting, writer/director Benjamin Gilmour. His film Jirga was shot with a tw0 person crew, a Sony A7s Camera he purchased at a local camera shop and an ever-changing​ screenplay. Did I mention he shot this film in Afghanistan​?Three years after an Australian army helicopter raid on a small village led to the killing of an unarmed man, former Australian soldier Mike (Sam Smith) returns to Afghanistan to find the victim’s family. He sets off on a perilous journey over a terrain where both the Taliban and ISIS are active. Mike is determined to make amends and so puts his life in the hands of the Jirga – the village justice system. Jirga is screening in US cinemas in AugustThis unconventional film about the war in Afghanistan became Australia's submission for the Oscar's Foreign Language category in 2019. As we spoke on this episode my mouth keeps​​ dropping on the floor. One issue​ after another, with crazy stories and life-threating​g situations this episode has it all. I dont't want to hear any excuses. If you want to make your film you find a way to do it.Enjoy my inspirational conversation with Benjamin Gilmour.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

2 Heinä 201946min

THROWBACK FRIDAY: How to Direct the Character, Not the Actor with Mark Travis

THROWBACK FRIDAY: How to Direct the Character, Not the Actor with Mark Travis

This week I have the pleasure of having directing coach Mark Travis on the show. I was introduced to him after I watched his stellar workshop Hollywood Film Directing, which he co-instructed with Gil Bettman (he'll be on the show soon).Mark Travis has developed a new way to directing actors called The Travis Technique. Mark teaches directors how to direct the character (not the actor) in order to create instantaneous authentic performances, even on tight schedules and tiny budgets. Here's a bit on The Travis Technique.Acting is too often just pretending. And most directing is demanding and controlling and result oriented.  And consequently, the final product suffers. But it doesn’t have to be that way. When you use The Travis Technique, you can achieve instantaneous and authentic performances from actors that are deeply felt by audiences.  The Travis Technique is an organic approach to directing actors that are guaranteed to create authentic characters and performances by shifting the focus from directing the actor to directing the character.Mark Travis first created his techniques out of the necessity to generate the most authentic performances within actors under a tight schedule and often an even tighter budget.  In the last 20-years, the Travis Technique has grown and is now used by some of the best directors, actors and writers in Hollywood and the international film market. Mark has taught The Travis Technique to students all over the world in over 50 film schools.When actors, directors, and writers use the Travis Technique, it’s not just a performance anymore.  It becomes REAL!   The Travis Technique creates organic authenticity in every performance and under all circumstances. This translates immediately onto the screen and gains enormous attention for the director, actor, and writer.Most directors make a critical mistake: They direct only the actor, not the character. And that is just one of the many techniques directors must master.  They also must learn how to expertly stage scenes, understand exactly how camera angles intensify or diminish a shot amongst hundreds of other skills to become a renowned, in-demand, and working director.Winner of over 30 directorial awards, teaching internationally in 50 prestigious film schools, for the past 20-years Mark Travis’ workshops and seminars have covered the entire filmmaking process including all stages of preparation, pre-production, production, and post-production.  Mark has been instrumental in launching successful directorial careers in the US and internationally.Sought out by the most experienced directors, Mark now teaches his signature Travis Technique: a simple, immediate, and powerful Directing Tool, directors can use to achieve instantaneous authentic performances that translate brilliantly onto the screen.Here's some info on Mark Travis:Mark Travis is regarded by Hollywood’s top brass and international film professionals as the world’s leading authority on the art and craft of film directing.  All of his techniques stem from the pursuit of organic authentic performances that are deeply felt by audiences.He is currently on the faculty of HFF (Munich), HSU (Kiev) and has taught at AFI, UCLA, The Binger Institute (Amsterdam), PU (Pixar University), FAS Screen Training Ireland and many other internationally acclaimed institutions and film schools.  He has served as He has served as a directorial and creative consultant to Mark Rydell, George Tillman, Cyrus Nowrasteh, and dozens of Independent filmmakers in Hollywood and internationally.  He is respected and recommended by top actors such as Beau Bridges, Henry Winkler, and Bill Pullman.Enjoy my conversation with Mark Travis.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

28 Kesä 20191h 54min

IFH 328: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

IFH 328: Producing Terrance Malik & Build a Mammoth Empire with Tanner Beard

Today on the show we have renaissance filmmaker Tanner Beard. I Had the pleasure of meeting him at the Mammoth Film Festival this year. His adventures in Hollywood are pretty amazing.Tanner Beard is a film and television actor, producer and director as well as CEO of Silver Sail Entertainment and Mammoth Film Festival. SSE was created during the industry strike of 2008 with a concentration on cultivating professional media content without sacrificing the integrity and artistic vision of the content creators themselves.Tanner has since produced various projects including a travel show, award-winning short films, award-winning documentaries, commercials, music videos and multiple seasons of a web-based television series. His feature film producer credits include critically acclaimed 'Hellion" starring Aaron Paul and Juliette Lewis, and 'Legend of Hell's Gate,' which he also wrote, directed and starred in alongside Eric Balfour, Henry Thomas, Jenna Dewan Tatum, Summer Glau, Kevin Alejandro, and Lou Taylor Pucci. Mammoth Film Festival was named by the press as "the biggest first-year film festival ever created" in 2018.In early 2015, Tanner Beard entered into a four-film partnership with iconic Oscar Nominated Director Terrance Malick and producer Sarah Green. 'Knight of Cups' stars Christian Bale, Ryan Gosling, Cate Blanchett, Michael Fassbender, and Natalie Portman. The only documentary of the partnership, 'Voyage of Time,' was produced alongside Brad Pitt, who also narrates the film. It recently premiered at the Venice Film Festival and had its North American Premiere at the Toronto International Film Festival.Enjoy my conversation with Tanner Beard.Become a supporter of this podcast: https://www.spreaker.com/podcast/indie-film-hustle-a-filmmaking-podcast--2664729/support.

25 Kesä 20191h 6min

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