Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)

Waleed Mahdi, "Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation" (Syracuse UP, 2020)

Dr. Waleed Mahdi’s book, Arab Americans in Film: From Hollywood and Egyptian Stereotypes to Self-Representation (Syracuse University Press) offers a comparative analysis of the portrayals of Arab Americans in film and interrogates how such representations have been, and continue to be, disrupted and challenged. By approaching such cinematic representations as a critical site of inquiry from which to analyze the shape of national identity, then, Arab Americans in Film questions the role of cultural productions in perpetuating images of exclusion and inclusion, and the possibility of re-narrating the Arab American experience beyond such imperatives. In examining the cultural production of Arab American identity in film, Arab Americans in Film importantly unsettles ‘the national’ as a theoretical category of analysis to illustrate how the construction of Arab American ‘Otherness’ is not simply a product of U.S. orientalist histories but of constructions of the ‘Self’ and ‘Other’ which exist in both US and Arab state national narratives. In so doing, the book captures the multi-layered articulations of Arab American subjectivity across US and Arab collective memories and filmmaking industries in an effort to explore the heterogeneity of Arab Americans’ consciousness in ways which locate their narratives at the crossroads of the individual and the collective, the local and the national, and the national and the transnational. Through an in-depth discussion of a wide variety of films from three distinct, and yet comparable, cinematic genres – Hollywood cinema, Egyptian cinema, and Arab American cinema – Arab Americans in Film traces the competing narratives of Arab American belonging to enhance the understanding of how Othering is at once constructed and challenged, and what is at stake in those ongoing, parallel processes. Waleed Mahdi is an assistant professor at the University of Oklahoma with joint affiliations in the Department of International and Area Studies and the Department of Modern Languages, Literatures, and Linguistics. This interview is part of an NBN special series on "Mobilities and Methods". Josephine Chaet is a doctoral student in the department of Anthropology at the University of Illinois at Chicago. Her work focuses on questions of authoritarian politics and women's organizing in Amman, Jordan.' Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Vanessa A. Bee, "Home Bound: An Uprooted Daughter's Reflections on Belonging" (Astra, 2022)

Vanessa A. Bee, "Home Bound: An Uprooted Daughter's Reflections on Belonging" (Astra, 2022)

Vanessa A. Bee is a consumer protection lawyer with a freelancing habit. Primarily interested in inequality, corporate power, the American Left, and Washington D.C. She also loves a good meandering es...

4 Tammi 202338min

Gareth Dale, et al., "Revolutionary Rehearsals in the Neoliberal Age: Struggling to Be Born?" (Haymarket Books, 2021)

Gareth Dale, et al., "Revolutionary Rehearsals in the Neoliberal Age: Struggling to Be Born?" (Haymarket Books, 2021)

The last several decades have seen a mass consolidation of wealth among a few, the rest of the world left to various degrees of dispossession. On top of this, the revolutionary movements that characte...

2 Tammi 20231h 6min

Mairead Sullivan, "Lesbian Death: Desire and Danger Between Feminist and Queer" (U Minnesota Press, 2022)

Mairead Sullivan, "Lesbian Death: Desire and Danger Between Feminist and Queer" (U Minnesota Press, 2022)

The loss of lesbian spaces, as well as ideas of the lesbian as anachronistic, has called into question the place of lesbian identity within our current culture. In Lesbian Death: Desire and Danger Bet...

1 Tammi 202356min

Aaron Moulton, "The Influencing Machine" (Ujazdowski Castle Centre for Contemporary Art, 2022)

Aaron Moulton, "The Influencing Machine" (Ujazdowski Castle Centre for Contemporary Art, 2022)

In the 1990s, a network of twenty Soros Centres for Contemporary Art sprung up across Eastern Europe: Almaty, Belgrade, Budapest, Kiev, Ljubljana, Prague, Riga, Sarajevo, Tallinn, Warsaw, and Zagreb a...

31 Joulu 20221h 21min

Tommie Shelby, "The Idea of Prison Abolition" (Princeton UP, 2022)

Tommie Shelby, "The Idea of Prison Abolition" (Princeton UP, 2022)

By any reasonable metric, prisons as they exist in the United States and in many other countries are normatively unacceptable. What is the proper moral response to this? Can prisons and the practices ...

30 Joulu 20221h 11min

Abdul Alkalimat, "The Future of Black Studies" (Pluto Press, 2022)

Abdul Alkalimat, "The Future of Black Studies" (Pluto Press, 2022)

The marginalisation of Black voices from the academy is a problem in the Western world. But Black Studies, where it exists, is a powerful, boundary-pushing discipline, grown out of struggle and commun...

29 Joulu 20221h 32min

Ed Cohen, "On Learning to Heal or, What Medicine Doesn't Know" (Duke UP, 2022)

Ed Cohen, "On Learning to Heal or, What Medicine Doesn't Know" (Duke UP, 2022)

At thirteen, Ed Cohen was diagnosed with Crohn’s disease—a chronic, incurable condition that nearly killed him in his early twenties. At his diagnosis, his doctors told him that the best he could hope...

28 Joulu 20221h 23min

Luke Munn, "Automation Is a Myth" (Stanford UP, 2022)

Luke Munn, "Automation Is a Myth" (Stanford UP, 2022)

For some, automation will usher in a labor-free utopia; for others, it signals a disastrous age-to-come. Yet whether seen as dream or nightmare, automation, argues Munn, is ultimately a fable that res...

27 Joulu 20221h 5min

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