Robert Nichols, "Theft Is Property!: Dispossession and Critical Theory" (Duke UP, 2019)

Robert Nichols, "Theft Is Property!: Dispossession and Critical Theory" (Duke UP, 2019)

Robert Nichols, an associate professor of political theory at the University of Minnesota, has written an engaging and important examination of the clash between the western theoretical approaches to the idea of property and possession and the understanding of land property and possession held by indigenous peoples in a variety of societies settled by Anglophone colonizers. Theft Is Property!: Dispossession and Critical Theory (Duke University Press, 2019) pulls together or bridges intellectual traditions, bringing indigenous political thought into conversation with critical theory and Anglo social contract theory, centering on the different understandings of property, ownership, and possession. Nichols weaves together a variety of different ways of thinking about the questions of property and possession, examining the language that is applied to the concept of property and how this also defines our understanding of possession and dispossession as well as the dichotomous ideas of property and theft. He also traces the early modern concepts of property and contract and the contemporary legal arguments that have been made to claim land and property from indigenous peoples. Folded into these discussions is a richly delineated argument that lays out the tension inherent in the idea of property, and how this idea was transformed within the context of the European intellectual tradition, and how critical theory subsequently problematized property and possession. Theft is Property! explores the idea of recursive dispossession, which Nichols explains as the situation where “new proprietary relations are generated but under structural conditions that demand their simultaneous negation.” The exploration of this concept—through critical race theory, Marxism, and feminist theory—takes the reader on a journey focusing on the longstanding claims made by indigenous peoples in Australia, New Zealand, Canada, and the United States, and the counteractions and arguments made by Anglo-settler societies, which have generally left indigenous communities essentially dispossessed of both land and rights. Lilly J. Goren is professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Daniel HoSang and Joseph E. Lowndes, "Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity" (U Minnesota Press, 2019)

Daniel HoSang and Joseph E. Lowndes, "Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity" (U Minnesota Press, 2019)

Dan HoSang and Joe Lowndes’ new book,Producers, Parasites, Patriots: Race and the New Right-Wing Politics of Precarity (University of Minnesota Press, 2019) documents the changing politics of race and...

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Abigail De Kosnik and Keith P. Feldman, "#Identity: Hashtagging Race, Gender, Sexuality, and Nation" (U Michigan Press, 2019)

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In the new book #Identity: Hashtagging Race, Gender, Sexuality, and Nation (University of Michigan Press, 2019), Abigail De Kosnik and Keith Feldman bring together a broad array of chapters that dive ...

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Manu Karuka, "Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad" (U California Press, 2019)

Manu Karuka, "Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad" (U California Press, 2019)

What does anti-imperialism look like from the vantage point of North America? In Empire’s Tracks: Indigenous Nations, Chinese Workers, and the Transcontinental Railroad(University of California Press,...

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Niall Geraghty, "The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature" (U Pittsburgh Press, 2019)

Niall Geraghty, "The Polyphonic Machine: Capitalism, Political Violence, and Resistance in Contemporary Argentine Literature" (U Pittsburgh Press, 2019)

What options for resistance are left to the author of fiction in a nation structured by totalizing political and economic violence? This is the question at the heart of Niall Geraghty’s eloquent and e...

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John Pat Leary, "Keywords: The New Language of Capitalism" (Haymarket Books, 2019)

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John Pat Leary's Keywords: The New Language of Capitalism (Haymarket Books, 2019) chronicles the rise of a new vocabulary in the twenty-first century. From Silicon Valley to the White House, from kind...

28 Touko 201942min

Zachary Kramer, "Outsiders: Why Difference is the Future of Civil Rights" (Oxford UP, 2019)

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Outsiders: Why Difference is the Future of Civil Rights(Oxford University Press, 2019) by Zachary Kramer (Oxford University Press, 2019) sets forth an imaginative critique of the way that civil rights...

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Dia Da Costa, "Politicizing Creative Economy: Activism and a Hunger Called Theater" (U Illinois Press, 2016)

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In a world where heritage, culture, creativity, and the capacity to imagine are themselves commodified and sold under the banner of neoliberal freedom, (how) can art be harnessed for anti-capitalist a...

24 Touko 20191h

Jinhua Dai (ed. Lisa Rofel), "After the Post-Cold War: The Future of Chinese History" (Duke UP, 2018)

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Although not all that well known to English-speaking audiences, cultural critic and Peking University professor Jinhua Dai’s incisive commentaries and critiques of contemporary Chinese life have eleva...

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