Reality TV

Reality TV

In this episode of High Theory, Olivia Stowell speaks with Saronik about Reality TV. In the episode she talks about the genesis of the genre in Candid Camera, An American Family, COPS and America’s Most Wanted, before the watershed moment of The Real World in the 1990s. She references the work of June Deery, and Pier Dominguez on the commercial realism and affective economies of reality tv, and Susan Douglass’s article “Jersey Shore: Ironic Viewing.” She reminds us that Reality TV dramatizes the life of the neoliberal subject under surveillance, and explicates our “trashy” desires. Olivia Stowell is a Ph.D. student in the Department of Communication at the University of Michigan, where she studies the intersections of race, genre & narrative, food, and temporality in contemporary popular culture. Her scholarship has appeared or is forthcoming in Television & New Media and New Review of Film & Television, and her public writing has appeared in Post45 Contemporaries, Novel Dialogue, Avidly: A Channel of the L.A. Review of Books, and elsewhere. The image for this episode was made by Saronik Bosu. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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Piergiorgio Di Giminiani, "Alterhumanism: Becoming Human on a Conservation Frontier" (U Arizona Press, 2025)

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Jonathan Quong, "Political Philosophy: The Puzzle of Legitimate Injustice" (Princeton UP, 2026)

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Michael Diniscia and Ellyn M Toscano eds. "Civility Unbound: Contesting a Democratic Value" (NYU Press, 2026)

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3 Syys 1h 2min

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1 Syys 31min

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31 Elo 36min

Raf de Bont et al eds., "Globalizing Wildlife" (UNC Press, 2026)

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31 Elo 46min

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Brought to you by the BISA Environment and Climate Politics Working Group. Decolonizing Environmentalism: Alternative Visions and Practices of Environmental Action (Bloomsbury, 2024) helps us reim...

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